Indian Tribes of the Upper Missouri / Edited with Notes and Biographical Sketch

by Edwin Thompson Denig

No speeches are made by the Bulls during the dance, but they seek the occasion of other dances, such as the Braves or Soldiers to which most of them belong, to perpetuate the remembrance of their chivalrous deeds. This kin give a good many feasts to each other and are said to be remarkably faithful in the observance of their promises of mutual aid and protection.

Soldiers’ Dance (Ahkitchetah Wah-che).—This body of men having already been fully described in these pages it will, of course, be understood that their dance must include the most important personages in camp. They seldom perform, and only with a view of exhibiting their force as a body; and in the presence of strangers or visitors to count their coups or when a war party is in contemplation, with the intent of stimulating the ardor of the young to follow them to battle. They must have some object to dance for, as they are not men to expend much time merely for the sake of amusement and display; besides their characters and acts are so well known as to need no repetition.

Their costume is as nearly as possible that of warriors equipped for battle. From the nose up their faces are painted a bright red, and from thence down to the neck a jet black. The dancers form the ring on foot but are attended by a guard of mounted soldiers, dressed in very gay battle array, who ride round outside the ring all the time, striking, and keeping at a respectful distance either man or beast that is found in the way. A select band of drummers and female singers is chosen and placed apart, who having struck up the song, the dance is led off by a soldier alone, who moves out by short steps toward the center of the circle, is soon joined by all the rest, jumping and keeping the time, which round concludes with a loud yell and discharge of firearms, and the one who led off the dance counts his coups on his enemies in the manner before related. This is also accompanied by taps on the drum denoting the number and value of the coups and the speech, honored with a general shout of approbation.

The warrior resumes his place, another leads off, and the same behavior is repeated until all get through, the whole ending with a feast of dog meat given by the chief of the soldiers in the Soldiers’ Lodge, to which the strangers, if any in the camp, are invited. This is the most imposing and warlike dance they have, and is well calculated to inspire the young with a desire for glory. Their dresses and appointments are very gay and complete according to their rank, their gesticulation and oratory fierce and bold.

White Crane Dance (Pai-hun-ghe-nah Wah-che).—There is no band of this name, but the dance is got up by some divining man, most probably for some begging purposes. He is the principal figure, being painted yellow and wearing a dressed elk-skin robe on which a large two-headed crane is painted. The costume of the others is whatever their fancy dictates, and, of course, they put on the gayest attire they can afford. The dancers are young men of any and all kins who choose to take part, except women, who join the chorus. The evolutions are different from any of the rest, as also the song, but can not be described so as to be understood. The only one who speaks during the performance is the divining man, and the tenor of his speeches differs according to his object in introducing the dance.

Crow Dance (Cong-ghai Wah-che).—This dance is performed by the kin called Crows. Neck and head dresses of crow skins taken off the bird entire with wings and head on are worn by all, and crow feathers adorn their lances, shields, and other war implements. For the rest, it proceeds much in the same way as the others. These are mostly young warriors.

Dance of the Mice Comrades or Provision Stealers (Wok-e-po maun noomp-pe).—This is done by a band of young men bearing the above name. The dance is kept up all night and during it some of them take by stealth the provision bales from the rest of the camp who are asleep, on which they feast all night.

The dance is performed in a large lodge, or rather several lodges thrown into one for the purpose. The bales or other property thus obtained are kept until daylight, when the haranguer of the camp publishes that those who have lost anything will go and redeem it, and the several owners of the provision sacks present a piece of tobacco to the dancers, who deliver them their property. By visiting many lodges in the night a good deal of provisions, robes, etc., are secured, which often take the best part of the next day to distribute. The dress of this club, though gay, is not remarkable in any way except they hold in their hands the skins of stuffed mice or have the same attached to different parts of their attire. To describe the whole of their dances in detail with the different costumes would occupy too much space and perhaps not be required. We think enough has been written to present a general idea of these performances and their use with the Indians.

Whip Dance (Etchap-sin-tai Wah-che).—This dance is performed by as many warriors as choose to assemble with whips ornamented with eagle feathers and horse-skin wristbands tied to the whips. In this the number of horses they have stolen from their enemies at various times is boasted of.

Divining Dance (Tee-chagh-hah).—The divining dance is a complicated religious ceremony occupying a whole day and that part of it appropriated to dancing is done by men and women promiscuously, headed by some of the divining men without any distinction of kin or speeches regarding their coups. Their bodies are also scarified and pieces cut out of their shoulders.