There are other paths that lead from Place Viger Gardens—that lead on and on and to no place in particular, but all of them are filled with constant interest. The side streets of Montreal are fascinating. Their newer architecture is apt to be fantastic, ofttimes incongruous, but there are still many graystone houses in that simple British style that is still found throughout the older Canada, all the way from Halifax to the Detroit river. There are the inevitable maple trees along the curbs that make Montreal more of a garden city than unobservant travelers are apt to fancy it. And then there are the institutions, wide-spreading and many-winged fellows, crowned with the inevitable domes and shielded from the vulgarity of street traffic by high-capped walls. These walls are distinctive of Montreal. Often uncompromising, save where some gentle vine runs riot upon their lintels and laughs at their austerity, they are broken here and there and again by tightly shut doors, doors that open only to give forth on rare occasions; to let a somber file of nuns or double one of cheaply uniformed children pass out into a sordid and sin-filled world, and then close quickly once again lest some of its contaminations might penetrate the gentle and unworldly place. And near these great institutions are the inevitable churches, giant affairs—parish churches still dominating the sky-line of a town which is just now beginning to dabble in American skyscrapers, and standing ever watchful, like a mother hen brooding and protecting her chicks. These chance paths often lead to other squares than the Gardens of the Place Viger—squares which in spring and in summer are bright green carpets spread in little open places in the heart and length and breadth of the city, and which are surrounded by more of the solid graystone houses with the green blinds. When we go from Montreal we shall remember it as a symphony of gray and green—remember it thus forever and a day.
But best of all we like the path that leads from the Place Viger west through the very heart of the old city and then by strange zig-zags, through the banking center, Victoria square, Beaver Hall Hill and smart Ste. Catherine's to Dominion square and the inevitable afternoon tea of the British end of the town. We turn from our hotel and the great new railroad terminal that it shelters, twist through a narrow street—picturesquely named the Champ d'Mars—and follow it to the plain and big City Hall and Court House. They are uninteresting to us, but across the busy way of Notre Dame street stands the Chateau de Ramezay, a long, low, whitewashed building, which has had its part in the making of Montreal. This stoutly built old house was built in 1705 by Claude de Ramezay, Governor of Montreal, and was occupied by him for twenty years while he planned his campaigns against both English and Indians. Then for a time it was the headquarters of the India company's trade in furs, and for a far longer time after 1759 the home of a succession of British governors. Americans find their keenest interest in the Chateau de Ramezay, in the fact that it was in its long rambling low-ceilinged rooms that Benjamin Franklin set up his printing-press, away back during the days of the first unpleasantness between England and this country. After that, all was history, the Chateau was again the Government House of the old Canada—until Ottawa and the new Dominion came into existence. Nowadays, it faces one of the busiest streets of a busy city—and is not of it. It is like a sleeping man by the roadside, who, if he might awake once more, could spin at length the romances of other days and other men.
Beyond the Chateau de Ramezay is a broad and open market street that stretches from the inevitable Nelson monument, that is part and pride of every considerable British city, down to that same water-front, just now in process of transformation. Sometimes on a Tuesday or a Friday morning we have come to the place early enough to see the open-air market of Montreal, one of the heritages of past to present that seems little disturbed with the coming and the passing of the years. Shrewd shoppers coming out of the solid stone mass of the Bonsecours pause beside the wagons that are backed along the broad-flagged sidewalks. The country roundabout Montreal must be filled with fat farms. One look at the wagons tells of low moist acres that have not yet lost their fertility. And sometimes the market women bring to the open square hats of their own crude weaving, or little carved crosses, or even bunches of delicate wild-flowers and sell them for the big round Canadian pennies. There is hardly any barterable article too humble for this market-place, and with it all the clatter of small sharp pleasant talk between a race of small, sharp, pleasant folk.
From the market-place leading out from before the ugly City Hall and the uninteresting Court House, our best walk leads west through Notre Dame street up to the nearby Place d'Armes. It is a very old street of a very old city and even if the history of the town did not tell us that some of the old houses, staunch fellows every one of them, high-roofed and dormered, with their graystone walls four and five feet thick and as rough and rugged as the times for which they were built, would convince us, of themselves. They are fast going, these old fellows, for Montreal has entered upon boom times with the multiplication of transcontinental railroads across Canada. But it seems but yesterday that they could point to us in the Place d'Armes the very house in which lived LaMothe Cadillac, the founder of Detroit, nearby the house of Sieur Duluth. Montreal seems almost to have been the mother of a continent.
*****
It is in this Place d'Armes, this tiny crowded square in the center of the modern city, hardly larger than the garden of a very modest house indeed, that so many of the romantic memories of the old Montreal cluster. With the great church that has thrust its giant shadow across it for more than three quarters of a century, the Place d'Armes has been the heart of Montreal since the days when it was a mere trading post, a collection of huts at the foot of the lowest rapids of the mighty river. Much of the old Montreal has gone, even the citadel at the west end of the town gave way years ago to Dalhousie square, which in turn gave way to the railroad yards of the Place Viger terminals. But the Place d'Armes will remain as long as the city remains.
At its northwest corner is the colonnaded front of the Bank of Montreal, one of the finest banking-homes in Canada.
"It is the great institution of this British Dominion," says a very old Canadian, whom we sometimes meet in the little square. "It is the greatest bank in North America."
Offhand, we do not know as to the exact truth of that sweeping statement, but it is a certain fact that the Bank of Montreal is the greatest bank in all Canada, one of the greatest in the world, with its branches and ramifications extending not only across a continent four thousand miles in width but also over two broad seas. To Montreal it stands as that famous "old lady of Threadneedle street" stands to London.
"And yet," our Canadian friend continues, "right across the Place d'Armes here is an institution that could buy and sell the Bank of Montreal—or better still, buy it and keep it."