Scenes and Characters of the Middle Ages / Third Edition

by Edward Lewes Cutts

CHAPTER VII.

ARMOUR OF THE FIFTEENTH CENTURY.

n former papers we have seen the characteristic feature of the armour of Saxon, Norman, and Early English times, down to the latter part of the thirteenth century, was that of mail armour—i.e. composed of rings sewn upon garments of something like the ordinary shape—tunic, hose, and hood—or linked together into the shape of such garments. The fourteenth century was a period of transition from mail armour to plate. First it was found convenient to protect the elbow and knee with conical caps made out of a plate of steel; then the upper arm and fore arm, the thigh and leg, were encased in separate pieces of armour made to fit to the limbs; in place of the old helmet worn over the mail hood, a globular bascinet of plate was used, with a fringe of mail attached to it, falling over the shoulders; in place of the hauberk of mail, a globular plate to protect the breast, and another the back, connected at the sides, with a deep skirt of mail attached to them, falling over the hips. In the old days of mail armour a flowing surcoat was worn over it, to protect it from wet, dust, and the heat of the sun; in the fourteenth century the body-armour was covered with a close-fitting jupon of rich material and colour, embroidered with the arms of the wearer, and girded by a rich enamelled horizontal belt.

The characteristic of the armour of the fifteenth century was that it consisted of a complete suit of plate; the fringe of the bascinet being replaced by a gorget of plate, the skirt of mail by horizontal overlapping plates; and for some time no covering was worn over the armour, but the knightly vanity of the time delighted in the glittering splendour of the burnished steel. Later in the century, however, mail came again into considerable use, in short sleeves for the protection of the upper arm, and in skirts, which were doubtless found more convenient to the horseman than the solid plates of overlapping steel. It also seems to have been found practically inconvenient to dispense with some textile covering over the armour; and a considerable variety of such coverings was used, according to the caprice of the wearer. Numerous diversified experiments in the construction of armour were tried, and we commonly find in pictures of the time a great variety of fashions, both of armour and weapons, brought together in the same troop of warriors. It is a matter of interest to the antiquary to trace out the rise of all these various fashions and to determine when they went out of fashion again; but for our present purpose it is enough to point out the salient features of the military costume of the century, and, as varieties are brought before us in the illustrations from ancient MSS. which we proceed to introduce to our readers, to point out their meaning and interest. Let us begin, then, with a picture which will afford us, in the left-hand figure, a typical illustration of the complete plate-armour of the century, and proceed to describe the various pieces of which it is composed. His head is protected by a bascinet of steel, without visor to protect the face, though the picture represents him as actually engaged in the thick of a battle; but the steel gorget is brought up so as to protect the lower part of the face. It is not unfrequent to find the knights of this period with the face similarly exposed. Probably the heat and the difficulty of breathing caused by the visor were considered to outweigh the additional safety which it afforded. The neck is protected by a gorget of plate; and instead of the globular breastplate and skirt of mail worn under the gay jupon of the fourteenth century, the body is cased in two pairs of plates, which open with hinges at the sides, the lower plates coming to a point at the back and breast. In this illustration the whole suit of armour presents an unrelieved surface of burnished steel, the outlines of the various pieces of armour being marked by a narrow line of gold. But it was very usual for one of the two breastplates to be covered with silk or velvet embroidered. This will be seen in the armour of the archer from the same picture, in which the upper plate is covered with blue, powdered with gold spots arranged in trefoils. So in the woodcut on p. 399 the upper breastplate of the knight nearest to the spectator is blue with gold spots, while in the further knight the upper plate is red. Turning again to the knight before us, his shoulders are protected by pauldrons. These portions of the armour differ much in different examples; they were often ridged, so as to prevent a blow from glancing off to the neck, and sometimes they have a kind of standing collar to protect the neck from a direct stroke. Sometimes the pauldron of the left shoulder is elaborately enlarged and strengthened to resist a blow, while the right shoulder is more simply and lightly armed, so as to offer as little hindrance as possible to the action of the sword arm. The upper arm is protected by brassarts, and the fore arm by vambraces, the elbows by coudières, while the gussets at the armpit and elbow are further guarded by roundels of plate. It will be seen that the gauntlets are not divided into fingers, but three or four plates are attached, like the plates of a lobster, to the outside of a leathern gauntlet, to protect the hand without interfering with the tenacity of its grasp of the weapon. The lower part of the body is protected by a series of overlapping plates, called taces. In most of the examples which we give of this period, the taces have a mail skirt or fringe attached to the lowest plate. Sometimes the taces came lower down over the thighs and rendered any further defence unnecessary; sometimes, as in the example before us, separate plates, called tuilles, were attached by straps to the lowest tace, so as to protect the front of the thigh without interfering with the freedom of motion. The legs are cased in cuissarts and jambarts, and the knee protected by genouillières; and as the tuilles strengthen the defence of the thigh, the shin has an extra plate for its more efficient defence. The feet seem in this example to be simply clothed with shoes, like those of the archer, instead of being defended by pointed sollerets of overlapping plates, like those seen in our other illustrations.

Man-at-Arms and Archer of the Fifteenth Century.

It will be noticed that in place of the broad military belt of the fourteenth century, enriched with enamelled plates, the sword is now suspended by a narrow strap, which hangs diagonally across the body.

The knight is taken from a large picture in the MS. Chroniques d’Angleterre (Royal 14, E. IV., f. 192 v.), which represents a party of French routed by a body of Portuguese and English. In front of the knight lies his horse pierced with several arrows, and the dismounted rider is preparing to continue the combat on foot with his formidable axe. The archer is introduced from the same picture, to show the difference between his half armour and the complete panoply of the knight. In the archer’s equipment the body is protected by plates of steel and a skirt of mail, the upper arm by a half-sleeve of mail, and the head by a visored helmet; but the rest of the body is unarmed.