[Rome,] 126 Via Felice: March 20, [1861].
... Let me answer your questions concerning Non Pio V.E. Se non vero, ben trovato. Very happy, and I hope true. Probably enough it may be true, though I never heard it but from you. There was a banner with 'Viva Pio IX.' on one side, and 'Viva V.E. re d'Italia' on the other—that's true. And various devices we have had, miraculous rains of revolutionary placards among the rest. The French have taken to 'protect' our demonstrations here, half by way of keeping them under, perhaps—although the sympathy between the people and the troops (Gorgon apart) has been always undeniable. You know there was to be a gigantic demonstration to meet the declaration in the North. It was fixed to spread itself over three days. The French politely begged the 'papalini' to keep out of sight, and then they marched with the Roman demonstration for two days—twenty thousand Romans gathered together, I hear from those who were there, the greatest order observed—tricolors insinuated into the costume of all the women. After a certain time, French officer turns round and addresses the populace 'Gioventù Romana, basta cosí. Adesso bisogna andare a casa, poichè mi farebbe grandissimo dispiacere d' aprire ad alcuno la strada delle carceri.' The last words said smiling—as words to the wise. 'Grazie, grazie, grazie' were replied on all sides, and the people dispersed in the best humour possible. Yesterday (San Giuseppe) we were to have had it repeated, but it rained hard, which was fortunate, perhaps; and I hear something of cannons being placed in evidence, and of Gorgon saying 'de haute voix' that he couldn't allow it to go on. But everybody understands Gorgon. He has certainly, up to a point, Papal sympathies, and is as tender as he dares be to the Holy Father, and the irritation and wrath of the priestly party is naturally great. On the other hand, the whole body of French troops and their officers are as much vexed by Gorgon as Gorgon can vex me, and there's fraternisation with the Romans to an extraordinary degree.
Penini came home three days ago in a state of ecstasy. 'No—he never had been so happy in all his life. Oh mama, I am so happy!' What had happened, I asked. Why, Pen, being on the Pincio, had fallen on the French troops, had pushed through, and heard 'l'ordre du jour' read, had made friends with 'ever so many captains,' had marched in the ranks round the Pincio and into the caserne, had talked a great deal about Chopin, Stephen Heller, &c., with musical officers, and most about politics, and had been good-naturedly brought back to our door because he was 'too little to come alone through the crowd.' What had they not told him? Such things about Italy. 'They hoped,' said Pen, 'that I would not think they were like the Papalini. No indeed. They hoped I knew the French were different quite; and that, though they protected the Holy Father, they certainly didn't mean to fight for him. What they wanted was V.E. King of Italy. Napoléon veut l'Italie libre. I was to understand that, and remember it.' The attention, and the desire to conciliate Pen's good opinion, had perfectly turned the child's head. It will be 'dearest Napoleon' more than ever. Of course, he had invited the officers to 'come in and see mama,' only they were too discreet for this.
Pantaleone is exiled—ordered to go in eight days, three of which are passed. He is still in hopes of gaining more time, but the Pope is said to be resolutely set against him. I am very sorry, not surprised. He told Robert yesterday, that nothing can be surer than that Napoleon has been throughout a true friend to Italy. Which is a good deal for a man to admit who began with all the irritation against Napoleon of a Roman of 1849. Even after the war, through Villafranca, the bad feeling returned, and as he lives so much among the English, it was only natural that he should receive certain influences. He is with Odo Russell (who calls him Pant) nearly every day, and Mr. Cartwright is very intimate with him besides. But P. is above all things Italian, and the Italian of the most incisive intellect I ever talked with. He praises Lord John.
[Rome,] [end of March] 1861 [postmark].
We take ourselves to be dismally aggrieved, ever dearest Sarianna, by your criticisms on our photographs. After deep reflection I can't help feeling sure (against Robert's impression) that he sent you—not the right one, but one which has undeniably a certain 'grin.' I prevail with him to let you have the two-third likeness this time, in order to decide the point. If you keep your opinion, why then all artistic Rome is against you without exception. Nobody likes the sepia-coloured thing of last year in comparison. Every album in Rome gives up its dead and insists on the new likeness—not only is it considered more like, but so infinitely superior in expression and poetical convenance, that it ought to be more like. So everybody thinks. With regard to the head, I am of opinion that the head is beautiful, and the eyes singularly full of expression for photographed eyes, but there may be more difference of opinion about the head. The two-third view you certainly can't have seen. Why, we had even resolved (as we couldn't hope to grow younger) to stand or fall with posterity by this production. 'Ecco!'
