“No, none,” replied Orlando; and then, with sudden recollection, he added, “Yes, I have, though! You remember that book written by my old comrade in arms, Theophile Morin, one of Garibaldi’s Thousand, that manual for the bachelor’s degree which he desired to see translated and adopted here. Well, I am pleased to say that I have a promise that it shall be used in our schools, but on condition that he makes some alterations in it. Luigi, give me the book, it is there on that shelf.”
Then, when his son had handed him the volume, he showed Pierre some notes which he had pencilled on the margins, and explained to him the modifications which were desired in the general scheme of the work. “Will you be kind enough,” he continued, “to take this copy to Morin himself? His address is written inside the cover. If you can do so you will spare me the trouble of writing him a very long letter; in ten minutes you can explain matters to him more clearly and completely than I could do in ten pages.... And you must embrace Morin for me, and tell him that I still love him, oh! with all my heart of the bygone days, when I could still use my legs and we two fought like devils side by side under a hail of bullets.”
A short silence followed, that pause, that embarrassment tinged with emotion which precedes the moment of farewell. “Come, good-bye,” said Orlando, “embrace me for him and for yourself, embrace me affectionately like that lad did just now. I am so old and so near my end, my dear Monsieur Froment, that you will allow me to call you my child and to kiss you like a grandfather, wishing you all courage and peace, and that faith in life which alone helps one to live.”
Pierre was so touched that tears rose to his eyes, and when with all his soul he kissed the stricken hero on either cheek, he felt that he likewise was weeping. With a hand yet as vigorous as a vice, Orlando detained him for a moment beside his arm-chair, whilst with his other hand waving in a supreme gesture, he for the last time showed him Rome, so immense and mournful under the ashen sky. And his voice came low, quivering and suppliant. “For mercy’s sake swear to me that you will love her all the same, in spite of all, for she is the cradle, the mother! Love her for all that she no longer is, love her for all that she desires to be! Do not say that her end has come, love her, love her so that she may live again, that she may live for ever!”
Pierre again embraced him, unable to find any other response, upset as he was by all the passion displayed by that old warrior, who spoke of his city as a man of thirty might speak of the woman he adores. And he found him so handsome and so lofty with his old blanched, leonine mane and his stubborn belief in approaching resurrection, that once more the other old Roman, Cardinal Boccanera, arose before him, equally stubborn in his faith and relinquishing nought of his dream, even though he might be crushed on the spot by the fall of the heavens. These twain ever stood face to face, at either end of their city, alone rearing their lofty figures above the horizon, whilst awaiting the future.
Then, when Pierre had bowed to Count Luigi, and found himself outside again in the Via Venti Settembre he was all eagerness to get back to the Boccanera mansion so as to pack up his things and depart. His farewell visits were made, and he now only had to take leave of Donna Serafina and the Cardinal, and to thank them for all their kind hospitality. For him alone did their doors open, for they had shut themselves up on returning from the funeral, resolved to see nobody. At twilight, therefore, Pierre had no one but Victorine to keep him company in the vast, black mansion, for when he expressed a desire to take supper with Don Vigilio she told him that the latter had also shut himself in his room. Desirous as he was of at least shaking hands with the secretary for the last time, Pierre went to knock at the door, which was so near his own, but could obtain no reply, and divined that the poor fellow, overcome by a fresh attack of fever and suspicion, desired not to see him again, in terror at the idea that he might compromise himself yet more than he had done already. Thereupon, it was settled that as the train only started at seventeen minutes past ten Victorine should serve Pierre his supper on the little table in his sitting-room at eight o’clock. She brought him a lamp and spoke of putting his linen in order, but he absolutely declined her help, and she had to leave him to pack up quietly by himself.
He had purchased a little box, since his valise could not possibly hold all the linen and winter clothing which had been sent to him from Paris as his stay in Rome became more and more protracted. However, the packing was soon accomplished; the wardrobe was emptied, the drawers were visited, the box and valise filled and securely locked by seven o’clock. An hour remained to him before supper and he sat there resting, when his eyes whilst travelling round the walls to make sure that he had forgotten nothing, encountered that old painting by some unknown master, which had so often filled him with emotion. The lamplight now shone full upon it; and this time again as he gazed at it he felt a blow in the heart, a blow which was all the deeper, as now, at his parting hour, he found a symbol of his defeat at Rome in that dolent, tragic, half-naked woman, draped in a shred of linen, and weeping between her clasped hands whilst seated on the threshold of the palace whence she had been driven. Did not that rejected one, that stubborn victim of love, who sobbed so bitterly, and of whom one knew nothing, neither what her face was like, nor whence she had come, nor what her fault had been—did she not personify all man’s useless efforts to force the doors of truth, and all the frightful abandonment into which he falls as soon as he collides with the wall which shuts the unknown off from him? For a long while did Pierre look at her, again worried at being obliged to depart without having seen her face behind her streaming golden hair, that face of dolorous beauty which he pictured radiant with youth and delicious in its mystery. And as he gazed he was just fancying that he could see it, that it was becoming his at last, when there was a knock at the door and Narcisse Habert entered.
Pierre was surprised to see the young attache, for three days previously he had started for Florence, impelled thither by one of the sudden whims of his artistic fancy. However, he at once apologised for his unceremonious intrusion. “Ah! there is your luggage!” he said; “I heard that you were going away this evening, and I was unwilling to let you leave Rome without coming to shake hands with you. But what frightful things have happened since we met! I only returned this afternoon, so that I could not attend the funeral. However, you may well imagine how thunderstruck I was by the news of those frightful deaths.”
Then, suspecting some unacknowledged tragedy, like a man well acquainted with the legendary dark side of Rome, he put some questions to Pierre but did not insist on them, being at bottom far too prudent to burden himself uselessly with redoubtable secrets. And after Pierre had given him such particulars as he thought fit, the conversation changed and they spoke at length of Italy, Rome, Naples, and Florence. “Ah! Florence, Florence!” Narcisse repeated languorously. He had lighted a cigarette and his words fell more slowly, as he glanced round the room. “You were very well lodged here,” he said, “it is very quiet. I had never come up to this floor before.”
His eyes continued wandering over the walls until they were at last arrested by the old painting which the lamp illumined, and thereupon he remained for a moment blinking as if surprised. And all at once he rose and approached the picture. “Dear me, dear me,” said he, “but that’s very good, that’s very fine.”