Of the several tenants after the Adolfs, I seem to remember little save the complaints we interchanged. I tried my best to do as I would be done by and to keep out of their way, but accident was always throwing us together to our mutual indignation. There was the Bachelor whose atrocious cook filled our chambers with the rank odours of smoked herring and burnt meat, and whose deserted ladylove filled the stairs with lamentations. There was the young Married Couple into whose bathtub ours overflowed. There was the Accidental Actress whose loud voice and heavy boots were the terror not only of our house, but of the street, whose telephone rang from morning till night, whose dog howled all evening when he was left alone as he usually was, and whose rehearsals in her rooms interrupted the work in ours with ear-piercing yells of "Murder" and "Villain."

I cannot recall them all, so rapidly did they come and go. We began to fear that the life of the tenant was, as Tristram Shandy described the life of man, a shifting from sorrow to sorrow. We lived in an atmosphere of fault-finding, though when there was serious cause for complaint, not a murmur could be wrung from the tenant below or, for that matter, from a tenant in the house. All, like true Britons, refused to admit the possibility of interests in common, and would not stir a hand, however pressing the danger, so long as they were not disturbed. If our chambers reeked with smoke and the smell of burning wood, they accepted the information with calm indifference because theirs did not. Nor did it serve as a useful precedent if, as it happened, smoke and smell were traced again to a fire, smouldering as it had been for nobody knew how long, in the cellar of the adjoining house, separated from ours only by the "party wall" belonging to both: that ingenious contrivance of the builder for creating ill-will between next-door neighbours. They declined to feel the bannisters loose under their grasp, or to see the wide gap opened in the same party wall after the fall of the roof of Charing Cross Station had shaken the Quarter to its foundations and made us believe for a moment that London was emulating Messina or San Francisco. And I must add, so characteristic was it, that the Agent dismissed our fears as idle, and that the Surveyor, sent at our request by the County Council, laughed us to scorn. But we laughed best, for we laughed last. A second Surveyor ordered the wall to be pulled down as unsafe and rebuilt, and the Agent in the end found it prudent to support the bannisters with iron braces.

When, after these trials and tribulations, Mr. Allan took the Second Floor Back we thought the Millennium had come. He was a quiet man, employed in the morning, so we were told, in writing a life of Chopin, and in the evening, as we heard for ourselves, in playing Chopin divinely. The piano is an instrument calculated to convert an otherwise harmless neighbour into a nuisance, but of him it made a delight. He was waited upon by a man as quiet, whose consideration for the tenants went to the length of felt slippers in the house, who never slammed doors nor sang, who never even whistled at his work. An eternity of peace seemed to open out before us, but, as they say in novels, it was not to be. Our confidence in Mr. Allan was first shaken by what I still think an unjustified exhibition of nerves. One night, or rather one early morning, a ring at our door-bell startled us at an hour when, in my experience, it means either a fire or an American cablegram. It was therefore the more exasperating, on opening the door, to be faced by an irate little man in pyjamas and smoking jacket who wanted to know when we proposed to go to bed. Only after J.'s answer "when we are ready," did we know it was Mr. Allan by his explanation that his bed was under the room where we were walking about, that the floor was thin, and that he could not sleep. J. would not enter into an argument. He said the hour was not the most appropriate for a criticism of the construction of the house which, besides, was at all hours the Landlord's and not his affair, and Mr. Allan had the grace to carry his complaint no further. It may have occurred to him on reflection that it was not our fault if he had chosen a room to sleep in just below the room we used to sit and see our friends in.

Had I borne malice, I should not have had to wait long for my revenge, nor to plan it myself. Not many days later, Mr. Allan's servant, watering the flowers on the open balcony at Mr. Allan's window, watered by mistake the new Paris bonnet of the lady of the Ground Floor Back who was coming home at that very minute. Under the circumstances few women would not have lost their temper, but few would have been so prompt in action. She walked straight upstairs to Mr. Allan's chambers, the wreck in her hand. The servant opened to her knock, but she insisted upon seeing the master.

"I have come, Allan, to tell you what I think of the conduct of your servant," she said, when the master appeared. "Yes, I call you Allan, for I mean to talk to you as man to man," which she proceeded to do.

I did not hear the talk, but it was almost a week before I heard the piano again. Poor Mr. Allan! And this proved a trifle to the worse humiliation he was soon to endure.

As I sat with a book by my lamp one evening before dinner, shrieks from his chambers and a crash of crockery sent me rushing to the door and out upon the landing, with Augustine at my heels. Old Tom and his wife arrived there simultaneously, and, looking cautiously over the bannisters, I saw an anxious crowd looking up as cautiously from the hall on the Ground Floor. The shrieks developed into curses intermingled with more riotous crashing of china. The Housekeeper, urged by the crowd below, crept all unwilling to Mr. Allan's door and knocked. The door was flung open, and, before she ventured to "beg pardon but the noise disturbed the other tenants," Mr. Allan's hitherto well-behaved servant greeted her with a volley of blood-curdling epithets and the smash of every pane of glass in the upper panel of the door, and down she fled again. He bolted out after her, but looking up and catching a glimpse of Tom, peacefully sucking a lemon-drop, he became so personal that Tom and his wife retreated hastily, and for the first time the smile faded from the old man's face. In a moment's lull I heard Mr. Allan's voice, low and entreating, then more curses, more crashes. I should not have thought there was so much glass and crockery to be broken in the whole house.

Presently a policeman appeared, and then a second. The door was open, but the servant was busy finishing up the crockery. Mr. Allan spoke to them, and then, like a flash, the servant was there too.

"I dare you to let them come in!" he yelled, so loud he could be heard from the top to the bottom of the house. "I dare you to let them come in! I dare you to give me in charge! I dare you! I dare you!"

And Mr. Allan did not dare, that was the astonishing part of it. And he never lost his temper. He argued with the policemen, he plead with the servant, while one group on our landing and another on the Ground Floor waited anxiously. The policemen did not desert us but stood guard on the Second Floor, which was a reassurance, until gradually the yells were lowered, the crashes came at longer intervals, and at last, I suppose in sheer exhaustion, the servant relapsed into his usual calm, Mr. Allan "sported his oak," and I learned how truly an Englishman's home is his castle.