Over the Border: Acadia, the Home of "Evangeline"

by Eliza B. Chase

The word "mensonges" has not the meaning in French which our literal translation would give it. It probably signifies the pretty falsehoods or white lies to which lovers are somewhat addicted. The next day is Sunday, and troops of people, in their peculiar costume, appear on the road from all directions, wending their way to the great white wooden church.

Despite the innate grace of the French, of which we hear so much, we see that the young men among these peasants are not unlike the shy and awkward country lads of Yankee land. Before and between the services they roost on the fence opposite the church, while the young girls—totally oblivious of their proximity, of course—gather in groups on the other side of the road, gossiping. We infer that many have come a long distance to attend service, as we see several families eating their lunch, picnic fashion, in the fields near the church. In the church, what a sensation the strangers make, and how interesting is the service! To one of us, at least, the grand service of Notre Dame of Paris was not so impressive as this. In the one case, a famous Bishop, robed in priceless lace and cloth of gold, with a troop of acolytes at the altar, while the most famous singers of the Opera filled the vast structure with rapturous melody; in the other, a large plain wooden building with glaring windows of untinted glass; the priest in vestments of coarse Nottingham lace and yellow damask,—but with spiritual, benignant countenance,—and a choir of untrained voices. A company of men droned out Gregorian chants in painfully nasal tones, using antique books with square headed notes; then the sweet voice of our host's daughter, Evangeline, sounded solo, and her youthful companions in the choir took up the chorus of the Kyrie Eleison:—

"Then came the evening service.
The tapers gleamed from the altar,
Fervent and deep was the voice of the priest, and the people
responded,
Not with their lips alone, but with their hearts; and the Ave Maria
Sang they, and fell on their knees, and their souls with devotion
translated,
Rose on the ardor of prayer, like Elijah ascending to heaven."

The young girls array themselves in hats and costumes which are only two or three years behind the prevailing mode; but the attire of the middle aged and elderly women is striking and peculiar. For Sundays, this is invariably black throughout, and yet does not look funereal. The dress is of plain bombazine or alpaca, a shawl folded square, and over the head a large silk handkerchief, which must be put on with greatest exactness and care to make just so many folds at the sides with a huge knot under the chin; while the point at the back hangs below the neck, and generally has one or more initials neatly worked in colors ("cross-stitch") in the corner. As most have clear olive complexion, with rich color in the cheeks, arid lustrous black eyes, this headdress is surprisingly becoming, giving quite a gypsyish effect.

During the week, a calico dress with long white apron is worn by women and children, and over the head a light chintz handkerchief, or a gay "bandanna";—quite suggestive of the every day wear of foreign peasantry. We are told that a girl's wealth is sometimes estimated by the number of handkerchiefs she owns. Mrs. R. says she has, in winter, seen a girl divest herself of no less than ten head-kerchiefs; taking them off, one by one, and carefully folding them in the most natural manner, as if there could be nothing uncommon or amusing in the proceeding.

The old women, in winter, wear enormous cloaks, made with a large square yoke, into which eight or ten breadths of material are closely plaited, —this unwieldy garment completely enveloping them from head to foot.

These distinctive features in costume are disappearing, and ere long our American peasantry may become commonplace and uninteresting. Let us hope that they may never lose the sweet simplicity, frankness, honesty, thrift, and other pleasing characteristics which they now possess.

In the houses is seen a peculiar rocking-settle, similar to those in use among the Pennsylvania Dutch. This odd piece of furniture has one end railed in front to serve for cradle; so papa, mamma, and baby can rock and "take comfort" together.

Towards evening we visit the convent, where the sisters—who probably do not receive frequent calls from visitors—seem glad of the opportunity for a pleasant chat and a bit of news from the outside world. They show us through their exquisitely neat establishment, where, in the culinary department, a crone who is deaf and rather childish approaches us with such strong evidence of delight, that we expect at least to be embraced; but a sign from the Superior relieves us from the impending demonstration.

At sunset, as we stroll along the road, three pretty little girls who are driving home a flock of geese tempt us to air our French a little, and a lively conversation ensues, causing their black eyes to sparkle and their white teeth to flash bewitchingly. One of the children explains why one of the awkward birds wears a clumsy triangular collar of wood, with a stake apparently driven through its throat, "to prevent it from going through the fences;" and when one of the strangers, imitating the waddling gait of the creatures, improvises,—