APPENDIX TO THE NINTH EDITION
VOICE FAILURE.
A New Chapter, written for the Ninth Edition, by Mrs. Emil Behnke.
The large and ever increasing number of professional voice users of all classes and of all grades who break down in voice is matter for serious and earnest consideration. Innumerable students of singing of both sexes, in England and abroad, suffer shipwreck of their hopes and ambitions in the loss of their voices during the process of training, long before the period arrives for professional and public voice use. In some of these cases general delicacy of constitution has been the principal factor in the failure; in others weakness of throat or lungs may have been a cause. But after making ample allowance for such physical contributories, we are still face to face with the fact that voice failure, accompanied by throat ailments, more or less serious, occurs with startling frequency, and no other reason is assigned for it than the irresponsible, indefinite one that the voice broke down under training. Of the infinitesimal number of successful students—that is to say, of those who, having completed their studies, come before the public as professional singers—so few escape the common lot that it would almost appear as if a fatality attended the following of the vocal art; yet from a health point of view, singing is an admirable exercise, and abundant medical testimony has been adduced in proof of this statement.
There are, of course, other causes of non-success in vocal students besides break-down of voice. A fine voice and good musical knowledge are but parts of the equipment of the singer; if he have not the soul of an artist he will never rise above mediocrity. With musical and artistic failures this chapter has nothing to do, but only with preventible causes of break-down, such as have come under my personal observation from close association with the work of my late husband, and also in my own and my daughter's work since his lamented decease.
In the establishment of a rule or law founded upon general truths, a number of examples bearing upon the subject under consideration are relied on as conclusive evidence, and by their use we are enabled to analyse reasons and deduce conclusions.
From the examination of a large number of cases of vocal failure in singers and in speakers who have placed themselves under my tuition for recovery of voice, I have found that among the most frequent and most injurious mistakes are:—
1st. Wrong methods of breathing and of breath management.
2nd. Loud singing and shouting.