"Look at them!" resumed Pierre, "how handsome and young and gay both the /fiances/ are, all confidence in the future. Ah! I well understand that your King should have come here to please his minister and win one of the old Roman families over to his throne; it is good, brave, and fatherly policy. But I like to think that he has also realised the touching significance of that marriage—old Rome, in the person of that candid, loving child giving herself to young Italy, that upright, enthusiastic young man who wears his uniform so jauntily. And may their nuptials be definitive and fruitful; from them and from all the others may there arise the great nation which, now that I begin to know you, I trust you will soon become!"
Amidst the tottering of his former dream of an evangelical and universal Rome, Pierre expressed these good wishes for the Eternal City's future fortune with such keen and deep emotion that Prada could not help replying: "I thank you; that wish of yours is in the heart of every good Italian."
But his voice quavered, for even whilst he was looking at Celia and Attilio, who stood smiling and talking together, he saw Benedetta and Dario approach them, wearing the same joyful expression of perfect happiness. And when the two couples were united, so radiant and so triumphant, so full of superb and happy life, he no longer had strength to stay there, see them, and suffer.
"I am frightfully thirsty," he hoarsely exclaimed. "Let's go to the buffet to drink something." And, thereupon, in order to avoid notice, he so manoeuvred as to glide behind the throng, skirting the windows in the direction of the entrance to the Hall of the Antiques, which was beyond the gallery.
Whilst Pierre was following him they were parted by an eddy of the crowd, and the young priest found himself carried towards the two loving couples who still stood chatting together. And Celia, on recognising him, beckoned to him in a friendly way. With her passionate cult for beauty, she was enraptured with the appearance of Benedetta, before whom she joined her little lily hands as before the image of the Madonna. "Oh! Monsieur l'Abbe," said she, "to please me now, do tell her how beautiful she is, more beautiful than anything on earth, more beautiful than even the sun, and the moon and stars. If you only knew, my dear, it makes me quiver to see you so beautiful as that, as beautiful as happiness, as beautiful as love itself!"
Benedetta began to laugh, while the two young men made merry. "But you are as beautiful as I am, darling," said the Contessina. "And if we are beautiful it is because we are happy."
"Yes, yes, happy," Celia gently responded. "Do you remember the evening when you told me that one didn't succeed in marrying the Pope and the King? But Attilio and I are marrying them, and yet we are very happy."
"But we don't marry them, Dario and I! On the contrary!" said Benedetta gaily. "No matter; as you answered me that same evening, it is sufficient that we should love one another, love saves the world."
When Pierre at last succeeded in reaching the door of the Hall of the Antiques, where the buffet was installed, he found Prada there, motionless, gazing despite himself on the galling spectacle which he desired to flee. A power stronger than his will had kept him there, forcing him to turn round and look, and look again. And thus, with a bleeding heart, he still lingered and witnessed the resumption of the dancing, the first figure of a quadrille which the orchestra began to play with a lively flourish of its brass instruments. Benedetta and Dario, Celia and Attilio were /vis-à-vis/. And so charming and delightful was the sight which the two couples presented dancing in the white blaze, all youth and joy, that the King and Queen drew near to them and became interested. And soon bravos of admiration rang out, while from every heart spread a feeling of infinite tenderness.
"I'm dying of thirst, let's go!" repeated Prada, at last managing to wrench himself away from the torturing sight.