One June morning, soon after sunrise, twenty-seven mowers came to the château to cut the grass in the great meadow lying between the river under the cliffs and my moat—I called it mine because it was almost made over to me for the time being, together with the bit of wood and the cabin. Each mower brought with him his scythe, an implement of husbandry which in France is in no danger of being classed with agricultural curiosities of the past. Here the reaping and the mowing machine make very little progress in the competition between manual and mechanical labour. In the southern provinces, few owners of the soil have ever seen such contrivances. People who cling to the poetic associations of the scythe and the sickle—and who does not that has been awakened by their music in his childhood?—must not cry out against the laws which have caused the land of France to be divided up into such a multitude of small properties, for it is just this that preserves the old simplicity of agriculture as effectually as if some idyllic poet with a fierce hatred of all machines were the autocratic ruler of the country. Whether the nation gains or loses by such a state of things is a question for political economists to wrangle over; but that the artist, the seeker of the picturesque, the romantic roamer, and the sentimental lover of old custom gain by it can hardly be denied.

Some of the mowers were men of sixty, others were youths of seventeen or eighteen: all were contented at the prospect of earning nothing, but of being treated with high good cheer. Now, victuals and drink are a great deal in this life, but not everything, and these men would not have come on such terms had they not been moved by a neighbourly spirit. They were themselves all landowners, or sons of landowners. Had wages been given, two francs for the day would have been considered high pay, and the food would have been very rough. No turkeys would have had their throats cut; no coffee and rum would have been served round. In short, this haymaking day was treated as an annual festival.

A goodly sight was the long line of mowers as their scythes swept round and the flowery swathes fell on the broad mead in the tender sunshine, while the edges of the belt of trees were still softened by the morning mist. After the mowers, all the workers employed on the home-farm, men, women, and boys, entered the field to turn the swathes, which in a few hours were dried by the burning sun. On the morrow a couple of oxen drew a creaking waggon into the field, and when the angelus sounded from the church-tower in the evening the haymaking was over. But I have not yet described the mowers' feast.

At about ten o'clock the big bell that hangs outside the château is rung, and the mowers, dropping their scythes, leave the field and troop into the great kitchen, which has changed so little for centuries. The pots and pans hanging against the walls, and the pieces of bacon from the beams, have been renewed, but not much else. There is the same floor paved with stones, now much cracked and worn into hollows, the same hearth and broad chimney with hanging chain; and the long table and benches stretching from end to end, although their age is uncertain, were certainly fashioned upon the exact model of others that preceded them. Richard Coeur-de-Lion, when campaigning in Guyenne, may have sat down many a time to such a table as this, and to just such a meal as the one that is about to be served to the mowers, with the exception of the coffee and rum.

Let us take a look into the great caldrons, which appear to have come out of Gargantua's kitchen. One contains two full-sized turkeys and several fowls, another a leg of pork, and a third a considerable portion of a calf. Then there is a caldron of soup, made very 'thick and slab.' Home-baked loaves, round like trenchers, and weighing 10lb. each, are on the side table, together with an immense bowl of salad and a regiment of bottles filled with wine newly drawn from the cask.

In the evening, when all the grass has been cut, there is another and a greater feast. The work being done, the men linger long at the table. Then all the household is assembled in the great kitchen, including the châtelain and châtelaine, and the young men who are known to have voices are called upon to sing. They do not need much pressing, for what with the heat of the sun during the day, then the wine, the coffee and rum, their blood is rushing rather hotly through the veins. One after another they stand up on the benches and give out their voices from their sturdy chests, which are burnt to the colour of terra-cotta. They make so much noise that the old warming-pan trembles against the wall. Although they all speak patois among themselves, they are reluctant to sing the songs of Périgord in the presence of strangers. The young men are proud of their French, bad as it is, and a song in the café-concert style of music and poetry fires their ambition to excel on a festive occasion like this, whilst their patois ditties seem then only fit to be sung at home or in the fields. At length, however, they allow themselves to be persuaded, and they sing in chorus a 'Reapers' Song,' composed long ago by some unknown Périgourdin poet, who was perhaps a jongleur or a troubadour. The notes are so arranged as to imitate the rhythmic movements of the reaper: first the drawing back of the right arm, then the stroke of the sickle, and lastly, the laying down of the cut corn. There is something of sadness as well as of joy in the repeated cadences of the simple song, and it moves the heart, for now the old men join in, and the sound gathers such strength that the little martins under the eaves must be pressing troubled breasts against their young.

This château had remained in the same family for centuries, and the actual owner, although by no means indifferent to the noble exploits of his ancestors, had long ago settled down to the life of an agricultural gentleman, and devoted what energy may have come down to him from the Crusaders to the cultivation of tobacco, the improvement of stock, the rearing of pigeons and poultry, the planting of trees, and a great deal more belonging to the same order of interest. He was a strongly marked type of the gentilhomme campagnard, in whom blue blood combines perfectly with rustic tastes and simplicity of manners. Like most men who live greatly to themselves, he had his hobbies, and they were all of a very respectable kind. One was to surround himself with trees; another was to have all kinds of captive birds about him. I was never able to know exactly how many aviaries he possessed, for I was always finding a fresh one curiously hidden in some neglected corner. He liked to mix up all sorts of birds together, such as pigeons, doves—tame and wild—blackbirds, linnets, canaries, chaffinches, sparrows, tomtits—no, the tomtits had been turned out. I asked why.

'Because,' said M. de V., 'there is no bird so wicked for its size as the titmouse. It pecks other birds with which it is shut up so often in the same part of the head that at length it makes a hole and picks out the brains.'

He used to catch his birds by means of a long net, and his favourite place for spreading it was along the side of the patch of buckwheat which was sown to feed the captives. He was a true lover of birds, and by observing them had stored up in his mind a fund of curious knowledge respecting their characters and habits. He only worked a portion of his land with the aid of the servants of the château; the rest was farmed on the system of métayage, for which he had a very strong liking. He said it was far preferable from the landlord's point of view to leasing, because the owner of the soil remained absolute master of his property. He could take care that nothing was done which did not please him, for the métayer or colon was on no firmer footing than that of an upper servant. If the landlord was not satisfied with the manner in which his land was treated, or if he suspected his métayer of trying to take an unfair advantage of him in the division of proceeds, all he had to do was to change him for another. But it was the interest of both to work well together, and it was the duty of the landlord to assist the métayer as much as possible, especially when times were hard.

On this estate the colons were housed free, but they paid one-third of the taxes. At the time of sowing, the seed was found by the landlord, but the colon returned half of the amount when the crop was gathered.