It is melancholy to contrast the present poverty of Egypt with its prosperity in ancient times, when the variety, elegance, and exquisite finish displayed in its manufactures attracted the admiration of surrounding nations, and its inhabitants were in no need of foreign commerce to increase their wealth, or to add to their comforts. Antiquarian researches show us that a high degree of excellence in the arts of civilized life distinguished the Egyptians in the age of Moses, and at a yet earlier period. Not only the Pharaohs and the priests and military chiefs, but also a great proportion of the wealthy agriculturists, and other private individuals, in those remote times, passed a life of the most refined luxury, were clad in linen of the most delicate fabric, and reclined on couches and chairs which have served as models for the furniture of our modern saloons. Nature is as lavish of her favours as she was of old to the inhabitants of the valley of the Nile; but, for many centuries, they have ceased to enjoy the benefit of a steady government: each of their successive rulers, during this long lapse of time, considering the uncertain tenure of his power, has been almost wholly intent upon increasing his own wealth; and thus, a large portion of the nation has gradually perished, and the remnant, in general, been reduced to a state of the most afflicting poverty. The male portion of the population of Egypt being scarcely greater than is sufficient for the cultivation of as much of the soil as is subject to the natural inundation, or easily irrigated by artificial means, the number of persons who devote themselves to manufactures in this country is comparatively very small; and as there are so few competitors, and, at present, few persons of wealth to encourage them, their works in general display but little skill. But the low state of the manual arts has, in a great degree, been occasioned by another cause: the Turkish Sultán Seleem, after his conquest of Egypt, took with him thence to his own country, as related by El-Gabartee, so many masters of crafts which were not practised in Turkey, that more than fifty manual arts ceased to be pursued in Egypt.
Painting and sculpture, as applied to the representation of living objects, are, I have already stated, absolutely prohibited by the religion of El-Islám: there are, however, some Muslims in Egypt who attempt the delineation of men, lions, camels, and other animals, flowers, boats, etc., particularly in (what they call) the decoration of a few shop-fronts, the doors of pilgrims’ houses, etc.; though their performances would be surpassed by children of five or six years of age in our own country. But the Muslim religion especially promotes industry, by requiring that every man be acquainted with some art or occupation by which he may, in case of necessity, be able to support himself and those dependent upon him, and to fulfil all his religious and moral duties. The art in which the Egyptians most excel is architecture. The finest specimens of Arabian architecture are found in the Egyptian metropolis and its environs; and not only the mosques and other public buildings are remarkable for their grandeur and beauty, but many of the private dwellings, also, attract our admiration, especially by their interior structure and decorations. Yet this art has, of late years, much declined, like most others in this country: a new style of architecture, partly Oriental and partly European, and of a very plain description, being generally preferred. The doors, ceilings, windows, and pavements of the buildings in the older style, which have already been described, display considerable taste, of a peculiar kind; and so, also, do most of the Egyptian manufactures; though many of them are rather clumsy, or ill finished. The turners of wood, whose chief occupation was that of making the lattice-work of windows, were very numerous, and their work was generally neater than it is at present: they have less employment now, as windows of modern houses are often made of glass. The turner, like most other artisans in Egypt, sits to his work. In the art of glass-making, for which Egypt was so much celebrated in ancient times, the modern inhabitants of this country possess but little skill: they have lost the art of manufacturing coloured glass for windows; but, for the construction of windows of this material, they are still admired, though not so much as they were a few years ago, before the adoption of a new style of architecture diminished the demand for their work. Their pottery is generally of a rude kind: it mostly consists of porous bottles and jars, for cooling, as well as keeping, water. For their skill in the preparation of morocco leather, they are justly celebrated. The branches and leaves of the palm-tree they employ in a great variety of manufactures: of the former, they make seats, coops, chests, frames for beds, etc.: of the latter, baskets, panniers, mats, brooms, fly-whisks, and many other utensils. Of the fibres, also, that grow at the foot of the branches of the palm-tree are made most of the ropes used in Egypt. The best mats (which are much used instead of carpets, particularly in summer) are made of rushes. Egypt has lost the celebrity which it enjoyed in ancient times for its fine linen: the linen, cotton, and woollen cloths, and the silks now woven in this country, are generally of coarse or poor qualities.
The Egyptians have long been famous for the art of hatching fowls’ eggs by artificial heat. This practice, though obscurely described by ancient authors, appears to have been common in Egypt in very remote times. The building in which the process is performed is called, in Lower Egypt, “maamal el-firákh,” and, in Upper Egypt, “maamal el-farroog:” in the former division of the country, there are more than a hundred such establishments; and in the latter, more than half that number. Most of the superintendents, if not all, are Copts. The proprietors pay a tax to the government. The maamal is constructed of burnt or sun-dried bricks; and consists of two parallel rows of small ovens and cells for fire, divided by a narrow, vaulted passage; each oven being about nine or ten feet long, eight feet wide, and five or six feet high, and having above it a vaulted fire-cell, of the same size, or rather less in height. Each oven communicates with the passage by an aperture large enough for a man to enter; and with its fire-cell by a similar aperture: the fire-cells, also, of the same row, communicate with each other; and each has an aperture in its vault (for the escape of the smoke), which is opened only occasionally: the passage, too, has several such apertures in its vaulted roof. The eggs are placed upon mats or straw, and one tier above another, usually to the number of three tiers, in the ovens; and burning “gelleh” (a fuel before mentioned, composed of the dung of animals, mixed with chopped straw, and made into the form of round, flat cakes) is placed upon the floors of the fire-cells above. The entrance of the maamal is well closed. Before it are two or three small chambers, for the attendant, and the fuel, and the chickens when newly hatched. The operation is performed only during two or three months in the year—in the spring—earliest in the most southern parts of the country. Each maamal in general contains from twelve to twenty-four ovens; and receives about a hundred and fifty thousand eggs, during the annual period of its continuing open; one quarter or a third of which number generally fail. The peasants of the neighbourhood supply the eggs: the attendant of the maamal examines them; and afterwards usually gives one chicken for every two eggs that he has received. In general, only half the number of ovens are used for the first ten days; and fires are lighted only in the fire-cells above these. On the eleventh day, these fires are put out, and others are lighted in the other fire-cells, and fresh eggs placed in the ovens below these last. On the following day, some of the eggs in the former ovens are removed, and placed on the floor of the fire-cells above, where the fires have been extinguished. The general heat maintained during the process is from 100° to 103° of Fahrenheit’s thermometer. The manager, having been accustomed to this art from his youth, knows, from his long experience, the exact temperature that is required for the success of the operation, without having any instrument, like our thermometer, to guide him. On the twentieth day, some of the eggs first put in are hatched; but most, on the twenty-first day; that is, after the same period as is required in the case of natural incubation. The weaker of the chickens are placed in the passage: the rest, in the innermost of the anterior apartments, where they remain a day or two before they are given to the persons to whom they are due. When the eggs first placed have been hatched, and the second supply half hatched, the ovens in which the former were placed, and which are now vacant, receive the third supply; and, in like manner, when the second supply is hatched, a fourth is introduced in their place. I have not found that the fowls produced in this manner are inferior in point of flavour, or in other respects, to those produced from the egg by incubation. The fowls and their eggs in Egypt are, in both cases, and with respect to size and flavour, very inferior to those in our country.—In one of the Egyptian newspapers published by order of the government (No. 248, for the 18th of Ramadán, 1246, or the 3d of March, 1831, of our era) I find the following statement:—
| Lower Egypt. | Upper Egypt. | |
| Number of establishments for the hatching of fowls’ eggs in the present year | 105 | 59 |
| Number of eggs used | 19,325,600 | 6,878,900 |
| Number spoiled | 6,255,867 | 2,529,660 |
| Number hatched | 13,069,733 | 4,349,240 |
Though the commerce of Egypt has much declined since the discovery of the passage from Europe to India by the Cape of Good Hope, and in consequence of the monopolies and exactions of its present ruler, it is still considerable.
SHOPS IN A STREET IN CAIRO.
The principal object in this view is the shop of an “Attar,” who sells drugs, perfumes, wax candles, etc. The inscription on the shutter is, “Yá fettáh” (See chap. xi.)
Lane’s Modern Egyptians]
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