Two Summers in Guyenne: A Chronicle of the Wayside and Waterside

by Edward Harrison Barker

When the sun is near setting, a sound very different from the warble of a bird is heard close by. It is some leader of a frog orchestra in the sedges of the canal giving the first note. It is like a quirk of gluttony just rousing from the torpor of satisfaction. The note is almost immediately taken up by other frogs, and the croaking travels along the canal-banks as fire would if there were a gale to help it. But the music only lasts a few minutes, for the hour is yet too early for the great performance. The frogs are only beginning to feel a little lively. It is when the sun has gone quite down, and the stars begin to twinkle upon the water, that the ball really opens. Then the gay tumult seems to extinguish every other sound, and to fill the firmament. Oh! they must have a high time of it, these little green-backed frogs that make so much noise throughout the warm nights of June. Sometimes I creep into my canoe and paddle by the light of moon or stars as noiselessly as I can along the fringe of sedges and flags and bullrushes, hoping to watch them at their gambols. But the frog is a very sly reptile, and you must stay up very late indeed in order to be a match for him in craft, unless you dazzle his eyes with the light of a torch or lantern. Then he is a fool in the presence of that which is out of the order of his surroundings, and his amazement or curiosity paralyzes his muscles. It is in this way that those who want the jolly frog just to eat his hind-legs à la poulette or otherwise catch him with the hand, unless they have the patience and the cruelty to fish for him with a hook baited with a bit of red flannel.

Now I will speak of my own hermitage, my ideal nook for writing, reading, and doing nothing, which, after much wandering and vain searching, I found at length here. Yes, I found it at last; and I much fear that I shall never find another like it. It lay at the back of the château, beyond the shaded nettles and the ancient quinces. My ordinary way to it was through a piece of waste, which, with unintentional sarcasm, was called the 'Little Park.' It was overgrown by burdocks, to which it had been abandoned for years—who could tell how many?—and was rambled over by turkeys, guinea-hens, and other poultry. Then I passed through a little gate, crossed another bit of waste that was neither lawn nor field, skirted a patch of buckwheat, and entered a small wood or shrubbery, where plum and filbert trees grew with oaks and beeches, until I came to water. This was the vivier of the château—fishpond, long drawn out like a canal, and fed by a spring, but which had been left to itself until it was nearly shaded over by alders and other trees. At the end farthest from all habitations was a little structure built of stones, open on one side, and with small orifices in the three remaining walls. These could be closed, and yet they were not windows. Their purpose was much more like that of loopholes in a mediaeval barbican. They were to enable the man inside to watch the movements of migratory birds, and to send his shot into the thick of them when, unsuspecting danger, they chanced to come within range. The little building was an affût. Near to it was a sort of fixed cage, intended for decoy birds, but it had long been without tenants when I took possession of this refuge from all the human noises of the world. The other sounds did not worry me, although they often drew me from my work. The splash of a fish would take me to the water's edge, where I would watch the small pikes lying like straight roots that jut from the banks under water. The cooing of the little brown turtles in the trees overhead, the movements of a pair of kingfishers that would often settle close by upon an old stump, the magpies and jays, and especially the oriels, would make my thoughts wander amongst the leaves while the ink was drying in the pen. The oriels tantalized me, because I could always hear them in the crests of the trees, until, about the middle of August, they went away on their long journey to the South, but could very rarely catch sight of their gold and black plumage. Although they will draw near to gardens to steal fruit when they have eaten the wild cherries, they are among the most suspicious and wary of birds.

The oriel is a strange singer. It generally begins by screeching harshly; then follow three or four flute-like notes, which seem to indicate that the bird could be a musician if it would only persevere. But it will not take the trouble. It goes on repeating its 'Lor-e-oh!' just as its tree-top companions, the cicadas, keep up their monotonous creaking.

From my cabin I could see all the lights, colours, and shadows of the day change and pass, but the sweetest music of the summer hours was heard when the soft sunshine of evening fell in patches on the darkening water, and on the green grass on each side of the brown path strewn with last year's trodden leaves.

Sometimes a hedgehog would creep across the narrow path, shaded with nut-bushes, oaks, and alders towards the water, and at night—I was often there at night—the glow-worms gleamed all about upon the ground, and there were mysterious whisperings whose cause I could not trace. Yes, it was an ideal literary hermitage, but as perfection is not to be found anywhere on land or water, even this spot had its drawback. There were too many mosquitoes. My friend the owner of the château often said to me, 'La moustigue de l'Isle n'est pas mêchante;' but on this point I could not agree with him. I bore upon me visible signs of its wickedness; but in course of time I and the 'mostique de I'Isle' lived quite harmoniously together in the little shanty under the trees.

