"I hate to see two men fight, because if they're spirited it's bound to be serious. But still I can't bear to see a good man and a hard-working man be made a laughing-stock for everybody. Get me?"
Amadeo Zureda first grew pale and then red. Yes, he knew something was up. The old man had called him to tell him some terrible mystery. He felt that the strange feeling of vacancy all about him, which he had been sensing for some time, was at last going to be explained. He trembled. Something black, something vast was closing over his head; it might be one of those fearful tragedies that sometimes cut a human life in twain.
"I don't know how to talk, and I don't like to talk," went on the tavern-keeper. "That's why I don't beat round the bush, but I call a spade a spade. Yes, sir, I call things by their right names. Because in this world, Amadeo—you mark my words—everything's got a name."
"That's so, Señor Tomás."
"All right. And I'm one of those fellows that go right after the truth the way I used to go after the bull—go the quickest way, which is the best way, because it's the shortest."
"That's right, too."
"Well, then. I like you first-rate, Amadeo. I know you're a worker, and I know you're one of those honest men that wouldn't stand for any crooked work to turn a dollar. And I know, too, you're a man that knows how to use his fists and how to run up the battle-flag of the soul, when you have to. I'm sure of all this. And by the same token, I won't let anybody make fun of you."
"Thanks, Señor Tomás."
"All right! Now, then, in my house, right here, people are saying your wife is thick with Manolo Berlanga!"
The eyes of the tavern-keeper and the engineer met. They remained fixed, so, a moment. Then the eyes of Zureda opened wide, seemed starting from their sockets. Suddenly he jumped up, and his square finger-nails fairly sank into the wood of the table. His white lips, slavering, stammered in a fit of rage: