Indian Tribes of the Upper Missouri / Edited with Notes and Biographical Sketch

by Edwin Thompson Denig

If he has struck even one enemy he is entitled to wear hair on his shirt and leggings, but it is not absolutely necessary that it should be the same hair as that which he took from his enemy’s head. Any human hair or black horsehair will answer the purpose fully as well if he has a right to wear it.

Fox Dance (To-kah-nah Wah-che).—This is done by those who belong to the band called Foxes, who are pretty numerous among several nations. It is got up with the view of publishing their feats as in the preceding one, and also to display themselves as a body. Their costume consists of a deer or antelope skin, shirt, and leggings painted a bright yellow, and their faces painted with yellow stripes, besides other forms. A dressed fox skin being slit in the middle, the head of the man is thrust through, the skin spread out on his shoulders, the head of which lies on his breast, and the tail hangs down his back, the whole skin being fringed round with colored garnishing of porcupine quills, bells, and polished buttons placed in the eyeholes of the animal in the skin.

A headdress of foxes’ teeth, bored and strung, is stretched across the middle of the head from ear to ear, a lock of their hair is tied in front, which projects out several inches, and the rest, combed straight down behind, to which at about the middle is attached four war eagle feathers. Their lances are wrapped with fox skins cut in strips, and the tails of that animal sewed on the handle every 12 inches or so. Some also carry their bows and quivers of arrows at their side during the performance.

After having been warned of the meeting, and preparing in the above manner, they assemble at the sound of several drums and whistles at the spot appointed, being generally near the center of the camp. Here they form in line during the drumming and singing, which is kept up by five or six men and women who are invited for the purpose (this music) taking their stand to one side, the women as usual behind the drums, who sing, but take no part in the dance.

When ready they all start off at a swift pace and describe the movement of the coiling of a snake, and when wound up in this form, all commence jumping up and down, striking one foot immediately after the other on the ground, keeping exact time, and all singing with the music for the space of about a minute, when a general flourish on the drums and a shout or yell from the dancers concludes that round, and their places in line are resumed.

Some one of them now steps forward and counts his coups in the same manner as pointed out in the Brave Dance, which is succeeded by another movement in dancing, which is again followed by another speaking, and so on until all who wished have spoken, the drum denoting by taps the value and number of coups thus counted by each.

The whole concludes by a feast given by one or more of the most distinguished members of this club, during which their professions of amity and assistance are renewed, and presents often exchanged; the musicians also partake of the repast.

This club is composed of men from 20 to 25 or 28 years of age.

Duck Dance (Pakhan´tah Wah-che).—This is done by the band who bear that name and are not so numerous as the others. The same principles govern their proceedings, being to seek this occasion to publish and perpetuate the memory of their past deeds on the battle fields. The dancers are all naked except the breechcloth, which hangs down before and behind one or two yards. Their bodies are painted in various ways, principally striped, according to the fancy of the individuals. No arms are carried in the dance, but they hold in their hand a flat striped painted stick about 2 feet long, with which they keep the time. Women are excluded from the ring but form a portion of the music. All sing, both dancers and drummers. The evolutions are: Commencing in a ring, they mingle together for a few minutes and conclude with a general shout, after which coups are counted by those who wish, or who are able, as in the preceding. The time, step, and figure of every dance differ, but we can not describe them so as to be understood.

Bulls’ Dance (Tah-tun-gah Wah-che).—The kin called Bulls is perhaps the most numerous among them, and a good many middle-aged men and chiefs are found in this dance who do not figure in the others. Their headdress is the skin of a buffalo bull taken off as low as the shoulders of that animal, and dressed with the head, horns, hair and snout complete. Around the holes where the eyes were and in the nostrils and mouth are sewed pieces of scarlet cloth. The skin is then sewed up along the back of the neck. The head of the man is thrust in this, and the rest of his body being naked except the breechcloth and moccasins, is painted with black and red stripes. They carry guns and powder horns in the dance, moving without any order, jumping about, snorting, and shaking their horns at each other, and firing among their feet with powder. The song is the Bull Song. They usually are attended by six or eight drummers and singers, all males, who are not dressed in any remarkable manner.