The strength of the Norman armies, on the other hand, consisted of knights and mounted men-at-arms. The military engines were placed in front, and commenced the engagement with their missiles; the archers and slingers were placed on the wings. The crowd of half-armed footmen usually formed the first line; the mounted troops were drawn up behind them in three lines, whose successive charges formed the main attack of the engagement. Occasionally, however, dismounted men-at-arms seem to have been used by some skilful generals with great effect. In several of the battles of Stephen’s reign, this unusual mode appears to have been followed, under the influence of the foreign mercenary captains in the king’s pay.
Generals took pains to secure any possible advantage from the nature of the ground, and it follows that the plan of the battle must have turned sometimes on the defence or seizure of some commanding point which formed the key of the position. Ambuscades were a favourite device of which we not unfrequently read, and night surprises were equally common. We read also occasionally of stratagems, especially in the capture of fortresses, which savour rather of romance than of the stem realities of war. In short, perhaps the warfare of that day was not so very inferior in military skill to that of our own times as some suppose. In our last war the charge at Balaklava was as chivalrous a deed as ever was done in the Middle Ages, and Inkerman a fight of heroes; but neither of them displayed more military science than was displayed by the Norman chivalry who charged at Hastings, or the Saxon billmen whose sturdy courage all but won the fatal day.
CHAPTER VI.
MILITARY ENGINES.
o attempt to represent the knights in their manor-houses and castles would be to enter upon an essay on the domestic and military architecture of the Middle Ages, which would be beyond the plan of these sketches of the mediæval chivalry. The student may find information on the subject in Mr. Parker’s “Domestic Architecture,” in Grose’s “Military Antiquities,” in Viollet le Duc’s “Architecture du Moyen Age,” and scattered over the publications of the various antiquarian and architectural societies. We must, however, say a few words as to the way in which the knight defended his castle when attacked in it, and how he attacked his neighbour’s castle or his enemy’s town, in private feud or public war.
It seems to be a common impression that the most formidable aspect of mediæval war was a charge of knights with vizor down and lance in rest; and that these gallant cavaliers only pranced their horses round and round the outer margin of the moat of a mediæval castle, or if they did dismount and try to take the fortress by assault, would rage in vain against its thick walls and barred portcullis; as in the accompanying woodcut from a MS. romance of the early part of the 14th century (Add. 10,292, f. v., date A.D. 1316), where the king on his curveting charger couches his lance against the castle wall, and has only his shield to oppose to the great stone which is about to be hurled down upon his head. The impression is, no doubt, due to the fact that many people have read romances, ancient and modern, which concern themselves with the personal adventures of their heroes, but have not read mediæval history, which tells—even more than enough—of battles and sieges. They have only had the knight put before them—as in the early pages of these chapters—in the pomp and pageantry of chivalry. They have not seen him as the captain and soldier, directing and wielding the engines of war.
Suppose the king and his chivalry in the following woodcut to be only summoning the castle; and suppose them, on receiving a refusal to surrender, to resolve upon an assault. They retire a few hundred yards and dismount, and put their horses under the care of a guard. Presently they return supported by a strong body of archers, who ply the mail-clad defenders with such a hail of arrows that they are driven to seek shelter behind the battlements. Seizing that moment, a party of camp followers run forward with a couple of planks, which they throw over the moat to make a temporary bridge. They are across in an instant, and place scaling-ladders against the walls. The knights, following close at their heels, mount rapidly, each man carrying his shield over his head, so that the bare ladder is converted into a covered stair, from whose shield-roof arrows glint and stones roll off innocuous. It is easy to see that a body of the enemy might thus, in a few minutes, effect a lodgment on the castle-wall, and open a way for the whole party of assailants into the interior.