The Rev. Mr. Maurice adds his testimony to that of other investigators to show the universality of this emblem. He says that the principal pagodas in India, viz., those of Bernares and Mathura, are built in the form of a cross.

In the museum of the London University is a mummy upon whose breast is a cross "exactly in the shape of a cross upon Calvary."

The true significance of this emblem, and the reason for its adoration are not, at the present time, difficult to understand; but whence comes the symbol of a dead man on a cross, and what is its true meaning?

Perhaps there is no problem connected with ancient symbolism, or with mythical religion, which is more difficult to solve, than is the representation of a dying Savior on a cross. It is stated by those who have investigated this subject, that although the sun, or the fructifying power within it, was adored by all the historic nations, no hint of a cross is to be found amongst the most ancient Nature worshippers. We must then look for a solution of this problem to those ages in which the higher truths of an older race were partially forgotten, and to a time when phallic worship had supplanted the adoration of Light or Wisdom. The cross doubtless came into use as a religious emblem at a time when the sexes in union began to stand for the god-idea, the lower end of the upright shaft being transfixed to the horizontal bar.

As soon as the male energy became god, the cross gradually grew into the figure of a man with arms extended. It became the original "life giver," it was Adam, the creator of the race. Doubtless for ages Adam represented the god-man-phallus-Tree of Life, or cross idea. He was the progenitor of the race. From this same idea sprang ancestor worship, or the deification of the past vital spark. The adoration paid to the Lares and Penates, the household gods of the Romans, on the first of May, is an example of this worship, as is also the homage paid by the Chinese to their progenitors.

Of religious emblems R. P. Knight says that one of the most remarkable among them is a cross in the form of the letter T which was used as an emblem of creation and generation before the church adopted it as a sign of salvation. To this representation of male reproductive power "was sometimes added a human head, which gives it the appearance of a crucifix, as it has on the medal of Cyzicus."

Originally the figure of a dead man on a cross typified creation and destruction or the operations of the creative forces in Nature. Everything dies only to live again. Although man dies, and although the individual man becomes but a dead branch on the tree of life, still the tree lives. Through the cross-phallus idea, or through man's power to create, existence on the earth continues. Although the sun dies in winter, in spring it revives again to quicken and enliven Nature and make all things new.

There is much evidence to show that a dying figure on a cross was no new conception at the advent of Christianity. Crishna, whose history as we have seen is almost identical with that of Christ, and Ballaji, from whom the thorn-crowned figures of Jesus have doubtless been copied, are illustrations of this mythical figure of a crucified savior in India.

It seems altogether probable from the facts at hand that the Romans worshipped a cross with a dying figure of a man upon it. Minucius Felix, a Christian father, in defense of his religion, has the following passage:

"You certainly, who worship wooden gods, are the most likely people to adore wooden crosses, as being parts with the same substance as your deities. For what else are your ensigns, flags, and standards but crosses gilt and purified? Your victorious trophies not only represent a simple cross, but a cross with a man upon it. When a pure worshipper adores the true God with hands extended, he makes the figure of a cross. Thus you see that the sign of the cross has either some foundation in Nature, or in your own religion, and therefore not to be objected against Christians."