From sketch-book and diary

by Elizabeth Butler

I found balm in Capri, Amalfi, and all the supreme lovelinesses of the Neapolitan Riviera to soothe the blisters of the volcano; and if I had trembled at the thunders of the Bible I was reassured by its blessings, which seemed embodied in those scenes of Eden.

CHAPTER III
ROME

ROME! I am almost inclined to leave out this central fact, although I never kept a fuller diary than I did during those seven months of my student life there that followed Florence. How can I approach it and say anything but platitudes on the subject? Every one has tried his or her hand upon this theme, and many dreadful banalities have come of it; many pert assertions, ignorant statements, sentimentalities. Rome has always impressed me as being the centre of the world—not as the Ancient Romans boasted when they set up their Golden Milestone, but in a higher sense; and to the artist her atmosphere is known to be exhilarating, some say “intoxicating.” We all feel that physical delight in being there, whatever views we may entertain in a spiritual sense. Who was the writer who said that every morning on waking she said to herself, “I am in Rome!” I believe many tacitly, at least, like to register that fact at each awakening to another Roman day.

You and I have of late years seen l’Eterna much changed in her physical aspect, and have grieved over the fact; yet it is only another of her many phases that is slowly developing before our eyes. At the earliest period of which we know enough to imagine her aspect she was colonnaded, porticoed and white; and the horrible time of her luxurious decadence saw very much the same huge tenement “sky-scrapers” run up as we are weeping over to-day. These jerry-buildings tumbled down occasionally just as they are doing now. Then I see Rome in the Middle Ages a city of square fortified towers—where are they all? Then comes the florid period when the dome was dominant as we see it in our time, and much exuberant bad taste dressed her out fantastically. Now some very dreadful things in the way of monster houses and wide, straight, shadeless streets are being committed; but they, too, will pass; but Rome will remain. Eternal as to the soul the city is ever changing as to the body. How ugly she must have been when rebuilt in a year after one of her burnings. There was jerry-building if you like! How awful after her sack by the Constable of Bourbon when “there was silence in her streets for three days”! I remember, when I used to look down on the city from a height in my very early days, wondering whether I had not been instructed too much in Roman history to enjoy that view to the extent I should have wished, as an art student, to do. So much cruelty and suffering had been concentrated in that little space I saw below me. But the joy of the eye soon banishes for me the sorrow of the mind, and there is joy enough for the eye in Rome!

Although I have revisited the well-loved city several times since those early days, the first visit stands out so much more fully coloured and intense in local sentiment than the subsequent ones, which seem almost insipid by comparison. You and I then saw her as she can never be seen again; we were just in time to know her under the old Papal régime, and we left three months before the Italians came in and began to rob her of her unique character. I cannot be too thankful that we have that put safely away in the treasury of our memories. We saw the Roman citizens kneeling in masses along the streets as the Pope’s mounted Chasseur, in cocked hats and feathers, heralded the approach of Pio Nono’s ponderous coach, in which His Holiness was taking his afternoon airing. We saw the stately cardinals and bishops in their daily stroll on the Pincian, receiving the salutes of soldiers and civilians. There were such constant salutations everywhere, all day long, and such punctilious acknowledgments from the ecclesiastics that on closing my eyes at night I always saw shovel hats rising and sinking like flocks of crows hovering over a harvest-field.

We saw the sentries on Good Friday mounting guard with arms reversed and all the flags that day flying at half-mast: the Colosseum was in those days treated as consecrated ground; more as the scene of Christian martyrdoms than as a Pagan antiquity. There stood the stations of the Cross, and there a friar preached every Wednesday during Lent. That fearsome ruin was then warmly lined with rich flora and various lusty trees and shrubs that have all been scraped and scoured away in harmony with the spirit of modern Italy.

What luck it was for us to be in Rome that wonderful year of 1870, when the Œcumenical Council filled her streets and churches with every type of episcopal ecclesiastic from the four quarters of the globe, each accompanied by his “theologian” and by secretaries in every variety of dress, from the modern American to the pig-tailed Chinaman. Great times for the art student, with all these types and colours as subjects for his pencil! The characteristics and the colour of Rome were thus multiplied and elaborated to the utmost possible point, up to the very verge of the Great Cleavage; and we saw it all.