XLVIII[ToC]
COOPER AND "THE SPY"
James Fenimore Cooper is one of the most interesting characters in the history of American authorship. Irving, Longfellow, Whittier, Lowell, Holmes, and Hawthorne early in life showed their literary bent, and lived academic and peaceful careers. They were also popular. Cooper was thirty years old before he thought of writing, and his life was embittered by the consciousness that he was the target of the most bitter criticism, both at home and abroad. Yet not one of the distinguished authors I have named is more widely known to-day than Cooper. Matthew Arnold has said somewhere that an author's place in the future is to be determined by his contemporaneous ranking in foreign lands. If that is true the names of Mark Twain, Cooper, Walt Whitman, and Poe will rank high in the annals of posterity, for their European fame is said to be the most general of any of the American writers.
There is an appealing fascination about the boyhood days of Cooper. When James was a babe of fourteen months his father moved to the headwaters of the Susquehanna. The family consisted of fifteen persons; James, the future novelist, was the eleventh of twelve children. Their home was in the midst of the forest. Near by was the charming lake, Otsego. The father owned several thousand acres, and was, probably, the most prominent man in that sparsely-settled region. What boy would want a finer opportunity to indulge all the wild propensities that lurk in the untamed heart of every healthy youngster? To roam in the untracked forest, to sail the lake, to hunt, to fish, to dream of the great unknown world lying just beyond the sun-tipped trees,—what can the schools give in exchange for this? Is it surprising that the wholesomeness of the forest and the charm and freshness of God's out-of-doors found their way into the man's novels, when so many delightful boyhood experiences must have found their way into the boy's heart?
As I said, Cooper was thirty years old before he began to write. He had studied under an Episcopal rector, and was intending to enter the junior class at Yale; the rector died and Cooper entered the second term of the freshman class; for some frolic in which he was engaged he was dismissed; he then entered the navy, where he gathered valuable experience which he worked afterwards into literature; he married; resigned, and lived the quiet life of a country gentleman. One day he threw down an English novel he had been reading and said to his wife, "I believe I could write a better story myself." Now this is a feeling that many of us have had, but few of us are put to the test. Cooper's wife fortunately told him to make the trial. He did so, and Precaution was the result. This was published in 1820. As a novel it is a failure; as a literary document it is highly interesting. Precaution is a story of English life. Why should Cooper write of American life when all Americans seemed to consider American life dull and prosaic? Politically we were free; intellectually we were slaves. The English lark sang in American poetry and English lords talked in American novels. It was not until 1837 that Emerson gave that famous address, The American Scholar, an event which Lowell calls "without any former parallel in our literary annals," and which Holmes declared to be "our intellectual Declaration of Independence."
Precaution has been called a failure, but it was not so much of a failure that Cooper's friends discouraged him from trying again. No, it was a first attempt and gave promise of something better. Why not write about American scenes and events? The very neighborhood in which he lived had been the scene of many stirring adventures during the Revolutionary conflict. "Years before, while at the residence of John Jay, his host had given him, one summer afternoon, the account of a spy that had been in his service during the war. The coolness, shrewdness, fearlessness, but above all the unselfish patriotism of the man had profoundly impressed the Revolutionary leader who had employed him. The story made an equally deep impression upon Cooper at the time. He now resolved to take it as the foundation of the tale he had been persuaded to write."
Near the close of 1821 The Spy appeared. In March of the following year a third edition was on the market. The work soon appeared in England, published by Miller, the same publisher that had first ventured to bring Irving's Sketch Book before the English public. In England the book was at once successful. This meant much to the American estimate of the author's ability, for American critics were afraid to praise a work that had not yet been applauded by England. In this same year, 1822, a French translation appeared. In France the work was enthusiastically received. This was the first of many translations into many European languages. Its influence in teaching patriotism cannot be estimated, nor can its value as an effective retort to the sneer "Who reads an American book?" ever be overlooked.
About the early life of Cooper there are unfortunately but few anecdotes. One reason for this lack of personalia about a man who had a most vigorous personality is due to his dying request. He enjoined upon his family that they permit no authorized biography to appear. Because of this we have lost much that would be valuable in estimating the character of Cooper. There is a story that when he was a young man he engaged in a foot-race for a prize of a basket of fruit. "While Cooper and his competitor were preparing to start, a little girl stood by full of eagerness for the exciting event. Cooper quickly turned and picked her up in his arms. 'I'll carry her and beat you!' he exclaimed, and away they went, Cooper with his laughing burden, the other runner untrammeled. It is almost needless to add that Cooper won the race, else why should the story have been preserved?" One cannot help speculating about the size of the girl and the speed of the rival runner, if this story is true.