When the victoria emerged on the other side, Santobono still had the little basket of figs upon his knees and Prada looked at it, quite overcome, asking himself what sudden paralysis of the hands had prevented him from seizing it and throwing it into the darkness. Such had still been his intention but a few seconds before they passed under the arch. He had even given the basket a final glance in order that he might the better realise what movements he should make. What had taken place within him then? At present he was yielding to increasing irresolution, henceforth incapable of decisive action, feeling a need of delay in order that he might, before everything else, fully satisfy himself as to what was likely to happen. And as Dario had doubtless gone away and the figs would certainly not be eaten until the following morning, what reason was there for him to hurry? He would know that evening if the Congregation of the Council had annulled his marriage, he would know how far the so-called "Justice of God" was venal and mendacious! Certainly he would suffer nobody to be poisoned, not even Cardinal Boccanera, though the latter's life was of little account to him personally. But had not that little basket, ever since leaving Frascati, been like Destiny on the march? And was it not enjoyment, the enjoyment of omnipotence, to be able to say to himself that he was the master who could stay that basket's course, or allow it to go onward and accomplish its deadly purpose? Moreover, he yielded to the dimmest of mental struggles, ceasing to reason, unable to raise his hand, and yet convinced that he would drop a warning note into the letter-box at the palazzo before he went to bed, though at the same time he felt happy in the thought that if his interest directed otherwise he would not do so.
And the remainder of the journey was accomplished in silent weariness, amidst the shiver of evening which seemed to have chilled all three men. In vain did the Count endeavour to escape from the battle of his thoughts, by reverting to the Buongiovanni reception, and giving particulars of the splendours which would be witnessed at it: his words fell sparsely in an embarrassed and absent-minded way. Then he sought to inspirit Pierre by speaking to him of Cardinal Sanguinetti's amiable manner and fair words, but although the young priest was returning home well pleased with his journey, in the idea that with a little help he might yet triumph, he scarcely answered the Count, so wrapt he was in his reverie. And Santobono, on his side, neither spoke nor moved. Black like the night itself, he seemed to have vanished. However, the lights of Rome were increasing in number, and houses again appeared on either hand, at first at long intervals, and then in close succession. They were suburban houses, and there were yet more fields of reeds, quickset hedges, olive-trees overtopping long walls, and big gateways with vase-surmounted pillars; but at last came the city with its rows of small grey houses, its petty shops and its dingy taverns, whence at times came shouts and rumours of battle.
Prada insisted on setting his companions down in the Via Giulia, at fifty paces from the palazzo. "It doesn't inconvenience me at all," said he to Pierre. "Besides, with the little time you have before you, it would never do for you to go on foot."
The Via Giulia was already steeped in slumber, and wore a melancholy aspect of abandonment in the dreary light of the gas lamps standing on either hand. And as soon as Santobono had alighted from the carriage, he took himself off without waiting for Pierre, who, moreover, always went in by the little door in the side lane.
"Good-bye, Abbe," exclaimed Prada.
"Good-bye, Count, a thousand thanks," was Santobono's response.
Then the two others stood watching him as he went towards the Boccanera mansion, whose old, monumental entrance, full of gloom, was still wide open. For a moment they saw his tall, rugged figure erect against that gloom. Then in he plunged, he and his little basket, bearing Destiny.
XII
IT was ten o'clock when Pierre and Narcisse, after dining at the Caffe di Roma, where they had long lingered chatting, at last walked down the Corso towards the Palazzo Buongiovanni. They had the greatest difficulty to reach its entrance, for carriages were coming up in serried files, and the inquisitive crowd of on-lookers, who pressed even into the roadway, in spite of the injunctions of the police, was growing so compact that even the horses could no longer approach. The ten lofty windows on the first floor of the long monumental facade shone with an intense white radiance, the radiance of electric lamps, which illumined the street like sunshine, spreading over the equipages aground in that human sea, whose billows of eager, excited faces rolled to and fro amidst an extraordinary tumult.
And in all this there was not merely the usual curiosity to see uniforms go by and ladies in rich attire alight from their carriages, for Pierre soon gathered from what he heard that the crowd had come to witness the arrival of the King and Queen, who had promised to appear at the ball given by Prince Buongiovanni, in celebration of the betrothal of his daughter Celia to Lieutenant Attilio Sacco, the son of one of his Majesty's ministers. Moreover, people were enraptured with this marriage, the happy ending of a love story which had impassioned the whole city: to begin with, love at first sight, with the suddenness of a lightning-flash, and then stubborn fidelity triumphing over all obstacles, amidst romantic circumstances whose story sped from lip to lip, moistening every eye and stirring every heart.