"Not with clumsy Jacks or Georges;
Unprofaned by grasp of man
Maidens speed those simple orgies
Betsey Jane with Betsey Ann."

German bands at street corners,—drum-and-fife bands organised by local talent,—all help, at nightfall, to swell the vast volume of the noise of London.

There is one day in the week, however, when silence—a silence that can almost be oppressive—hangs over the entire city, and not even the sound of the organ-grinder varies the dulness of the monotonous streets. This is Sunday, a day which strikes terror to the heart of the uninitiated foreigner. M. Gabriel Mourey thus feelingly describes it:

"That English Sunday, which so exasperates the French, gives them, from mere recollection, an attack of the spleen, a fit of yawning.... Yet to me there is something comforting about it. It is really a day of rest, of compulsory rest, of rest against one's will; a day when it is simply impossible to do otherwise than rest; it is an obligatory imprisonment which at first revolts the prisoner, but which, if he control his feelings, he will, at the end of an hour or so, find not without its charm. To know for certain that no whim, no fancy for outside amusement can distract you, no theatrical temptation, no yearning for active life can assail you, to be assured that you are protected from the Unforeseen, be it happy or sad, from a letter even—that, in short, it is for the moment impossible to do anything useful,—all this gives you a tranquil security, a serene and healthful calm of twenty-four hours, a calm of which we in France, and especially of Paris, do not know the boon.... And if, in the evening, you venture on to the deserted streets, you can pass freely on your way; no one will interrupt your walk; it is like a dead city; all trace of the life and activity of the six past days has vanished."'

And here is another, and a still more depressing picture, from the same author:

"In this immense and respectable cemetery into which London is metamorphosed on Sundays, some characteristic and amusing beggars patrol the streets. Two old people, a man and his wife, stop at a street corner. The man takes a wretched violin out of an old black cloth bag. The woman sings. What a voice! a hungry voice of chilly misery, which issues, bitter and shrill, from her toothless mouth. Though the weather is warm, she seems to shiver beneath her ragged shawl. The violin grates on obstinately. The man is tall, with a kind of remains of grandeur in his torn coat-tails, and in his face, still haughty, though greasy and bloated. Some passers-by have stopped, and some pence have dropped into the old woman's dirty, wasted hand. The man, still drawing his violin bow, looks round, satisfied, on the treasure.... Six o'clock strikes from a steeple near; they suddenly desist, she from her singing, he from the scraping of his miserable instrument, and they go off to swell the little crowd which awaits, at the public-house doors, the sixth stroke of six,—the re-opening of the house where drunkenness, the cure of hunger-pain, is to be cheaply bought."

Such tragedies, such pitiful sights, wring the heart every day, "whene'er I take my walks abroad" in the streets of London. "How the poor live," indeed! Some of the London waifs would find it hard to tell you how they do live! The day often divided between the street and the public-house; the night, perhaps, spent in the shelter of the "fourpenny doss"; and withal, a delightful uncertainty about the possibilities of dinner and breakfast. Selling penny toys in the street in the winter months must be chilly work; and even in the hot days of August, when the pavements blister in the sun, and American and German tourists throng the streets with their Baedekers, it must have its drawbacks. As to the "fourpenny doss," its discomforts are probably mainly owing to its inmates. The common lodging-houses are often comparatively clean, with a big, central, well-warmed kitchen, presided over by a "deputy." But, of course, where many individuals are herded together in big dormitories, pickpockets will abound; pickpockets, too, abandoned enough to thieve even from other human wastrels. The shelter of the "casual ward" is ever held to be the last resource. A charwoman whom I once knew, a witty and charming lady,—talented, too, in her métier, but alas! I fear, of the "Jane Cakebread" type,—often complained to me of the horrors she had endured there. "It's downright crool," she would say with tears in her eyes, "the way them nurses treats yer. Fust, you 'as to be washed; an' washed you must be; there's no gittin' away from it. An' your' ed, too! It's 'Dip your 'ed in,' and dip it you must, will or no. An' with so much dippin' my 'earin's fair gorn." As for the compulsory oakum picking, the lady minded it not at all. "I didn't never tike much count on it," she said; "but there, my 'ands is 'ardened like."

One word of warning to the wise. Do not, in the mistaken kindness of your heart, take (as Mrs. Carlyle did to her subsequent repentance) to your own home, children that appear to be "lost"; or at least only do so under very exceptional circumstances. When children tell you that they are lost, they are usually only frightened. "Bless your 'art," a kindly policeman once said to me, "they'll find their way 'ome safe enough, if you only leave 'em where they are." Even if really lost, the best place for the stray child is, after all, the police station, "and" (to quote a Mrs. Gamp-like member of the force), "well they knows it, the little dears—well they knows as the orficer is always their best friend." If you do take the child home, it will prove—as it did to Mrs. Carlyle—as great a riddle as the Sphinx. Once I did this. I took a lost infant home, indulged it in nuts, oranges, buns, and picture books; yet still the wretched child howled, refusing, like Rachel, to be comforted; and I found out to my cost that I had better have left it alone. (Perhaps the too unaccustomed neatness of my room distressed it, or the absence of the friendly and familiar "washing.") But once again was I strongly tempted to play the good Samaritan. Returning home on a winter's day, I met, in a "mean street," two children—boy and girl, of seven and eight years—crying bitterly. I interrogated them as to the cause of their tears:

"Our school's burnt down," the boy said betwixt his sobs, "and we can't get in there to-day."

A compulsory holiday seemed a feeble reason for howls. "Why don't you go home and say so?" I inquired.