“Oh! all right. Don’t go away without me. I want to walk a little, and I’ll see you home. It’s agreed, eh? You will find me here.”

The young priest had to cross two rooms, one hung with yellow and the other with blue, before he at last reached the mirrored salon. This was really an exquisite example of the rococo style, a rotunda as it were of pale mirrors framed with superb gilded carvings. Even the ceiling was covered with mirrors disposed slantwise so that on every side things multiplied, mingled, and appeared under all possible aspects. Discreetly enough no electric lights had been placed in the room, the only illumination being that of some pink tapers burning in a pair of candelabra. The hangings and upholstery were of soft blue silk, and the impression on entering was very sweet and charming, as if one had found oneself in the abode of some fairy queen of the rills, a palace of limpid water, illumined to its farthest depths by clusters of stars.

Pierre at once perceived Monsignor Nani, who was sitting on a low couch, and, as the prelate had hoped, he was quite alone, for the Cotillon had attracted almost everybody to the picture gallery. And the silence in the little salon was nearly perfect, for at that distance the blare of the orchestra subsided into a faint, flute-like murmur. The young priest at once apologised to the prelate for having kept him waiting.

“No, no, my dear son,” said Nani, with his inexhaustible amiability. “I was very comfortable in this retreat—when the press of the crowd became over-threatening I took refuge here.” He did not speak of the King and Queen, but he allowed it to be understood that he had politely avoided their company. If he had come to the fete it was on account of his sincere affection for Celia and also with a very delicate diplomatic object, for the Church wished to avoid any appearance of having entirely broken with the Buongiovanni family, that ancient house which was so famous in the annals of the papacy. Doubtless the Vatican was unable to subscribe to this marriage which seemed to unite old Rome with the young Kingdom of Italy, but on the other hand it did not desire people to think that it abandoned old and faithful supporters and took no interest in what befell them.

“But come, my dear son,” the prelate resumed, “it is you who are now in question. I told you that although the Congregation of the Index had pronounced itself for the condemnation of your book, the sentence would only be submitted to the Holy Father and signed by him on the day after to-morrow. So you still have a whole day before you.”

At this Pierre could not refrain from a dolorous and vivacious interruption.

“Alas! Monseigneur, what can I do?” said he; “I have thought it all over, and I see no means, no opportunity of defending myself. How could I even see his Holiness now that he is so ill?”

“Oh! ill, ill!” muttered Nani with his shrewd expression. “His Holiness is ever so much better, for this very day, like every other Wednesday, I had the honour to be received by him. When his Holiness is a little tired and people say that he is very ill, he often lets them do so, for it gives him a rest and enables him to judge certain ambitions and manifestations of impatience around him.”

Pierre, however, was too upset to listen attentively. “No, it’s all over,” he continued, “I’m in despair. You spoke to me of the possibility of a miracle, but I am no great believer in miracles. Since I am defeated here at Rome, I shall go away, I shall return to Paris, and continue the struggle there. Oh! I cannot resign myself, my hope in salvation by the practice of love cannot die, and I shall answer my denouncers in a new book, in which I shall tell in what new soil the new religion will grow up!”

Silence fell. Nani looked at him with his clear eyes in which intelligence shone distinct and sharp like steel. And amidst the deep calm, the warm heavy atmosphere of the little salon, whose mirrors were starred with countless reflections of candles, a more sonorous burst of music was suddenly wafted from the gallery, a rhythmical waltz melody, which slowly expanded, then died away.