As to age—no! it's cruel of you to talk so. Robert's beard was tolerably white when he was in Paris last, and, in fact, his moustache is less so than the rest, therefore there can't be, and isn't in this respect, so rapid a 'decline and fall' in his appearance. The clipping of the side whiskers, which are very grey, is an advantage, and as to the hair, it is by no means cut short. 'Like an épicier?' No indeed. The épicier is bushy and curly about the ears (see an example in 'Galignani'), and moreover will keep the colour of the curl 'if he dyes for it'—an extremity to which Robert and I will never be driven—having too much the fear of attentive friends and affectionate biographers before our eyes—as suggested by poor Balzac's. But Robert is looking remarkably well and young—in spite of all lunar lights in his hair. Though my hair keeps darker with a certain sprinkle however, underneath which forces its way outwards, I would willingly change on the whole with him, if he were not my own Robert. He is not thin or worn, as I am—no indeed—and the women adore him everywhere far too much for decency. In my own opinion he is infinitely handsomer and more attractive than when I saw him first, sixteen years ago—which does not mean as much as you may suppose, that I myself am superannuated and wholly anile, and incompetent therefore for judgment. No, indeed, I believe people in general would think the same exactly. And as to the modelling—well, I told you that I grudged a little the time from his own particular art—and that is true. But it does not do to dishearten him about his modelling. He has given a great deal of time to anatomy with reference to the expression of form, and the clay is only the new medium which takes the place of drawing. Also, Robert is peculiar in his ways of work as a poet. I have struggled a little with him on this point—for I don't think him right—that is to say, it wouldn't be right for me—and I heard the other day that it wouldn't be right for Tennyson. Tennyson is a regular worker, shuts himself up daily for so many hours. And we are generally so made that a regular hour is good, even for so uncertain an influence as mesmerism. But Robert waits for an inclination—works by fits and starts—he can't do otherwise he says.[98] Then reading hurts him. As long as I have known him he has not been able to read long at a time—he can do it now better than in the beginning of time. The consequence of which is that he wants occupation and that an active occupation is salvation to him with his irritable nerves, saves him from ruminating bitter cud, and from the process which I call beating his dear head against the wall till it is bruised, simply because he sees a fly there, magnified by his own two eyes almost indefinitely into some Saurian monster. He has an enormous superfluity of vital energy, and if it isn't employed, it strikes its fangs into him. He gets out of spirits as he was at Havre. Nobody understands exactly why—except me who am in the inside of him and hear him breathe. For the peculiarity of our relation is, that even when he's displeased with me, he thinks aloud with me and can't stop himself. And I know ultimately that whatever takes him out of a certain circle (where habits of introvision and analysis of fly-legs are morbidly exercised), is life and joy to him. I wanted his poems done this winter very much—and here was a bright room with three windows consecrated to use. But he had a room all last summer, and did nothing. Then, he worked himself out by riding for three or four hours together—there has been little poetry done since last winter, when he did much. He was not inclined to write this winter. The modelling combines body-work and soul-work, and the more tired he has been, and the more his back ached, poor fellow, the more he has exulted and been happy—'no, nothing ever made him so happy before'—also the better he has looked and the stouter grown. So I couldn't be much in opposition against the sculpture—I couldn't, in fact, at all. He has the material for a volume, and will work at it this summer, he says. His power is much in advance of 'Strafford,' which is his poorest work of all. Oh, the brain stratifies and matures creatively, even in the pauses of the pen.
At the same time his treatment in England affects him naturally—and for my part I set it down as an infamy of that public—no other word. He says he has told you some things you had not heard, and which, I acknowledge, I always try to prevent him from repeating to anyone. I wonder if he has told you besides (no, I fancy not) that an English lady of rank, an acquaintance of ours (observe that!), asked, the other day, the American Minister whether 'Robert was not an American.' The Minister answered 'Is it possible that you ask me this? Why, there is not so poor a village in the United States where they would not tell you that Robert Browning was an Englishman, and that they were very sorry he was not an American.' Very pretty of the American Minister—was it not?—and literally true besides.