In our dreams we cannot determine this circumstance, because our power of volition is suspended, and the stimuli of external objects are excluded; but in our waking hours we can compare our ideas belonging to one sense with those belonging to another, and can thus distinguish the ideas occasioned by irritation from those excited by sensation, volition, or association. Thus if the idea of the sweetness of sugar should be excited in our dreams, the whiteness and hardness of it occur at the same time by association; and we believe a material lump of sugar present before us. But if, in our waking hours, the idea of the sweetness of sugar occurs to us, the stimuli of surrounding objects, as the edge of the table, on which we press, or green colour of the grass, on which we tread, prevent the other ideas of the hardness and whiteness of the sugar from being exerted by association. Or if they should occur, we voluntarily compare them with the irritative ideas of the table or grass above mentioned, and detect their fallacy. We can thus distinguish the ideas caused by the stimuli of external objects from those, which are introduced by association, sensation, or volition; and during our waking hours can thus acquire a knowledge of the external world. Which nevertheless we cannot do in our dreams, because we have neither perceptions of external bodies, nor the power of volition to enable us to compare them with the ideas of imagination.
[III]. Of Vision.
Our eyes observe a difference of colour, or of shade, in the prominences and depressions of objects, and that those shades uniformly vary, when the sense of touch observes any variation. Hence when the retina becomes stimulated by colours or shades of light in a certain form, as in a circular spot; we know by experience, that this is a sign, that a tangible body is before us; and that its figure is resembled by the miniature figure of the part of the organ of vision, that is thus stimulated.
Here whilst the stimulated part of the retina resembles exactly the visible figure of the whole in miniature, the various kinds of stimuli from different colours mark the visible figures of the minuter parts; and by habit we instantly recall the tangible figures.
Thus when a tree is the object of sight, a part of the retina resembling a flat branching figure is stimulated by various shades of colours; but it is by suggestion, that the gibbosity of the tree, and the moss, that fringes its trunk, appear before us. These are ideas of suggestion, which we feel or attend to, associated with the motions of the retina, or irritative ideas, which we do not attend to.
So that though our visible ideas resemble in miniature the outline of the figure of coloured bodies, in other respects they serve only as a language, which by acquired associations introduce the tangible ideas of bodies. Hence it is, that this sense is so readily deceived by the art of the painter to our amusement and instruction. The reader will find much very curious knowledge on this subject in Bishop Berkley's Essay on Vision, a work of great ingenuity.
The immediate object however of the sense of vision is light; this fluid, though its velocity is so great, appears to have no perceptible mechanical impulse, as was mentioned in the third Section, but seems to stimulate the retina into animal motion by its transmission through this part of the sensorium: for though the eyes of cats or other animals appear luminous in obscure places; yet it is probable, that none of the light, which falls on the retina, is reflected from it, but adheres to or enters into combination with the choroide coat behind it.
The combination of the particles of light with opake bodies, and therefore with the choroide coat of the eye, is evinced from the heat, which is given out, as in other chemical combinations. For the sunbeams communicate no heat in their passage through transparent bodies, with which they do not combine, as the air continues cool even in the focus of the largest burning-glasses, which in a moment vitrifies a particle of opaque matter.
[IV]. Of the Organ of Hearing.
It is generally believed, that the tympanum of the ear vibrates mechanically, when exposed to audible sounds, like the strings of one musical instrument, when the same notes are struck upon another. Nor is this opinion improbable, as the muscles and cartilages of the larynx are employed in producing variety of tones by mechanical vibration: so the muscles and bones of the ear seem adapted to increase or diminish the tension of the tympanum for the purposes of similar mechanical vibrations.