"Winds of the North! restrain your icy gales,
40 Nor chill the bosom of these happy vales!
Hence in dark heaps, ye gathering Clouds, revolve!
Disperse, ye Lightnings! and, ye Mists, dissolve!
—Hither, emerging from yon orient skies,
BOTANIC GODDESS! bend thy radiant eyes;
45 O'er these soft scenes assume thy gentle reign,
Pomona, Ceres, Flora in thy train;
O'er the still dawn thy placid smile effuse,
And with thy silver sandals print the dews;
In noon's bright blaze thy vermil vest unfold,
50 And wave thy emerald banner star'd with gold."
Thus spoke the GENIUS, as He stept along,
And bade these lawns to Peace and Truth belong;
Down the steep slopes He led with modest skill
The willing pathway, and the truant rill,
55 Stretch'd o'er the marshy vale yon willowy mound,
Where shines the lake amid the tufted ground,
Raised the young woodland, smooth'd the wavy green,
And gave to Beauty all the quiet scene.—
She comes!—the GODDESS!—through the whispering air,
60 Bright as the morn, descends her blushing car;
Each circling wheel a wreath of flowers intwines,
And gem'd with flowers the silken harness shines;
The golden bits with flowery studs are deck'd,
And knots of flowers the crimson reins connect.—
65 And now on earth the silver axle rings,
And the shell sinks upon its slender springs;
Light from her airy seat the Goddess bounds,
And steps celestial press the pansied grounds.
Fair Spring advancing calls her feather'd quire,
70 And tunes to softer notes her laughing lyre;
Bids her gay hours on purple pinions move,
And arms her Zephyrs with the shafts of Love,
Pleased GNOMES, ascending from their earthy beds,
Play round her graceful footsteps, as she treads;
75 Gay SYLPHS attendant beat the fragrant air
On winnowing wings, and waft her golden hair;
Blue NYMPHS emerging leave their sparkling streams,
And FIERY FORMS alight from orient beams;
Musk'd in the rose's lap fresh dews they shed,
80 Or breathe celestial lustres round her head.
[Pleased Gnomes. l. 73. The Rosicrucian doctrine of Gnomes, Sylphs, Nymphs, and Salamanders affords proper machinery for a philosophic poem; as it is probable that they were originally the names of hieroglyphic figures of the Elements, or of Genii presiding over their operations. The Fairies of more modern days seem to have been derived from them, and to have inherited their powers. The Gnomes and Sylphs, as being more nearly allied to modern Fairies are represented as either male or female, which distinguishes the latter from the Aurae of the Latin Poets, which were only female; except the winds, as Zephyrus and Auster, may be supposed to have been their husbands.]
First the fine Forms her dulcet voice requires,
Which bathe or bask in elemental fires;
From each bright gem of Day's refulgent car,
From the pale sphere of every twinkling star,
85 From each nice pore of ocean, earth, and air,
With eye of flame the sparkling hosts repair,
Mix their gay hues, in changeful circles play,
Like motes, that tenant the meridian ray.—
So the clear Lens collects with magic power
90 The countless glories of the midnight hour;
Stars after stars with quivering lustre fall,
And twinkling glide along the whiten'd wall.—
Pleased, as they pass, she counts the glittering bands,
And stills their murmur with her waving hands;
95 Each listening tribe with fond expectance burns,
And now to these, and now to those, she turns.
I. "NYMPHS OF PRIMEVAL FIRE! YOUR vestal train
Hung with gold-tresses o'er the vast inane,
Pierced with your silver shafts the throne of Night,
100 And charm'd young Nature's opening eyes with light;
When LOVE DIVINE, with brooding wings unfurl'd,
Call'd from the rude abyss the living world.
"—LET THERE BE LIGHT!" proclaim'd the ALMIGHTY LORD,
Astonish'd Chaos heard the potent word;—
105 Through all his realms the kindling Ether runs,
And the mass starts into a million suns;
Earths round each sun with quick explosions burst,
And second planets issue from the first;
Bend, as they journey with projectile force,
110 In bright ellipses their reluctant course;
Orbs wheel in orbs, round centres centres roll,
And form, self-balanced, one revolving Whole.
—Onward they move amid their bright abode,
Space without bound, THE BOSOM OF THEIR GOD!
[Nymphs of primeval fire. l. 97. The fluid matter of heat is perhaps the most extensive element in nature; all other bodies are immersed in it, and are preserved in their present state of solidity or fluidity by the attraction of their particles to the matter of heat. Since all known bodies are contractible into less space by depriving them of some portion of their heat, and as there is no part of nature totally deprived of heat, there is reason to believe that the particles of bodies do not touch, but are held towards each other by their self- attraction, and recede from each other by their attraction to the mass of heat which surrounds them; and thus exist in an equilibrium between these two powers. If more of the matter of heat be applied to them, they recede further from each other, and become fluid; if still more be applied, they take an aerial form, and are termed Gasses by the modern chemists. Thus when water is heated to a certain degree, it would instantly assume the form of steam, but for the pressure of the atmosphere, which prevents this change from taking place so easily; the same is true of quicksilver, diamonds, and of perhaps all other bodies in Nature; they would first become fluid, and then aeriform by appropriated degrees of heat. On the contrary, this elastic matter of heat, termed Calorique in the new nomenclature of the French Academicians, is liable to become consolidated itself in its combinations with some bodies, as perhaps in nitre, and probably in combustible bodies as sulphur and charcoal. See note on l. 232, of this Canto. Modern philosophers have not yet been able to decide whether light and heat be different fluids, or modifications of the same fluid, as they have many properties in common. See note on l. 462 of this Canto.]
[When Love Divine. l. 101. From having observed the gradual evolution of the young animal or plant from its egg or seed; and afterwards its successive advances to its more perfect state, or maturity; philosophers of all ages seem to have imagined, that the great world itself had likewise its infancy and its gradual progress to maturity; this seems to have given origin to the very antient and sublime allegory of Eros, or Divine Love, producing the world from the egg of Night, as it floated in Chaos. See l. 419. of this Canto.
The external crust of the earth, as far as it has been exposed to our view in mines or mountains, countenances this opinion; since these have evidently for the most part had their origin from the shells of fishes, the decomposition of vegetables, and the recrements of other animal materials, and must therefore have been formed progressively from small beginnings. There are likewise some apparently useless or incomplete appendages to plants and animals, which seem to shew they have gradually undergone changes from their original state; such as the stamens without anthers, and styles without stigmas of several plants, as mentioned in the note on Curcuma, Vol. II. of this work. Such is the halteres, or rudiments of wings of some two-winged insects; and the paps of male animals; thus swine have four toes, but two of them are imperfectly formed, and not long enough for use. The allantoide in some animals seems to have become extinct; in others is above tenfold the size, which would seem necessary for its purpose. Buffon du Cochon. T. 6. p. 257. Perhaps all the supposed monstrous births of Nature are remains of their habits of production in their former less perfect state, or attempts towards greater perfection.]