“Isn’t it?” rejoined Pierre. “I know nothing about painting but I was stirred by that picture on the very day of my arrival, and over and over again it has kept me here with my heart beating and full of indescribable feelings.”
Narcisse no longer spoke but examined the painting with the care of a connoisseur, an expert, whose keen glance decides the question of authenticity, and appraises commercial value. And the most extraordinary delight appeared upon the young man’s fair, rapturous face, whilst his fingers began to quiver. “But it’s a Botticelli, it’s a Botticelli! There can be no doubt about it,” he exclaimed. “Just look at the hands, and look at the folds of the drapery! And the colour of the hair, and the technique, the flow of the whole composition. A Botticelli, ah! mon Dieu, a Botticelli.”
He became quite faint, overflowing with increasing admiration as he penetrated more and more deeply into the subject, at once so simple and so poignant. Was it not acutely modern? The artist had foreseen our pain-fraught century, our anxiety in presence of the invisible, our distress at being unable to cross the portal of mystery which was for ever closed. And what an eternal symbol of the world’s wretchedness was that woman, whose face one could not see, and who sobbed so distractedly without it being possible for one to wipe away her tears. Yes, a Botticelli, unknown, uncatalogued, what a discovery! Then he paused to inquire of Pierre: “Did you know it was a Botticelli?”
“Oh no! I spoke to Don Vigilio about it one day, but he seemed to think it of no account. And Victorine, when I spoke to her, replied that all those old things only served to harbour dust.”
Narcisse protested, quite stupefied: “What! they have a Botticelli here and don’t know it! Ah! how well I recognise in that the Roman princes who, unless their masterpieces have been labelled, are for the most part utterly at sea among them! No doubt this one has suffered a little, but a simple cleaning would make a marvel, a famous picture of it, for which a museum would at least give—”
He abruptly stopped, completing his sentence with a wave of the hand and not mentioning the figure which was on his lips. And then, as Victorine came in followed by Giacomo to lay the little table for Pierre’s supper, he turned his back upon the Botticelli and said no more about it. The young priest’s attention was aroused, however, and he could well divine what was passing in the other’s mind. Under that make-believe Florentine, all angelicalness, there was an experienced business man, who well knew how to look after his pecuniary interests and was even reported to be somewhat avaricious. Pierre, who was aware of it, could not help smiling therefore when he saw him take his stand before another picture—a frightful Virgin, badly copied from some eighteenth-century canvas—and exclaim: “Dear me! that’s not at all bad! I’ve a friend, I remember, who asked me to buy him some old paintings. I say, Victorine, now that Donna Serafina and the Cardinal are left alone do you think they would like to rid themselves of a few valueless pictures?”
The servant raised her arms as if to say that if it depended on her, everything might be carried away. Then she replied: “Not to a dealer, sir, on account of the nasty rumours which would at once spread about, but I’m sure they would be happy to please a friend. The house costs a lot to keep up, and money would be welcome.”
Pierre then vainly endeavoured to persuade Narcisse to stay and sup with him, but the young man gave his word of honour that he was expected elsewhere and was even late. And thereupon he ran off, after pressing the priest’s hands and affectionately wishing him a good journey.
Eight o’clock was striking, and Pierre seated himself at the little table, Victorine remaining to serve him after dismissing Giacomo, who had brought the supper things upstairs in a basket. “The people here make me wild,” said the worthy woman after the other had gone, “they are so slow. And besides, it’s a pleasure for me to serve you your last meal, Monsieur l’Abbe. I’ve had a little French dinner cooked for you, a sole au gratin and a roast fowl.”
Pierre was touched by this attention, and pleased to have the company of a compatriot whilst he partook of his final meal amidst the deep silence of the old, black, deserted mansion. The buxom figure of Victorine was still instinct with mourning, with grief for the loss of her dear Contessina, but her daily toil was already setting her erect again, restoring her quick activity; and she spoke almost cheerfully whilst passing plates and dishes to Pierre. “And to think Monsieur l’Abbe,” said she, “that you’ll be in Paris on the morning of the day after to-morrow! As for me, you know, it seems as if I only left Auneau yesterday. Ah! what fine soil there is there; rich soil yellow like gold, not like their poor stuff here which smells of sulphur! And the pretty fresh willows beside our stream, too, and the little wood so full of moss! They’ve no moss here, their trees look like tin under that stupid sun of theirs which burns up the grass. Mon Dieu! in the early times I would have given I don’t know what for a good fall of rain to soak me and wash away all the dust. Ah! I shall never get used to their awful Rome. What a country and what people!”