The question arose as to which children should take certain parts. In some instances several wanted to learn the part of one particular character. They were each given the opportunity of learning it, and then at the next meeting each acted it as best he or she could before the group. The other children were judges and decided upon the one who seemed to represent the character best. Whenever this method of choosing characters has been employed there has never been any hard feeling on the part of a child because he was not chosen. The justice of the choice is quickly recognized when it comes in this way rather than from the leader.
There were many little children in this club who were scarcely old enough to learn a part or to say very much. They were easily worked into the caravan, or they took such parts as servants in Pharaoh's court. Each child was made to feel that one part was just as important as another and that those who had nothing to say were very essential elements because of their acting.
Eight or nine meetings were needed before the play was entirely finished. The children had very simple slips for costumes which they had been wearing at each rehearsal. Bright-colored sashes and headdresses they brought from home. Pharaoh was more gaily dressed than the others. The child who took the part made for himself many ornaments from gilt paper.
Very little attention was given to stage setting, what was used was extremely simple. A few of the older girls made designs from the Egyptian lotus to stand around the walls of Pharaoh's palace or to be carried by the servants. Colored illustrations of Bible stories by Tissot were suggestive helps in these details. The ten brothers made themselves shepherd staffs from limbs of trees. This small amount of stage setting and costuming was used at many rehearsals and was all that was necessary to produce the right atmosphere.
As soon as the children felt that the play represented their best effort they invited their parents and friends and presented it before them one Sunday afternoon at the time for the regular meeting.
It happened that a few days before the final presentation four of the principal characters were taken ill with measles and chicken-pox. Four others, who had not given special attention to these parts, but who had minor parts, assumed the important rôles and went straight through the play with no trouble whatever. The audience never knew the difference and the children thought that it was entirely natural that they should be able to do this. The play all the way through was characterized by a spirit of dignity and seriousness.
As direct results of this work in dramatization it was noted that all the children had acquired a certain freedom of expression, a self-confidence, without conceit or too much sureness, and the ability to work harmoniously with the group. One or two timid children learned to forget themselves, and one overconfident child was helped by seeing that others could learn to do the part even a little better than herself.
The children who took part in this little play of Joseph will never forget it. Several years after the play was given they were frequently referring to it with great happiness. Joseph is one of their favorite characters because they have lived through his experiences with him.
The following is the play as it was given in its final form. It is not to be taken as a play which may be given to children to be learned as it is; it is given here that there may be some idea of the standard which may be reached.