"The day set apart for this purpose at Rome was the 25th April, a traditional date, being that on which the ancient Romans celebrated the festival of the Robigalia….
"The most ancient authority for this ceremony is a formulary for convoking it, found in the Register of St. Gregory the Great, which must have been used in the first instance in the year 598" (Duchesne, Christian Worship, chap, viii., n. 9).
Ember days, a corruption from Latin Quatuor Tempora (four times). "The purpose of their introduction, besides the general one intended by all prayer and fasting, was to thank God for the gifts of nature, to teach men to make use of them in moderation, and to assist the needy. The immediate occasion was the practice of the heathens of Rome. The Romans were originally given to agriculture and their native god belonged to the same class. At the beginning of the time for seeding and harvesting religious ceremonies were performed to implore the help of their deities; in June for a bountiful harvest, in September for a rich vintage, and in December for the seeding…. The Church when converting heathen nations has always tried to sanctify any practice which could be utilised for a good purpose." The fasts were fixed by the Church before the time of Callixtus (217-222). The spread of the observance of Ember days was slow; but they were fixed definitely and the fast prescribed for the whole Church by Gregory VII. (1073-1085). (Cf. Catholic Encyclopedia, word, Ember Days; Duchesne Christian Worship, chap, viii.; Dom Morin Revue Benedictine, L'Origine des Quatre Temps, 1897, pp. 330-347.)
NOTE A.
THE BREVIARY HYMNS.
Of all the many and varied branches of Christian art, there is none which offers to the researches of criticism a field so extensive as does the hymnography of the Roman Breviary. No other source of liturgical study, if we except the antiphonarium, has received such attention from studious men. But never, in any age, did this study receive such careful treatment and give rise to such patient and laborious research as in our own. (Pimont, Les hymnes du Breviare Romain, Introduction.)
In this note, an attempt will be made to define a hymn, to tell of the introduction of hymns into the Roman Breviary, and to note briefly the character of these hymns.
St. Augustine, commenting on Psalm 122, defined a hymn as a song with praise of God, cantus est cum laude Dei. It may, however, be more strictly defined as a spiritual song, a religious lyric (v. Cath, Ency., art. "Hymn").
In the early Christian assemblies great use was made of the psalms and canticles in their congregational singing. St. Paul wrote: "Speaking to yourselves in psalms and hymns and spiritual canticles, singing and making melody in your hearts to the Lord" (Ephes. v. 18) "…teaching and admonishing one another in psalms, hymns and spiritual canticles, singing in grace in your hearts to God" (Col. iii. 16). The Jesuit, Father Arevalo, in his Hymodia Hispanica, cites many witnesses, such as Clement of Alexandria, the Apostolic Constitutions, Pliny the younger, to prove that hymns were used in the first and second centuries. But a much-debated question is, whether those hymns were really made part of the Office, as hymns stand there to-day. Some scholars deny that they were; others assert that they were certainly part of the Church's Office. All agree that they were certainly in use formally and substantially in the Office in the third and fourth centuries in the Eastern and in the Western Church. The Council of Antioch (269-270) wrote to the Pope that Paul of Samosate had suppressed some canticles recently composed in honour of Jesus Christ. St. Dionysius of Alexandria composed some hymns, to win over an erring bishop. In the fourth century the Council of Laodicea spoke of the introduction of some hymns, which were not approved; and St. Basil tells us that hymns were in universal use in the Eastern Church.
In the Western Church, St. Hilary of Potiers (370) composed a hymn book for his church. Its existence is known from the words of St. Jerome. St. Augustine states that St. Ambrose (340-397), shut up with his people in the church in Milan by the persecutors, occupied his flock by their singing of hymns which he himself had composed, and some of which are in our Breviaries. The Church of Milan certainly had hymns in its Office and in its Office books then, for St. Paulinus in his life of St. Augustine wrote: "Hoc in tempore, primum antiphonae, hymni ac vigilae in Ecclesia Mediolanensi celebrari coeperunt; cujus celebritatis devotio usque in hodiernam diem, non solum, in Ecclesia Mediolanensi verum per omnes pene Occidentis provincias manet."