To keep the bows of a bonnet in shape when put away in the bandbox, fill out each bow by placing rolls of wadding inside of all the loops.
A piece of thin oiled silk introduced between the lining and the outside, partly beneath the upper part of the brim, and partly at the lower part of the crown, will prevent any injury to the bonnet from perspiration of the head, or oiliness of the hair.
In bespeaking a bonnet of a milliner, always request her to send you the frame to try on, before she covers it; that you may see if it fits.
When a bonnet is to be sent to a distant place in wooden box, (bandboxes should never visibly travel,) to keep the bonnet steady, and prevent its tumbling or knocking about, sew very securely to the brim and back, some bits of strong tape, and fasten the other end of each bit of tape to the floor of the box, with very small tack nails. Fill all the loops and bows with wadding as above mentioned. A bonnet thus secured may travel uninjured from Maine to Texas.
TO KEEP A BONNET WHITE.—If you have a white velvet or silk bonnet that looks well enough to wear a second season, lay beside it in the bandbox a cake of white wax, (such as you get at an apothecary’s for sixpence or a shilling,) cover the bandbox closely, and do not on any account open it till you are about to take the bonnet again into wear. You will then find the cake of wax much discoloured, but the bonnet as white as ever. Shawls of white silk or canton crape, or indeed any white articles, may be kept in the same manner by putting a cake of white wax in the box with them, and not opening it so as to admit the external air, till the season for wearing them has returned.
In bespeaking bandboxes, desire that they shall not be lined with white paper. A lining of the coarsest brown paper is far preferable for preserving either the colours or the whiteness of any articles that are kept in them. The chloride of lime used in manufacturing white paper is very injurious to the colours of silks, and frequently causes in them spots and stains. The very coarse thick brown paper made of old ropes is far better; as the tar remaining about it partakes somewhat of the qualities of turpentine, and is therefore a preservative to colours.
White ribbons, blonds, &c., should be kept wound on ribbon-blocks, and wrapped in the coarse brown iron-monger’s paper.
WHALEBONES AND HOOKS.—The whalebones for dresses should always be perfectly straight, for if crooked they draw the body crooked wherever they are, and give it a warped or puckered look. Let them be stout also; for if thin, they curve and break. In cutting them of the desired length, round off and smooth the edge of both ends; for if left rough, square, or sharp they will very soon pierce through the dress. If you case them in linen or twilled tape, make the covering double, for about an inch at each end; and sew them on to the body-lining with very strong thread or silk. Secure them firmly and steadily at both ends, so that they may not slip up and down, and rub through to the outside of the body. For fastening dresses never use those hooks that have a sort of bulb, or that spread out near the point. They catch very badly, and are troublesome both to fasten and unfasten. Do not put black hooks on dresses that are to be washed, as they cause iron-mould. When a dress comes home from the wash with any of the hooks flattened in ironing, raise or open them by inserting beneath the hook the points of your scissors.