The crowd that is passing the shops often proves more interesting than the display within, as there are natives of all ages and descriptions, Arabs, Bedouins, Turks, and Egyptians, some mounted on donkeys and some driving heavily laden camels. Water-carriers with jars, mostly women, are among them, while the natives usually carry under the arm the characteristic pigskin, filled with water. These are the sights to be seen, together with the venders of fruit and vegetables, alternating with richly equipped carriages, and funeral or bridal processions. Men and women in their Oriental dress jostle the crowd of sight-seers who ever throng these ways.
In these, but more often in a better class of streets, we pass the lovely meshrebîya windows, with their intricate turned lattice-work designs; they are very frequently oblong projecting windows, but instead of glass there is used the fine tracery or lattice-work in wood. Sad to relate, this fine work is sharing in the general decay to be found in the old quarters of Cairo, and, in a few years, the tourist will only be able to view the specimens even now being sent to the Arabian Museum, which institution is, by the way, doing a splendid work in preserving and classifying all artistic remains, notably those from the crumbling mosques.
Except in the matter of decay, I found little change in the native portion of the city since my visit in 1898; but the aspect of the city proper has grown modern. Fine new streets, public buildings and residences, are seen everywhere in the Ezbekieh and Ismailian quarters of the city, while certain sections suggest a European capital. The Ezbekieh Gardens, opposite the Continental Hotel, form really a small park in the centre of the city, and are a great resort for tourists as well as residents.
The peculiar head-dress of the Cairo women
The Ismailian is the fashionable quarter of the city, and it is said that many wealthy citizens have left their former luxurious native homes for a modern residence in the new section. Hence many dealers in the bazars have secured the deserted Oriental homes, and now live in comparative luxury, showing that conditions and residential centres change in the Old World as well as in the New.
But note how much more attractive the original home must appear to native eyes. A passage leads from the street to a spacious court, and grouped around the court, which usually has a fountain in the centre (with sometimes one or two trees), are the rooms for general use and those assigned to guests. The apartments occupied by the women of the family, commonly called the harem, are not visible, but are generally spacious and well furnished, even luxuriously appointed, with inlaid floors, decorated walls, and rich rugs. The light filters through either meshrebîya or flat latticed windows, for no profane eye can gaze on the supposed loveliness of damsel and dame, nor can they, in their turn, gaze outward for any distance, which shows the restricted social condition of the women.
It is said that they are virtually regarded with contempt, and, though usually kindly treated in the harem, they are considered only as ornamental appendages of the home; hence they are rarely educated, and never in more than those accomplishments, such as music and dancing, which tend to add to their attractiveness.
The better classes of women are always seen veiled, and, with the peculiar covering over the nose, one can only judge of their appearance by their often very beautiful eyes. Oh, the infinite sadness to be found in the depths of many of them!
I was, however, told by a gentleman, long resident in Cairo, that there are indications of a gradual change as regards education, the wives of a few high officials having been educated on broader lines than mere accomplishments; hence it is to be hoped that the leaven will work in time. It may also be found later that the transference of the harem from an Oriental home to a Number 9 residence on a fashionable street will lessen the seclusion heretofore imposed.