The document which we are about to quote from Whittaker’s “History of Whalley” (pp. 72 and 77), illustrates many points in the history of their anchorholds. The anchorage therein mentioned was built in a parish churchyard, it depended upon a monastery, and was endowed with an allowance in money and kind from the monastery; it was founded for two recluses; they had a chaplain and servants; and the patronage was retained by the founder. The document will also give us some very curious and minute details of the domestic economy of the recluse life; and, lastly, it will give us an historical proof that the assertions of the contemporary satirists, of the laxity[146] with which the vows were sometimes kept, were not without foundation.
“In 1349, Henry, Duke of Lancaster, granted in trust to the abbot and convent of Whalley rather large endowments to support two recluses (women) in a certain place within the churchyard of the parish church of Whalley, and two women servants to attend them, there to pray for the soul of the duke, &c.; to find them seventeen ordinary loaves, and seven inferior loaves, eight gallons of better beer, and 3d. per week; and yearly ten large stock-fish, one bushel of oatmeal, one of rye, two gallons of oil for lamps, one pound of tallow for candles, six loads of turf, and one load of faggots; also to repair their habitations; and to find a chaplain to say mass in the chapel of these recluses daily; their successors to be nominated by the duke and his heirs. On July 6, 15th Henry VI., the king nominated Isole de Heton, widow, to be an anachorita for life, in loco ad hoc ordinato juxta ecclesiam parochialem de Whalley. Isole, however, grew tired of the solitary life, and quitted it; for afterwards a representation was made to the king that ‘divers that had been anchores and recluses in the seyd place aforetyme, have broken oute of the seyd place wherein they were reclusyd, and departyd therefrom wythout any reconsilyation;’ and that Isole de Heton had broken out two years before, and was not willing to return; and that divers of the women that had been servants there had been with child. So Henry VI. dissolved the hermitage, and appointed instead two chaplains to say mass daily, &c.” Whittaker thinks that the hermitage occupied the site of some cottages on the west side of the churchyard, which opened into the churchyard until he had the doors walled up.
There was a similar hermitage for several female recluses in the churchyard of St. Romauld, Shrewsbury, as we learn from a document among the Bishop of Lichfield’s registers,[147] in which he directs the Dean of St. Chadd, or his procurator, to enclose Isolda de Hungerford an anchorite in the houses of the churchyard of St. Romauld, where the other anchorites dwell. Also in the same registry there is a precept, dated Feb. 1, 1310, from Walter de Langton, Bishop, to Emma Sprenghose, admitting her an anchorite in the houses of the churchyard of St. George’s Chapel, Salop, and he appoints the archdeacon to enclose her. Another license from Roger, Bishop of Lichfield, dated 1362, to Robert de Worthin, permitting him, on the nomination of Queen Isabella, to serve God in the reclusorium built adjoining (juxta) the chapel of St. John Baptist in the city of Coventry, has been published in extenso by Dugdale, and we transcribe it for the benefit of the curious.[148] Thomas Hearne has printed an Episcopal Commission, dated 1402, for enclosing John Cherde, a monk of Ford Abbey. Burnett’s “History of Bristol” mentions a commission opened by Bishop William of Wykham, in August, 1403, for enclosing Lucy de Newchurch, an anchoritess in the hermitage of St. Brendon in Bristol. Richard Francis, an ankret, is spoken of as inter quatuor parietes pro christi inclusus in Langtoft’s “Chronicle,” ij. 625.
CHAPTER III.
ANCHORAGES.
ust as in a monastery, though it might be large or small in magnitude, simple or gorgeous in style, with more or fewer offices and appendages, according to the number and wealth of the establishment, yet there was always a certain suite of conventual buildings, church, chapter refectory, dormitory, &c., arranged in a certain order, which formed the cloister; and this cloister was the nucleus of all the rest of the buildings of the establishment; so, in a reclusorium, or anchorhold, there was always a “cell” of a certain construction, to which all things else, parlours or chapels, apartments for servants and guests, yards and gardens, were accidental appendages. Bader’s rule for recluses in Bavaria[149] describes the dimensions and plan of the cell minutely; the domus inclusi was to be 12 feet long by as many broad, and was to have three windows—one towards the choir (of the church to which it was attached), through which he might receive the Holy Sacrament; another on the opposite side, through which he might receive his victuals; and a third to give light, which last ought always to be closed with glass or horn.
