A WOODCUT FROM THE "DECAMERON." (VENICE, 1602.) TITLE TO DAY V
(By the courtesy of Messrs. J. & J. Leighton.)

That love of children so characteristic in an Italian, and yet so surprising in Boccaccio to those who without understanding the real simplicity of his nature have been content to think of him as a mere teller of doubtful stories, is one of the most natural and beautiful traits in his character. The little Eletta, "my delight," appears like a ray of sunshine in a lonely and even gloomy old age, which we may think perhaps, had Violante lived, might have been less bitter, less hard to bear than it proved to be. Nor is this by any means the only glimpse he gives us of his interest in children. Apart from the neglected portraits of the Decameron, we find him referring to them, their health and upbringing, in the Commentary on the Divine Comedy, when he speaks of the danger they are in from careless or neglectful nurses, who put them to rest or sleep in the light and thus hurt their eyes and induce them to squint; and yet he can believe, though probably with less than the common conviction, that a squint is the sign of an evil nature dangerous alike to the afflicted person and to those whom he may encounter.

The letter to Petrarch, however, does not end with Eletta. Boccaccio proceeds to speak of Tullia and her husband Francesco, who presently returned to Venice, and finding him there would have made him his guest, and when he refused insisted on his daily presence at his table. Nor was this all, for Boccaccio tells us that on the eve of his departure, Francesco, knowing him to be very short of money, managed to get him into a quiet corner, and putting his strong hand on the feeble arm of his guest, would not let him depart till he had given him succour, rushing away before he could thank him. "Knowing me to be poor," Boccaccio writes, "on my departure from Venice, the hour being already late, he led me into a corner (in secessu domus me traxit) and in a few words, his great hands on my feeble arm (manibus illis giganteis suis in brachiolum meum injectis), forced me in spite of my embarrassment to accept his great liberality and then escaped, saying good-bye as he went, leaving me to blame myself. May God render it him again!"

It is perhaps in that letter we see Boccaccio better than in any other of his writings; the greatest man then in Italy playing with a little child, obliged in his poverty to accept assistance from one who was almost a stranger. It was on the 30th June that Boccaccio wrote that letter to Petrarch from Florence, so that he would seem to have arrived home about midsummer.

In the following year we catch sight of him again in the service of the Republic, first, as one of the Camarlinghi,[492] later, on an embassy to the Pope, who had set out for Italy in April, and had entered Rome in October, 1367.[493]

In 1365 Urban had been besieged in Avignon by Duguesclin on his way to Spain, and had had to pay an enormous ransom as well as to absolve his enemy and his followers from all censures. This mishap, coupled with the invitation of the Romans, the passionate exhortations of Peter of Aragon, the eloquent appeal of Petrarch, and the urgent call of Albornoz, seems to have induced the Pope to undertake this adventure, which he had always looked forward to. He sailed, in spite of the opposition of the King of France, for Corneto, and at last came safely to Viterbo, which he entered in state on June 9, 1367, "with such grace and exultation that it seemed the very stones would cry, 'Blessed is he who cometh in the name of the Lord.'"[494] In Viterbo the Pope began to arrange a league against the Visconti, but he was already having trouble with Siena, and on August 20 the great Albornoz died. In September, too, a French tumult broke out in the city, and though Florence, Siena, and even Rome sent aid, Urban was besieged for three days, and was doubtless very glad to set out under the escort of the Marquis of Ferrara on October 14 for Rome. Two days later he entered the City in triumph riding on a white mule; he was received with "universal joy and acclamation."

In the spring of 1368 the Emperor, in accordance with his long unfulfilled promise to the league, came into Italy with an army to bridle the Visconti. The Papal forces and those of Giovanna of Naples joined his, but achieved nothing. Then the Emperor came into Tuscany. The rising of the Salimbeni followed in Siena, and the Emperor passed through Siena on his way to Viterbo. On October 21 he entered Rome leading the Pope's mule on foot.

It seems to have been at this moment that the Florentines thought well to send an embassy to Urban and to choose Boccaccio once more as their ambassador. All we know about the affair is, however, that on December 1, 1368, Urban wrote to the Signoria of Florence that he understood from their ambassador Giovanni Boccaccio that they desired to assist him in reforming the affairs of Italy, and that Boccaccio, whom he praises, bears his reply viva voce.[495]

The truth of the matter was that all Italy was uneasy. The advent of the Emperor had ruined the peace of Tuscany, Lombardy was ablaze with war, the Papacy was divided against itself. The French party—five French cardinals had altogether refused to leave Avignon—now ceased urging the Pope to return. Helpless and disillusioned, Urban was at the mercy of the circumstances in which he found himself, and a year later he in fact abandoned Italy again, setting out for Avignon in September, and dying there in December, 1369.