The next woodcut does less justice than usual to the artistic merits of the illumination from which it is taken. It is from a fine MS. of the Romance of the Rose (Harl. 4,925, folio cxxx. v.); the figures are allegorical. The great value of the painting is in the rounded form of the breastplates and helmets, and the play of light and shade, and variety of tint, upon them; the solid heavy folds of the mail skirts and sleeves are also admirably represented; and altogether the illuminations of this MS give an unusually life-like idea of the actual pictorial effect of steel armour and the accompanying trappings. The arms and legs of these two figures are unarmed; those of the figure in the foreground are painted red, those of the other figure blue; the shield is red, with gold letters. The deep mail skirts, with taces and tuilles, were in common wear at the close of the fifteenth century, and on into the sixteenth.
Allegorical Figures. A Knight at the hall-door.
The little woodcut of a knight at the hall-door illustrates another variety of skirt; in place of taces and mail skirt, we have a skirt covered with overlapping plates, probably of horn or metal. This knight wears gloves of leather, undefended by armour.
The last illustration in this chapter is from the valuable MS. Life and Acts of Richard Beauchamp, Earl of Warwick (Julius E. IV.), from which we shall hereafter give some other more important subjects. The present is part of a fight before Calais, in which Philip Duke of Burgundy was concerned on one side, and Humphrey Duke of Gloucester, Richard Earl of Warwick, and Humphrey Earl of Stafford on the other. In the background of the picture is a view of Calais, with its houses, walls, and towers, washed by the sea. The two figures are taken from the foreground of the battle-scene, which occupies the major part of the picture. The helmets, it will be seen, are iron hats with a wide brim which partially protects the face; they have a considerable amount of ornament about them. Both warriors are armed in a single globular breastplate (the combination of two plates went out of fashion towards the end of the fifteenth century); one has short taces and a deep mail skirt, the other has deeper taces and tuilles besides. The knight on the left side has his left shoulder protected by a pauldron, which covers the shoulder and partially overlaps the breastplate, and has a high collar to protect the neck and face from a sweeping horizontal blow. It will be seen that the sollerets have lost the long-pointed form, though they have not yet reached the broad-toed shape which became fashionable with Henry VIII. The equipment of the horses deserves special examination. They are fully caparisoned, and armed on the face and neck, with plumes of feathers and magnificent bridles; it will be seen, also, that the point of the saddle comes up very high, and is rounded so as partly to enclose the thigh, and form a valuable additional defence. At a period a little later, this was developed still further in the construction of the tilting saddles, so as to make them a very important part of the system of defence.
The Duke of Gloucester and the Earl of Warwick.
How perfect the armour at length became may be judged from the fact that in many battles very few of the completely armed knights were killed—sometimes not one; their great danger was in getting unhorsed and ridden over and stifled in the press. Another danger to the unhorsed knight is pointed out in a graphic passage of the History of Philip de Comines, with which we will conclude this chapter. After one of the battles at which he was himself present, he says: “We had a great number of stragglers and servants following us, all of which flocked about the men-of-arms being overthrown, and slew the most of them. For the greatest part of the said stragglers had their hatchets in their hands, wherewith they used to cut wood to make our lodgings, with the which hatchets they brake the vizards of their head-pieces and then clave their heads; for otherwise they could hardly have been slain, they were so surely armed, so that there were ever three or four about one of them.”
It is not necessary to infer that these unfortunate men-at-arms who were thus cracked, as if they were huge crustaceans, were helpless from wounds, or insensible from their fall. It was among the great disadvantages of plate-armour, that when a man was once in it he could not get out again without help; nay, he was sometimes so securely fastened in it that the aid must come in the shape of an armourer’s tools; and the armour was sometimes so cumbrous that when he was once down he could not get up again—a castle of steel on his war-horse, a helpless log when overthrown.