Stories of Authors, British and American

by Edwin Watts Chubb

In May, 1815, Irving went abroad for the second time. His purpose was to stay a few months; he remained seventeen years. The first sight that greeted the newly arrived American in Liverpool was the mail-coach bringing the news of the battle of Waterloo. Irving's sympathies were with Napoleon. "In spite of all his misdeeds he is a noble fellow, and I am confident will eclipse in the eyes of posterity all the crowned wiseacres that have crushed him by their overwhelming confederacy." In the year 1818 the Irving brothers went into bankruptcy. Washington's interest in the business was that of a younger brother who had little responsibility. But of late years he had been much harassed by the accumulating troubles. With the end of the business anxieties he turns to literature with a whole-souled devotion. His home friends tried to secure for him the position of Secretary of the Legation in London; his brother William wrote that Commodore Decatur was keeping open for his acceptance the office of Chief Clerk in the Navy Department; but Irving turned the offers aside. Irving is usually imaged as a sunshiny, genial, easy-going gentleman into whose blood little of the iron of firmness had been infused. The fact that he not only refused these offers but also rejected offers from Scott and Murray shows that he had will enough to keep to the bent of his genius at a time when he needed money and influence. Murray offered him a salary of £1000 a year to be the editor of a periodical.

The first number of the Sketch Book appeared in May, 1819, and consisted mainly in point of merit of two papers, The Wife and Rip Van Winkle. The series was finished in 1820. The work was highly successful in America, and Irving was deeply moved by the cordial expressions of praise that reached him. His manly nature is revealed in a letter to a friend in which he says,—"I hope you will not attribute all this sensibility to the kind reception I have met to an author's vanity. I am sure it proceeds from very different sources. Vanity could not bring the tears into my eyes as they have been brought by the kindness of my countrymen. I have felt cast down, blighted, and broken-spirited, and these sudden rays of sunshine agitate me more than they revive me. I hope—I hope I may yet do something more worthy of the appreciation lavished on me."

Irving had not intended to publish the Sketch Book in England, but owing to reprints by others he was obliged to take the matter in his own hands. Murray refused to undertake the work. Then Irving became his own publisher. But the work sold so well that Murray bought the copyright for two hundred pounds.

In 1826 we find Irving in Spain. To the American reader the name of Spain is forever associated with that of Irving, for The Alhambra, The Conquest of Granada, and The Life of Columbus are the rich evidences of his absorption of the spirit of Spain. The Life of Columbus was written with great care. Irving wanted to produce something that would do credit to the scholarship of his loved America. Murray paid about fifteen thousand dollars for the English copyright. For the Conquest of Granada he received ten thousand dollars, and for The Alhambra a Mr. Bentley paid five thousand.

While Irving was in Madrid one of his most welcome visitors was Longfellow, then a young man of twenty, fresh from college. Writing to his father Longfellow says,—"Mr. Rich's family is very agreeable, and Washington Irving always makes one there in the evening. This is altogether delightful, for he is one of those men who put you at ease with them in a moment. He makes no ceremony whatever with one, and of course is a very fine man in society, all mirth and good humor. He has a most beautiful countenance, and a very intellectual one, but he has some halting and hesitating in his conversation, and says very pleasant, agreeable things in a husky, weak, peculiar voice. He has a dark complexion, dark hair, whiskers already a little gray. This is a very offhand portrait of so illustrious a man."

It is interesting to compare this sketch with one that Longfellow drew from memory many years later,—"I had the pleasure of meeting Mr. Irving in Spain, and found the author, whom I had loved, repeated in the man. The same playful humor, the same touches of sentiment, the same poetic atmosphere; and what I admired still more, the entire absence of all literary jealousy, of all that mean avarice of fame which counts what is given to another as so much taken from one's self.... Passing his house at the early hour of six one summer morning, I saw his study window already wide open. On my mentioning it to him afterwards he said, 'Yes, I am always at work by six.' Since then I have often remembered that sunny morning and that open window, so suggestive of his sunny temperament and his open heart, and equally so of his patient and persistent toil."

Irving's career is usually looked upon as ideal. In many ways it was singularly blessed. Friends, influence, fame, and wealth were his. When an American publisher undertook the issuing of a new edition of Irving's works in 1848, there was much uncertainty as to the success of the venture, but the author received eighty-eight thousand dollars from 1848 to 1859. He also had the satisfaction of working to the last, although the last year was one of suffering. "I am rather fatigued, my dear, by my night's rest," he replied to the anxious inquiry of a niece. He had been hard at work upon his Life of Washington, and he sometimes feared he might have overtaxed his brain. "I do not fear death," he said, "but I would like to go down with all sails set."

This modest prayer was granted. To the day of his death he was able to receive visitors, talk intelligently, read for his own pleasure, and take short drives. The day before he died he attended church, and on coming home he remarked that he must "get a dispensation to allow whist on Sunday evenings," because he dreaded the long, lonely nights. On Monday he went to bed, and as he turned to arrange the pillows he gave a slight exclamation and instantly expired.

By his mother's side they laid him, in a cemetery overlooking the Hudson and the valley of Sleepy Hollow, a region made forever famous by the genial pen of Irving. "I could not but remember his last words to me," writes a friend who made a pilgrimage to the spot on the day of the funeral, "when his book was finished and his health was failing: 'I am getting ready to go. I am shutting up my doors and windows.' And I could not but feel that they were all open now, and bright with the light of eternal morning."