Here be mysteries. The author of “The Bible in Spain” is not only taken for a Gypsy, but once upon a time made horse-shoes in a dingle beside the great north road and trafficked in horses. When Borrow told John Murray of the Christmas meeting with Ambrose Smith, whom he now called “The Gypsy King,” he said he was dressed in “true regal fashion.” On the last day of that year he told Murray that he often meditated on his “life” and was arranging scenes. That reminder about the dingle and the wonderful trotting cob, and the Christmas wine, was stirring his brain. In two months time he had begun to write his “Life.” He got back from the Bible Society the letters written to them when he was their representative in Russia, and these he hoped to use as he had already used those written in Spain. Ford encouraged him, saying: “Truth is great and always pleases. Never mind nimminy-pimminy people thinking subjects low. Things are low in manner of handling.” In the midsummer of 1843 Borrow told Murray that he was getting on—“some parts are very wild and strange,” others are full of “useful information.” In another place he called the pictures in it Rembrandts interspersed with Claudes. At first the book was to have been “My Life, a Drama, by George Borrow”; at the end

of the year it was “Lavengro, a Biography,” and also “My Life.” He was writing slowly “to please himself.” Later on he called it a biography “in the Robinson Crusoe style.” Nearly three years passed since that meeting with Mr. Petulengro, and still the book was not ready. Ford had been pressing him to lift a corner of the curtain which he had gradually let fall over the seven years of his life preceding his work for the Bible Society, but he made no promise. He was bent on putting in nothing but his best work, and avoiding haste. In July, 1848, Murray announced, among his “new works in preparation,” “Lavengro, an Autobiography, by George Borrow.” The first volume went to press in the autumn, and there was another announcement of “Lavengro, an Autobiography,” followed by one of “Life, a Drama.” Yet again in 1849 the book was announced as “Lavengro, an Autobiography,” though the first volume already bore the title, “Life, a Drama.” In 1850 publication was still delayed by Borrow’s ill health and his reluctance to finish and have done with the book. It was still announced as “Lavengro, an Autobiography.” But at the end of the year it was “Lavengro: the Scholar—the Gypsy—the Priest,” and with that title it appeared early in 1851. Borrow was then forty-six years old, and the third volume of his book left him still in the dingle beside the great north road, when he was, according to the conversation with Mr. Petulengro, a young man of twenty-one.

CHAPTER III—PRESENTING THE TRUTH

“Life, a Drama,” was to have been published in 1849, and proof sheets with this name and date on the title page were lately in my hands: as far as page 168 the left hand page heading is “A Dramatic History,” which is there crossed out and “Life, a Drama” thenceforward substituted. Borrow’s corrections are worth the attention of anyone who cares for men and books.

“Lavengro” now opens with the sentence: “On an evening of July, in the year 18--, at East D---, a beautiful little town in a certain district of East Anglia, I first saw the light.”

The proof shows that Borrow preferred “a certain district of East Anglia” to “The western division of Norfolk.” Here the added shade of indefiniteness can hardly seem valuable to any but the author himself. In another place he prefers (chapter XIII.) the vague “one of the most glorious of Homer’s rhapsodies” to “the enchantments of Canidia, the masterpiece of the prince of Roman poets.”

In the second chapter he describes how, near Pett, in Sussex, as a child less than three years old, he took up a viper without being injured or even resisted, amid the alarms of his mother and elder brother. After this description he comments:

“It is my firm belief that certain individuals possess an inherent power, or fascination, over certain creatures, otherwise I should be unable to account for many feats which I have witnessed, and, indeed, borne a share in, connected with the taming of brutes and reptiles.”

This was in the proof preceded by a passage at first modified and then cut out, reading thus: