The Voice of the People

by Ellen Anderson Gholson Glasgow

In her sister's home she became a constant guest—one to be offered the favoured share and to be treated with tender, increasing tolerance—not to be loved. Since the death of her parents none had loved her, though many had borne gently with her spoiled fancies. But her coming in had brought no light, and her going out had left nothing dark. She was old and ill-tempered and bitter of speech, and, though all doors opened hospitably at her approach, all closed quickly when she was gone. Her spoiled youth had left her sensitive to trivial stings, unforgivable to fancied wrongs. In a childish oversight she detected hidden malice and implacable hate in a thoughtless jest. Her bitterness and her years waxed greater together, and she lost alike her youth and her self-control. When she had yearned for passionate affection she had found kindly tolerance, and the longings of her hidden nature, which none knew, were expressed in rasping words and acrid tears. Once, some years after Bernard's birth, she had called him into her room as she sat among her relics, and had shown him the daguerreotype.

"It's pitty lady," the child had lisped, and she had caught him suddenly to her lean old breast, but he had broken into peevish cries and struggled free, tearing with his foot the ruffle of the swiss muslin gown.

"Oo ain't pitty lady," he had said, and Aunt Griselda had risen and pushed him into the hall with sharp, scolding words, and had sat down to darn the muslin ruffle with delicate, old-fashioned stitches.

It was only when all living love had failed her that she returned to the dead. She had gathered the letters of nearly sixty years ago from the bottom of the cedar chest, reading them through her spectacles with bleared, watery eyes. Those subtle sentimentalities which linger like aromas in a heart too aged for passion were liberated by the bundle of yellow scrawls written by hands that were dust. As she sat in her stiff bombazine skirts beside the opened chest, peering with worry-ravaged face at the old letters, she forgot that she was no longer one with the girl in the muslin frock, and that the inciter of this exuberant emotion was as dead as the emotion itself.

When the dresses were brought up to her she would put them on again and go down to flinch before kindly eyes and to make embittered speeches in her high, shrill voice. Outwardly she grew more soured and more eccentric. On mild summer evenings she would come down stairs with her head wrapped in a pink knitted "nubia," and stroll back and forth along the gravelled walk, her gaunt figure passing into the dusk of the cedar avenue and emerging like the erratic shadow of one of the sombre trees.

Sometimes Eugenia joined her, but Bernard, her favourite, held shyly aloof. In her exercise she seldom spoke, and her words were peevish ones, but there was grim pathos in her carriage as she moved slowly back and forth between the straight rows of box.

After supper the family assembled on the porch and talked in a desultory way until ten o'clock, when the lights were put out and the house retired to rest. Eugenia slept in a great, four-post bedstead with Aunt Chris, and the bed was so large and soft and billowy that she seemed to lose herself suddenly at night in its lavender-scented midst, and to be as suddenly discovered in the morning by Rindy, the house-girl, when she came with her huge pails of warm water.

Those fresh summer dawns of Eugenia's childhood became among her dearest memories in after years. There were hours when, awaking, wide-eyed, before the house was astir, she would rise on her elbow and look out across the dripping lawn, where each dewdrop was charged with opalescent tints, to the western horizon, where the day broke in a cloud of gold. The song of a mocking-bird in the poplars of the little graveyard came to her with unsuspected melody—a melody drawn from the freshness, the loneliness, the half-awakened calls from hidden nests and the lyric ecstasy of dawn.

Then, with the rising of the sun, Aunt Chris would turn upon her pillow and open her soft, brown eyes.

"It is not good for little folks to be awake so early," she would say, and there would rush upon the child a sense of warmth and tenderness and comfort, and she would nestle closer to her sweet, white pillow. With the beginning of day began also the demands upon the time of Miss Chris. First the new overseer, knocking at her door, would call through the crack that a cow had calved, or that one of the sheep was too ill to go to pasture. Then Rindy, entering with her pails, would shake a pessimistic head.