There are indications that these hermitages were sometimes mere bothies of branches; there is a representation of one, from which we here give a woodcut, in an illuminated MS. romance of Sir Launcelot, of early fourteenth-century date (British Museum, Add. 10,293, folio 118 v., date 1316): we have already noticed another of wattled work.[110] There are also caves[111] here and there in the country which are said by tradition to have been hermitages: one is described in the Archæological Journal, vol. iv., p. 150. It is a small cave, not easy of access, in the side of a hill called Carcliff Tor, near Rowsley, a little miserable village not far from Haddon Hall. In a recess, on the right side as you enter the cave, is a crucifix about four feet high, sculptured in bold relief in the red grit rock out of which the cave is hollowed; and close to it, on the right, is a rude niche, perhaps to hold a lamp.
St. Robert’s Chapel, at Knaresborough, Yorkshire, is a very excellent example of a hermitage.[112] It is hewn out of the rock, at the bottom of a cliff, in the corner of a sequestered dell. The exterior, a view of which is given below, presents us with a simply arched doorway at the bottom of the rough cliff, with an arched window on the left, and a little square opening between, which looks like the little square window of a recluse. Internally we find the cell sculptured into the fashion of a little chapel, with a groined ceiling, the groining shafts and ribs well enough designed, but rather rudely executed. There is a semi-octagonal apsidal recess at the east end, in which the altar stands; a piscina and a credence and stone seat in the north wall; a row of sculptured heads in the south wall, and a grave-stone in the middle of the floor. This chapel appears to have been also the hermit’s living room. The view of the exterior, and of the interior and ground-plan, are from Carter’s “Ancient Architecture,” pl. lxvii. Another hermitage, whose chapel is very similar to this, is at Warkworth. It is half-way up the cliff, on one side of a deep, romantic valley, through which runs the river Coquet, overhung with woods. The chapel is hewn out of the rock, 18 feet long by 7½ wide, with a little entrance-porch on the south, also hewn in the rock; and, on the farther side, a long, narrow apartment, with a small altar at the east end, and a window looking upon the chapel altar. This long apartment was probably the hermit’s living room; but when the Earls of Northumberland endowed the hermitage for a chantry priest, the priest seems to have lived in a small house, with a garden attached, at the foot of the cliff. The chapel is groined, and has Gothic windows, very like that of Knaresborough. A minute description of this hermitage, and of the legend connected with it, is given in a poem called “The History of Warkworth” (4to, 1775), and in a letter in Grose’s “Antiquities,” vol. iii., is a ground-plan of the chapel and its appurtenances. A view of the exterior, showing its picturesque situation, will be found in Herne’s “Antiquities of Great Britain,” pl. 9.
Exterior View of St. Robert’s Chapel, Knaresborough.
Interior View of St. Robert’s Chapel.
There is a little cell, or oratory, called the hermitage, cut out of the face of a rock near Dale Abbey, Derbyshire. On the south side are the door and three windows; at the east end, an altar standing upon a raised platform, both cut out of the rock; there are little niches in the walls, and a stone seat all round.[113]
There is another hermitage of three cells at Wetheral, near Carlisle, called Wetheral Safeguard, or St. Constantine’s Cells—Wetheral Priory was dedicated to St. Constantine, and this hermitage seems to have belonged to the priory. It is not far from Wetheral Priory, in the face of a rock standing 100 feet perpendicularly out of the river Eden, which washes its base; the hill rising several hundred feet higher still above this rocky escarpment. The hermitage is at a height of 40 feet from the river, and can only be approached from above by a narrow and difficult path down the face of the precipice. It consists of three square cells, close together, about 10 feet square and 8 feet high; each with a short passage leading to it, which increases its total length to about 20 feet. These passages communicate with a little platform of rock in front of the cells. At a lower level than this platform, by about 7 feet, there is a narrow gallery built up of masonry; the door to the hermitage is at one end of it, so that access to the cells can only be obtained by means of a ladder from this gallery to the platform of rock 7 feet above it. In the front of the gallery are three windows, opposite to the three cells, to give them light, and one chimney. An engraving will be found in Hutchinson’s “History of Cumberland,” vol. i. p. 160, which shows the picturesque scene—the rocky hill-side, with the river washing round its base, and the three windows of the hermitage, half-way up, peeping through the foliage; there is also a careful plan of the cells in the letterpress.
Ground-Plan of St. Robert’s Chapel.