The word also occurs in several of the wills published in Wells Wills, by F. W. Weaver, 1890, as, for instance, in that of Juliane Webbe, of Swainswick, dated Jan. 11, 1533: ‘Julian Woodman vj shepe, a cowe &c. a salteseller, a knede cover, a stand, my ijⁿᵈ apparell of my body, a flockebed &c. ij pelowberys.’ Char, or chare (many dials.), an errand, a turn of work, an odd job, O.E. cerr, a turn, temporis spatium. We retain the word in the compound charwoman, and in a disguised form in ajar, which literally means on the turn. An old proverbial saying (1678) runs: ‘That char is char’d, as the goodwife said when she had hanged her husband.’ Shakespeare has the word in:
the maid that milks
And does the meanest chares.
Ant. & Cleop. IV. xv. 75.
Charming the Bees
Charm (gen. use in midl. and s. counties), a confused intermingled song or hum of birds or bees, e.g. Ow the birds bin singin’ this mornin’, the coppy’s all on a charm. It is also used of the sound of many voices. A Herefordshire farmer’s wife writing to me about her five children under seven years of age, added: ‘You can guess what a charm they make.’ The O.E. form was cierm, a noise, with a verb cierman, to make a noise. Palsgrave (1530) has: ‘I chitter, I make a charme as a flock of small byrdes do when they be together.’ But we know the word best in Milton’s lines:
Sweet is the breath of morn, her rising sweet,
With charm of earliest birds.
Par. Lost, iv. 641.
The phrase to charm or cherm bees belongs here, and has no connexion with the ordinary word charm, of French origin. To charm bees is to follow a swarm of bees, beating a tea-tray, or ringing a stone against a spade or watering-can. This music is supposed to cause the bees to settle; but another object in doing thus is to let the neighbours know who owns the bees, if they should chance to settle on adjacent property. Har, or harr (Sc. Nhb. Dur. Cum. Wm. Yks. Lan. also Mid. e.An. Hmp. Wil. Som.), the upright part of a gate or door to which the hinges are fastened, O.E. heorr, a hinge. Chaucer, in describing the ‘Mellere’, tells us: