Young noblemen and eldest sons of landed gentlemen were made knights, as a matter of course, when they had attained the proper age. Many others won for themselves this chivalric distinction by their deeds of arms in the field, and sometimes in the lists. The ceremony was essentially a religious one, and the clergy used sometimes to make a knight. In the Royal 14. E. IV. f. 89, we see a picture of Lancelot being made a knight, in which an abbess even is giving him the accolade by a stroke of the hand. But usually, though religious ceremonies accompanied the initiation, and the office for making a knight still remains in the Roman Office Book, some knight of fame actually conferred “the high order of knighthood.” It was not unusual for young men of property who were entitled to the honour by birth and heirship to be required by the king to assume it, for the sake of the fine which was paid to the crown on the occasion. Let us here introduce, as a pendant to Chaucer’s portrait of the squire already given, his equally beautiful portrait of a knight; not a young knight-errant, indeed, but a grave and middle-aged warrior, who has seen hard service, and is valued in council as well as in field:—

“A knight ther was, and that a worthy man,
That from the time that he firste began
To riden out, he loved chivalry,
Trouthe and honour, fredom and curtesie.
Ful worthie was he in his lorde’s werre,
And thereto hadde he ridden, no man ferre,
As wel in Christendom as in Hethenesse,
And ever honoured for his worthinesse.
At Alesandre he was when it was wonne,
Ful oftentime he hadde the bord begonne,
Aboven all nations in Pruce.
*****
At many a noble army hadde he be,
At mortal batailles had he been fiftene,
And foughten for our faith in Tramisene
In listes thries, and ever slaine his fo.
*****
And tho that he was worthy he was wise,
And of his port as meke as is a mayde:
He never yet no vilanie had sayde
In alle his lif unto any manere wyht.
He was a very parfit gentle knight.
But for to tellen you of his arraie,
His hors was good, but he was not gaie;
Of fustian he wered a jupon,
All besmotred with his habergeon.
For he was late ycom fro his viage,
And wente for to don his pilgrimage.”

Men who are in the constant habit of bearing arms are certain to engage in friendly contests with each other; it is the only mode in which they can acquire skill in the use of their weapons, and it affords a manly pastime. That such men should turn encounters with an enemy into trials of skill, subject to certain rules of fairness and courtesy, though conducted with sharp weapons and in deadly earnest, is also natural.[384] And thus we are introduced to a whole series of military exercises and encounters, from the mere holiday pageant in which the swords are of parchment and the spears headless, to the wager of battle, in which the combatants are clad in linen, while their weapons are such as will lop off a limb, and the gallows awaits the vanquished.

Homer shows us how the Greek battles were little else than a series of single combats, and Roman history furnishes us with sufficient examples of such combats preluding the serious movements of opposing armies, and affording an augury, it was believed, of their issue. Sacred history supplies us with examples of a similar kind. In the story of Goliath we have the combat of two champions in the face of the hosts drawn up in battle array. A still more striking incident is that where Abner and the servants of Ishbosheth, and Joab and the servants of David, met accidentally at the pool of Gibeon. “And they sat down the one on the one side of the pool, and the other on the other. And Abner said to Joab, Let the young men now arise and play before us. And Joab said, Let them arise.” So twelve men on each side met, “and they caught every one his fellow by the head, and thrust his sword in his fellow’s side, so they fell down together.” And afterwards the lookers-on took to their arms, and “there was a very sore battle that day; and Abner was beaten, and the men of Israel, before the servants of David.”[385]

Our own history contains incidents enough of the same kind, from Tailefer the minstrel-warrior, who rode ahead of the army of Duke William at Hastings, singing the song of Roland and performing feats of dexterity in the use of horse and weapons, and then charging alone into the ranks of the Saxon men, down to the last young aide-de-camp who has pranced up to the muzzle of the guns to “show the way” to a regiment to which he had brought an order to carry a battery.

In the Middle Ages these combats, whether they were mere pageants[386] or sportive contests with more or less of the element of danger, or were waged in deadly earnest, were, in one shape or other, of very common occurrence, and were reduced to system and regulated by legislation.

When only two combatants contended, it was called jousting. If only a friendly trial of skill was contemplated, the lances were headed with a small coronal instead of a sharp point; if the sword were used at all it was with the edge only, which would very likely inflict no wound at all on a well-armed man, or at most only a flesh wound, not with the point, which might penetrate the opening of the helmet or the joints of the armour, and inflict a fatal hurt. This was the joute à plaisance. If the combatants were allowed to use sharp weapons, and to put forth all their force and skill against one another, this was the joute à l’outrance, and was of common enough occurrence.

When many combatants fought on each side, it was called a tournament. Such sports were sometimes played in gorgeous costumes, but with weapons of lath, to make a spectacle in honour of a festal occasion. Sometimes the tournament was with bated weapons, but was a serious trial of skill and strength. And sometimes the tournament was even a mimic battle, and then usually between the adherents of hostile factions which sought thus to gratify their mutual hatreds, or it was a chivalrous incident in a war between two nations.

With these general introductory remarks, we shall best fulfil our purpose by at once proceeding to bring together a few illustrations from ancient sources, literary and pictorial, of these warlike scenes.