"It's Jake," said Eugenia in a whisper, while Jim barked frantically from the shelter of her arms. "He's Delphy's Jake."
The small negro stood grinning in the walk, his white eyeballs circling in their sockets. "Hit's Miss Chris, suh," he said at last.
"Miss Chris, you rascal!" shouted the general. "Do you expect me to believe you've got Miss Chris in that pail? Open it, sir; open it!"
Jake showed a shining row of ivory teeth and stood shaking the pail from side to side.
"Miss Chris, she gun hit ter me, suh," he explained. "Hit's Miss Chris herse'f dat's done sont me ter tote dish yer buttermilk ter Unk Mose."
"Bless my soul!" cried the general wrathfully. "Get away with you! The whole place is bent on ruining me. I'll be in the poorhouse before the week's up." And he strode indoors in a rage.
VII
Twice a year, on fine days in spring and fall, Aunt Griselda's bombazine dresses were taken from the whitewashed closet and hung out to air upon the clothesline at the back of the house, while pungent odours of tar and camphor were exhaled from the full black folds. On these days Aunt Griselda would remain in her room, sorting faded relics which she took from a cedar chest and spread beside her on the floor. The door was kept locked at such times, but once Eugenia, who had gone with Congo to carry Aunt Griselda her toast and tea, had caught a glimpse of a yellowed swiss muslin frock and the leather case of a daguerreotype containing the picture of a round-eyed girl with rosy cheeks. Aunt Griselda had hidden them hastily away at the child's entrance—hidden them with that nervous, awkward haste which dreads a dawning jest of itself; but Eugenia had seen that her old eyes were red and her voice more rasping than usual.
Sixty years ago Aunt Griselda had had her romance, and she still kept her love-letters tied up with discoloured ribbons and laid away in the cedar chest. It was but the skeleton of a love story—the adolescent ardours of a high-spirited country girl and the high-spirited son of a neighbouring farmer. When the quarrel came the letters were overlooked when the ring went back. Griselda Grigsby had tossed them carelessly into the cedar chest and gone out to forget them. Her heart had not been deeply touched and it soon mended. No other lovers came, and she lived her quiet life in her father's house, gathering garden flowers for the great, blue bowls in the parlour, teaching the catechism to small black slaves, and making stiff, old-fashioned samplers in crewels. The high-spirited lover had loved elsewhere and died of a fever, and, beyond a passing regret, she thought little of him. There were nearer interests, and she was still the petted daughter of her father's house—the eldest and the best beloved. Then the crash came. The old people passed away, the house changed hands, Aunt Griselda was stranded upon the high tide of hospitality—and crewel work went out of fashion.