Repton, Nov. 28, 1788.
Argument of the First Canto.
The Genius of the place invites the Goddess of Botany. 1. She descends, is received by Spring, and the Elements, 59. Addresses the Nymphs of Fire. Star-light Night seen in the Camera Obscura, 81. I. Love created the Universe. Chaos explodes. All the Stars revolve. God. 97. II. Shooting Stars. Lightning. Rainbow. Colours of the Morning and Evening Skies. Exterior Atmosphere of inflammable Air. Twilight. Fire-balls. Aurora Borealis. Planets. Comets. Fixed Stars. Sun's Orb, 115. III. 1. Fires at the Earth's Centre. Animal Incubation, 137. 2. Volcanic Mountains. Venus visits the Cyclops, 149. IV. Heat confined on the Earth by the Air. Phosphoric lights in the Evening. Bolognian Stone. Calcined Shells. Memnon's Harp, 173. Ignis fatuus. Luminous Flowers. Glow-worm. Fire-fly. Luminous Sea-insects. Electric Eel. Eagle armed with Lightning, 189. V. 1. Discovery of Fire. Medusa, 209. 2. The chemical Properties of Fire. Phosphorus. Lady in Love, 223. 3. Gunpowder, 237. VI. Steam-engine applied to Pumps, Bellows, Water-engines, Corn-mills, Coining, Barges, Waggons, Flying-chariots, 253. Labours of Hercules. Abyla and Calpe, 297. VII. 1. Electric Machine. Hesperian Dragon. Electric kiss. Halo round the heads of Saints. Electric Shock. Fairy- rings, 335. 2. Death of Professor Richman, 371. 3. Franklin draws Lightning from the Clouds. Cupid snatches the Thunder-bolt from Jupiter, 383. VIII. Phosphoric Acid and Vital Heat produced in the Blood. The great Egg of Night, 399. IX. Western Wind unfettered. Naiad released. Frost assailed. Whale attacked, 421. X. Buds and Flowers expanded by Warmth, Electricity, and Light. Drawings with colourless sympathetic Inks; which appear when warmed by the Fire, 457. XI. Sirius. Jupiter and Semele. Northern Constellations. Ice-islands navigated into the Tropic Seas. Rainy Monsoons, 497. XII. Points erected to procure Rain. Elijah on Mount-Carmel, 549. Departure of the Nymphs of Fire like sparks from artificial Fireworks, 587.
THE ECONOMY OF VEGETATION.
CANTO I.
STAY YOUR RUDE STEPS! whose throbbing breasts infold
The legion-fiends of Glory, or of Gold!
Stay! whose false lips seductive simpers part,
While Cunning nestles in the harlot-heart!—
5 For you no Dryads dress the roseate bower,
For you no Nymphs their sparkling vases pour;
Unmark'd by you, light Graces swim the green,
And hovering Cupids aim their shafts, unseen.
"But THOU! whose mind the well-attemper'd ray
10 Of Taste and Virtue lights with purer day;
Whose finer sense each soft vibration owns
With sweet responsive sympathy of tones;
So the fair flower expands it's lucid form
To meet the sun, and shuts it to the storm;—
15 For thee my borders nurse the fragrant wreath,
My fountains murmur, and my zephyrs breathe;
Slow slides the painted snail, the gilded fly
Smooths his fine down, to charm thy curious eye;
On twinkling fins my pearly nations play,
20 Or win with sinuous train their trackless way;
My plumy pairs in gay embroidery dress'd
Form with ingenious bill the pensile nest,
To Love's sweet notes attune the listening dell,
And Echo sounds her soft symphonious shell.
[ So the fair flower. l. 13. It seems to have been the original design of the philosophy of Epicurus to render the mind exquisitely sensible to agreeable sensations, and equally insensible to disagreeable ones.]
25 "And, if with Thee some hapless Maid should stray,
Disasterous Love companion of her way,
Oh, lead her timid steps to yonder glade,
Whose arching cliffs depending alders shade;
There, as meek Evening wakes her temperate breeze,
30 And moon-beams glimmer through the trembling trees,
The rills, that gurgle round, shall soothe her ear,
The weeping rocks shall number tear for tear;
There as sad Philomel, alike forlorn,
Sings to the Night from her accustomed thorn;
35 While at sweet intervals each falling note
Sighs in the gale, and whispers round the grot;
The sister-woe shall calm her aching breast,
And softer slumbers steal her cares to rest.—
[Disasterous Love. l. 26. The scenery is taken from a botanic garden about a mile from Lichfield, where a cold bath was erected by Sir John Floyer. There is a grotto surrounded by projecting rocks, from the edges of which trickles a perpetual shower of water; and it is here represented as adapted to love-scenes, as being thence a proper residence for the modern goddess of Botany, and the easier to introduce the next poem on the Loves of the Plants according to the system of Linneus.]