7. A celebrated diamond, in the possession of the emperor of Russia, is denominated the Effingham or Russian diamond. It was brought to England by the Earl of Effingham, while governor-general of India, and sold to the Empress Catharine for £90,000. It is inferior in shape to the last mentioned, but superior to it in magnitude, it weighing 198 carats. The Queen of England has a diamond which cost £22,000.
8. The largest diamond hitherto known was found in the island of Borneo, and it is now in the possession of the Rajah of Mattan. Many years ago, the governor of Batavia offered, in exchange for it, $150,000, and two large brigs of war with their equipments and outfit; but the rajah refused to part with the jewel, to which the Malays supposed miraculous power belonged, and which they believed to be connected with the fate of his family. The weight of this diamond is 367 carats.
9. Other jewels, belonging to different sovereigns, as well as to private persons, might be mentioned; but a sufficient number has been noticed to enable the reader to form some idea of the extravagant expenditures often made for articles of imaginary value. We will merely add that the royal family of Portugal is in possession of a stone which was formerly supposed to be a diamond, but which has lately proved to be some kind of crystal of little value. The weight of this stone is 1680 carats; and, until its real character was discovered, it was valued at 224 millions sterling.
10. The value of precious stones was much increased in ancient times, by the absurd notion commonly entertained, that they possessed miraculous powers in preventing or curing diseases, as well as in keeping off witches and evil spirits. These notions still prevail more or less in heathen nations; and many, even in countries called Christian, wear them, or something else, as amulets for the same or similar purposes.
11. The Gem-sculptor.—Figures and letters are often cut in precious stones by the gem-engraver, or gem-sculptor, whose art, according to the opinion of some writers, originated with the Babylonians; but, according to others, it had its commencement in India or Egypt. In the latter country, it was first employed in the production of hieroglyphical figures on basalt and granite rocks. This art, which is denominated lithoglyptics, or the glyptic art, was held in great estimation by the Greeks in ancient times. It arose to eminence with the other fine arts; and, like them, it had its zenith of perfection, was buried with them in the ruins of the Roman empire, and with them revived towards the end of the fifteenth century.
12. The productions of gem-sculpture are chiefly of two kinds. The first of these are cameos, which are little bas-reliefs, or figures raised above the surface. They are commonly made of stones, the strata of which are of different colors, so that the figure is different in color from the ground on which it has been raised. The other productions of this art are denominated intaglios. The work of these is the reverse of that first mentioned, since the figure is cut below the surface of the stone, so that they serve as seals to produce impressions in relief upon soft substances.
13. This artist performs his work by means of a lathe, with the aid of diamond dust. The instruments are made of soft iron, and are fixed in leaden chucks, which can be readily fastened to one end of the mandril. The diamond dust is made into thin paste with olive oil, and is applied to the point of the instrument. The small invisible particles insinuate themselves into the iron, where they remain permanently fixed. In producing figures and letters with a tool thus charged with the hardest substance in nature, the precious stone is brought in contact with it while in rapid motion.
14. The engraved gems of antiquity have been greatly esteemed, as works of art, by the curious, and various methods have, therefore, been devised to imitate them. This has been done in glass in such perfection, both as to form and color, that good judges can scarcely distinguish the imitations from the originals. The impression of the gem is first taken in some kind of fine earth; and, upon the mould thus formed, the proposed material is pressed, while in a plastic state.
15. The precious stones generally have likewise been imitated with great success. The basis of the different compositions is a paste made of the finest flint glass, the materials of which have been selected and combined with great care. The desired color is produced with metallic oxydes. A great number of complex receipts are in use among manufacturers of these articles.
16. The Lapidary.—The precious stones and imitations of them in glass are brought to the desired form by the lapidary. The instrument with which this artist chiefly operates is a wheel which is made to revolve horizontally before him. It is put in motion by means of an endless rope extending from another wheel, which is moved with the left hand of the operator, while, with his right, he holds, in a proper position, the substance to be reduced.