And so with all the rest, they are clearly described in the ordinary dress of their class, which the pilgrim’s robe would have concealed. It seems very doubtful whether they even bore the especial insignia of staff and scrip. Perhaps when men and women went their pilgrimage on horseback, they did not go through the mere form of carrying a long walking-staff. The equestrian pilgrim, of whom we shall give a woodcut hereafter, though he is very correctly habited in robe and hat, with pilgrim signs on each, and his rosary round his neck, does not carry the bourdon. The only trace of pilgrim costume about Chaucer’s Pilgrims, is in the Pardoner—
“A vernicle hadde he sewed in his cappe”—
but that was a sign of a former pilgrimage to Rome; and it is enough to prove—if proof were needed—that Chaucer did not forget to clothe his personages in pilgrim weeds, but that they did not wear them.
But besides the ordinary insignia of pilgrimage, every pilgrimage had its special signs, which the pilgrim on his return wore conspicuously upon his hat or his scrip, or hanging round his neck, in token that he had accomplished that particular pilgrimage. The pilgrim who had made a long pilgrimage, paying his devotions at every shrine in his way, might come back as thickly decorated with signs as a modern soldier, who has been through a stirring campaign, with medals and clasps.
The pilgrim to the Holy Land had this distinction above all others, that he wore a special sign from the very hour that he took the vow upon him to make that most honourable pilgrimage. This sign was a cross, formed of two strips of coloured cloth sewn upon the shoulder of the robe; the English pilgrim wore the cross of white, the French of red, the Flemish of green. Some, in their fierce earnestness, had the sacred sign cut into their flesh; in the romance of “Sir Isumbras,” we read—
“With a sharpe knyfe he share
A cross upon his shoulder bare.”
Others had it branded upon them with a hot iron; one pilgrim in the “Mirac. de S. Thomæ” of Abbot Benedict gives the obvious reason, that though his clothes should be torn away, no one should be able to tear the cross from his breast. At the end of the Officium peregrinorum, which we have described, we find a rubric calling attention to the fact, that burning the cross in the flesh is forbidden by the canon law on pain of the greater excommunication; the prohibition is proof enough that at one time it was a not uncommon practice. But when the pilgrim reached the Holy Land, and had visited the usual round of the holy places, he became entitled to wear the palm in token of his accomplishment of that great pilgrimage; and from this badge he derived the name of Palmer. How the palm was borne does not quite certainly appear; some say that it was a branch of palm, which the returning pilgrim bore in his hand or affixed to the top of his staff;[188] but probably in the general case it was in the shape of sprigs of palm sewn crosswise upon the hat and scrip.
The Roman pilgrimage seems always to have ranked next in popular estimation to that of the Holy Land;[189] and with reason, for Rome was then the great centre of the religion and the civilization of Western Christendom. The plenary indulgence which Boniface VIII. published in 1300, to all who should make the Jubilee pilgrimage to Rome, no doubt had its effect in popularizing this pilgrimage ad limina apostolorum. Two hundred thousand pilgrims, it is said, visited Rome in one month during the first Jubilee; and succeeding popes shortened the interval between these great spiritual fairs, first to fifty, then to thirty-three, and lastly to twenty-five years. The pilgrim to Rome doubtless visited many shrines in that great Christian capital, and was entitled to wear as many signs; but the chief signs of the Roman pilgrimage were a badge with the effigies of St. Peter and St. Paul, the cross-keys, and the vernicle. Concerning the first, there is a grant from Innocent III. to the arch-priest and canons of St. Peter’s at Rome,[190] which confirms to them (or to those to whom they shall concede it) the right to cast and to sell the lead or pewter signs, bearing the effigies of the Apostles Peter and Paul, with which those who have visited their threshold decorate themselves for the increase of their devotion and a testimony of their pilgrimage. Dr. Rock says[191] “that a friend of his has one of these Roman pilgrim signs, which was dug up at Launde Abbey, Leicestershire. It is of copper, in the shape of a quatrefoil, one and three-quarter inches in diameter, and has the cross-keys on one side, the other side being plain.” An equestrian pilgrim represented in Hans Burgmaier’s “Der Weise Kœnige,” seems to bear on his cloak and his hat the cross-keys. The vernicle was the kerchief of Veronica, with which, said a very popular legend, she wiped the brow of the Saviour, when he fainted under His cross in the Via Dolorosa, and which was found to have had miraculously transferred to it an imprint of the sacred countenance. Chaucer’s Pardoner, as we have already seen—
“Strait was comen from the Court of Rome,”
and, therefore,