The reader will have already gathered from the preceding extracts that the reclusorium was sometimes a house of timber or stone within the churchyard, and most usually adjoining the church itself. At the west end of Laindon Church, Essex, there is a unique erection of timber, of which we here give a representation. It has been modernised in appearance by the insertion of windows and doors; and there are no architectural details of a character to reveal with certainty its date, but in its mode of construction—the massive timbers being placed close together—and in its general appearance, there is an air of considerable antiquity. It is improbable that a house would be erected in such a situation after the Reformation, and it accords generally with the descriptions of a recluse house. Probably, however, many of the anchorholds attached to churches were of smaller dimensions; sometimes, perhaps, only a single little timber apartment on the ground floor, or sometimes probably raised upon an under croft, according to a common custom in mediæval domestic buildings. Very probably some of those little windows which occur in many of our churches, in various situations, at various heights, and which, under the name of “low side windows,” have formed the subject of so much discussion among ecclesiologists, may have been the windows of such anchorholds. The peculiarity of these windows is that they are sometimes merely a square opening, which originally was not glazed, but closed with a shutter; sometimes a small glazed window, in a position where it was clearly not intended to light the church generally; sometimes a window has a stone transom across, and the upper part is glazed, while the lower part is closed only by a shutter. It is clear that some of these may have served to enable the anchorite, living in a cell outside the church, to see the altar. It seems to have been such a window which is alluded to in the following incident from Mallory’s “Prince Arthur:”—“Then Sir Launcelot armed him and took his horse, and as he rode that way he saw a chapel where was a recluse, which had a window that she might see up to the altar; and all aloud she called Sir Launcelot, because he seemed a knight arrant.... And (after a long conversation) she commanded Launcelot to dinner.” In the late thirteenth-century MS., Royal 10 E. IV. at f. 181, is a representation of a recluse-house, in which, besides two two-light arched windows high up in the wall, there is a smaller square “low side window” very distinctly shown. Others of these low side windows may have been for the use of wooden anchorholds built within the church, combining two of the usual three windows of the cell, viz., the one to give light, and the one through which to receive food and communicate with the outer world. There is an anchorhold still remaining in a tolerably unmutilated state at Rettenden, Essex. It is a stone building of fifteenth-century date, of two stories, adjoining the north side of the chancel. It is entered by a rather elaborately moulded doorway from the chancel. The lower story is now used as a vestry, and is lighted by a modern window broken through its east wall; but it is described as having been a dark room, and there is no trace of any original window. In the north wall, and towards the east, is a bracket, such as would hold a small statue or a lamp. In the west side of this room, on the left immediately on entering it from the chancel, is the door of a stone winding stair (built up in the nave aisle, but now screened towards the aisle by a very large monument), which gives access to the upper story. This story consists of a room which very exactly agrees with the description of a recluse’s cell (see opposite woodcut). On the south side are two arched niches, in which are stone benches, and the back of the easternmost of these niches is pierced by a small arched window, now blocked up, which looked down upon the altar. On the north side is a chimney, now filled with a modern fireplace, but the chimney is a part of the original building; and westward of the chimney is a small square opening, now filled with modern glazing, but the hook upon which the original shutter hung still remains. This window is not splayed in the usual mediæval manner, but is recessed in such a way as to allow the head of a person to look out, and especially down, with facility. On the exterior this window is about 10 feet from the ground. In this respect it resembles the situation of a low side window in Prior Crawden’s Chapel, Ely Cathedral,[150] which is on the first floor, having a room, lighted only by narrow slits, beneath it; and at the Sainte Chapelle, in Paris, which also has an undercroft, there is a similar example of a side window, at a still greater height from the ground. The east side of the Rettenden reclusorium has now a modern window, probably occupying the place of the original window which gave light to the cell. The stair-turret at the top of the winding staircase, seems to have been intended to serve for a little closet: it obtained some light through a small loop which looked out into the north aisle of the church; the wall on the north side of it is recessed so as to form a shelf, and a square slab of stone, which looks like a portion of a thirteenth-century coffin-stone, is laid upon the top of the newel, and fitted into the wall, so as to form another shelf or little table.