By priests the fact has long been understood that effects may be produced through appeals to the religious or emotional nature which under other circumstances would be impossible; and as, for thousands of years, it has been the special business of this class to formulate creeds for the ignorant masses, religious belief and the ceremonies connected with "sacred" worship, during certain periods of the world's history, have assumed a grotesqueness in design unsurpassed by the most fanciful fairy tales which the imagination has ever been able to create, at the same time that they have portrayed a depth of sensual degradation capable of being reached only by that order of creation which alone has been able to develop a religion.
CHAPTER XVIII. THE CROSS AND A DYING SAVIOR.
In Egypt, the cross when unaccompanied by any other symbol signified simply creative energy both female and male, but whenever a distinctively female emblem was present it denoted the male power alone. The Ibis, which is represented with human hands and feet, bears the staff of Isis in one hand and the cross in the other. There is scarcely an obelisk or monument in Egypt upon which this figure does not appear. The symbol or monogram of Venus was a circle and a cross, that of Saturn was a cross and a ram's horn.
Plato declared that the son of God was expressed upon the universe in the form of the letter X, and that the second power of the supreme God was figured on the universe in the shape of a cross.
There is little doubt that the early Christians understood full well the true meaning of the cross, and that it was no new device. In later ages, however, every monument of antiquity marked with this symbol was claimed by the Church and by it believed to be of Christian origin.
It is related that when the temple of Serapis at Alexandria was overthrown by one of the Christian Emperors, beneath its foundation was discovered the monogram of Christ. The Christians made use of this circumstance to prove the divine origin of their religion, "thereby making many converts." The Pagans, on the contrary, were of the opinion that "it should forever silence the claim put forward by the devotees of Christianity." It is plain, however, that the Christians had the better of the argument for "the cross being uneasy under the weight of the temple overthrew it."
On the coins of Decius, the great persecutor of the Christians, is to be observed the monogram of Christ which is also the monogram of Osiris and Jupiter Ammon. On a medal proved to be Phoenician appear the cross, the rosary, and the lamb. There is another form of the same monogram which signifies DCVIII. These devices although in use hundreds of years prior to the Christian era are all said to be monograms of Christ. At the present time they may be seen in almost every church in Italy.
In the cave of Elephanta, in India, appears the cross in connection with the figure which represents male reproductive power. Inman relates that a cross with a rosary attached has been found in use among the religious emblems of the Japanese Buddhists and the lamas of Thibet, and that in one of the frescoes of Pompeii, published at Paris, 1840, is to be seen, vol. v., plate 28, the representation of a phallic cross in connection with two small figures of Hermes.(170)
170) Inman, Ancient Faiths Embodied in Ancient Names, vol. i., p. 408.