Where the weedy and shady avenue leading to the château made an angle with the highroad, there was often a caravan or tilt-cart stationed for days together. Sometimes it was the travelling house of a tinker and his family; in which case the man was generally to be seen working outside upon his pots and pans in the shade of a tree. Sometimes it belonged to a party of basket and rustic-chair makers, who gathered the reeds and hazel-sticks that they needed as they passed through the country. Some were gipsies, and some were not; but all were baked by the sun almost to the colour of Moors. Having a taste for nomadic life myself, I used to stay and talk to these people from time to time; but none of them interested me so much as the wandering cobbler and his dog, whose acquaintance I had made higher up the country amongst the rocks.

I can still see them both in the shade of the old gateway; the man seated in the entrance of the little tower, where, at the top of the spiral staircase, is the village prison; the dog lying with his nose upon his paws just within the line drawn by the gateway's shadow across the dazzling road. They both came one evening and took up their position here with as much assurance as if it had been theirs by right of inheritance. They soon set to work, the man mending boots and shoes, and the dog making himself disagreeable to all the male members of the canine population for a couple of miles or so around. Until the cobbler's companion settled down comfortably, he had several exhilarating fights with local dogs that looked upon him as an intruder and an impostor. He really was both. He had no great courage, but he had grown impudent and daring from the day that he had first worn a collar armed with spikes. When his enemies had taken a few bites at this, they came to the conclusion that there was something very wrong in his anatomy. After the first encounter they were not only willing to leave him alone, but were exceedingly anxious to 'cut' him when they met him unexpectedly. They approached the gateway as little as possible; but when they were obliged to pass it, they drew their tails under them, showed the whites of their eyes, and having crept very stealthily to within ten yards or so of the archway where the interloper appeared to be dozing, they made a valiant rush towards the opening. Notwithstanding these precautions, the cobbler's dog, which had been watching them all the while out of the corner of one eye, was often too quick for them.

Man and dog were ludicrously alike both in appearance and character. The beast was one of the ugliest of mongrels, and the man might well have been the final expression of the admixture of all races, whose types had been taken by destiny from the lowest grades of society. They were both grizzly, thick-set, and surly. They both seemed to have reached the decline of life with the same unconquerable loathing of water, except as a means of quenching thirst. The dog, although some remote bull-dog ancestor had bequeathed him short hair, had bristles all over his face just like his master. They were a couple of cynics, but they believed in one another, and loved one another with an affection that was quite edifying. The dog wished for nothing better than to lie hour after hour near his master, hoping always, however, for an occasional fight to keep him in health and spirits. The cobbler did nothing to make himself liked by the inhabitants, but he could afford to work more cheaply than others who were 'established,' and who had a wife and children to keep; consequently the pile of old boots and shoes that looked quite unmendable rose in front of him, and for three or four weeks he remained in the same place stitching and tapping. Having locked up his things at night in the tower—he had obtained permission to make this use of it—he disappeared with his dog, and what became of them until next day was a mystery.

I admired the blunt independence and practical philosophy of this homeless man. Although he was disagreeable to others, he was on good terms with himself, and seemed quite satisfied with his lot. If, when he had named his price for mending a pair of shoes, anybody tried to beat him down, he would say, 'Take them and mend them yourself!' His incivility obtained for him a reputation for honesty, and his prices were soon accepted without a murmur. He talked to nobody unless he was obliged to do so, and by his moroseness he came to be respected. I managed to draw him into conversation once by feigning to be much impressed by the comeliness and amiable nature of his dog, and he then told me that he had been wandering ever since he was a boy in Languedoc and Guyenne, stopping in a village as long as there was work to do and then moving on to another. Wherever people wore boots or shoes—if it were only on Sundays—there was always something to be done by working cheaply.

The silent cobbler might have kept his open-air shop longer than he did in the shadow of the mediaeval gateway, if his dog had not quarrelled with the sole representative of police authority for having put on his gala uniform, which included a cocked-hat and a sword. For this want of respect the animal was imprisoned in the room of the tower, to the great joy of all the other dogs, but to the intense grief of his master, who found it impossible to turn a deaf ear to the plaintive moans that reached him from above. And thus it came to pass that they went away together rather suddenly in search of a gateway somewhere else, the dog earnestly praying, after his fashion, that it might not be one with a tower.