My grandmother's reign in my father's house was not of great duration, as in February, 1861, he contracted a second marriage, taking on this occasion as his wife a "fair maid of Kent," [Elizabeth Anne Ansell, of Broadstairs; mother of my step-brother, Dr. Frank H. Vizetelly, editor of the "Standard Dictionary," New York.] to whose entry into our home I was at first violently opposed, but who promptly won me over by her unremitting affection and kindness, eventually becoming the best and truest friend of my youth and early manhood. My circumstances changed, however, soon after that marriage, for as I was now nearly eight years old it was deemed appropriate that I should be sent to a boarding-school, both by way of improving my mind and of having some nonsense knocked out of me, which, indeed, was promptly accomplished by the pugnacious kindness of my schoolfellows. Among the latter was one, my senior by a few years, who became a very distinguished journalist. I refer to the late Horace Voules, so long associated with Labouchere's journal, Truth. My brother Edward was also at the same school, and my brother Arthur came there a little later.
It was situated at Eastbourne, and a good deal has been written about it in recent works on the history of that well-known watering-place, which, when I was first sent there, counted less than 6000 inhabitants. Located in the old town or village, at a distance of a mile or more from the sea, the school occupied a building called "The Gables," and was an offshoot of a former ancient school connected with the famous parish church. In my time this "academy" was carried on as a private venture by a certain James Anthony Bown, a portly old gentleman of considerable attainments.
I was unusually precocious in some respects, and though I frequently got into scrapes by playing impish tricks—as, for instance, when I combined with others to secure an obnoxious French master to his chair by means of some cobbler's wax, thereby ruining a beautiful pair of peg-top trousers which he had just purchased—I did not neglect my lessons, but secured a number of "prizes" with considerable facility. When I was barely twelve years old, not one of my schoolfellows—and some were sixteen and seventeen years old—could compete with me in Latin, in which language Bown ended by taking me separately. I also won three or four prizes for "excelling" my successive classes in English grammar as prescribed by the celebrated Lindley Murray.
In spite of my misdeeds (some of which, fortunately, were never brought home to me), I became, I think, somewhat of a favourite with the worthy James Anthony, for he lent me interesting books to read, occasionally had me to supper in his own quarters, and was now and then good enough to overlook the swollen state of my nose or the blackness of one of my eyes when I had been having a bout with a schoolfellow or a young clodhopper of the village. We usually fought with the village lads in Love Lane on Sunday evenings, after getting over the playground wall. I received firstly the nickname of Moses, through falling among some rushes whilst fielding a ball at cricket; and secondly, that of Noses, because my nasal organ, like that of Cyrano de Bergerac, suddenly grew to huge proportions, in such wise that it embodied sufficient material for two noses of ordinary dimensions. Its size was largely responsible for my defeats when fighting, for I found it difficult to keep guard over such a prominent organ and prevent my claret from being tapped.
Having generations of printers' ink mingled with my blood, I could not escape the unkind fate which made me a writer of articles and books. In conjunction with a chum named Clement Ireland I ran a manuscript school journal, which included stories of pirates and highwaymen, illustrated with lurid designs in which red ink was plentifully employed in order to picture the gore which flowed so freely through the various tales. My grandmother Vaughan was an inveterate reader of the London Journal and the Family Herald, and whenever I went home for my holidays I used to pounce upon those journals and devour some of the stories of the author of "Minnegrey," as well as Miss Braddon's "Aurora Floyd" and "Henry Dunbar." The perusal of books by Ainsworth, Scott, Lever, Marryat, James Grant, G. P. R. James, Dumas, and Whyte Melville gave me additional material for storytelling; and so, concocting wonderful blends of all sorts of fiction, I spun many a yarn to my schoolfellows in the dormitory in which I slept—yarns which were sometimes supplied in instalments, being kept up for a week or longer.
My summer holidays were usually spent in the country, but at other times I went to London, and was treated to interesting sights. At Kensington, in my earlier years, I often saw Queen Victoria and the Prince Consort with their children, notably the Princess Royal (Empress Frederick) and the Prince of Wales (Edward VII). When the last-named married the "Sea-King's daughter from over the sea"—since then our admired and gracious Queen Alexandra—and they drove together through the crowded streets of London on their way to Windsor, I came specially from Eastbourne to witness that triumphal progress, and even now I can picture the young prince with his round chubby face and little side-whiskers, and the vision of almost tearfully-smiling beauty, in blue and white, which swept past my eager boyish eyes.
During the Easter holidays of 1864 Garibaldi came to England. My uncle, Frank Vizetelly, was the chief war-artist of that period, the predecessor, in fact, of the late Melton Prior. He knew Garibaldi well, having first met him during the war of 1859, and having subsequently accompanied him during his campaign through Sicily and then on to Naples—afterwards, moreover, staying with him at Caprera. And so my uncle carried me and his son, my cousin Albert, to Stafford House (where he had the entrée), and the grave-looking Liberator patted us on the head, called us his children, and at Frank Vizetelly's request gave us photographs of himself. I then little imagined that I should next see him in France, at the close of the war with Germany, during a part of which my brother Edward acted as one of his orderly officers.
My father, being at the head of a prominent London newspaper, often received tickets for one and another theatre. Thus, during my winter holidays, I saw many of the old pantomimes at Drury Lane and elsewhere. I also well remember Sothern's "Lord Dundreary," and a play called "The Duke's Motto," which was based on Paul Féval's novel, "Le Bossu." I frequently witnessed the entertainments given by the German Reeds, Corney Grain, and Woodin, the clever quick-change artist. I likewise remember Leotard the acrobat at the Alhambra, and sundry performances at the old Pantheon, where I heard such popular songs as "The Captain with the Whiskers" and "The Charming Young Widow I met in the Train." Nigger ditties were often the "rage" during my boyhood, and some of them, like "Dixie-land" and "So Early in the Morning," still linger in my memory. Then, too, there were such songs as "Billy Taylor," "I'm Afloat," "I'll hang my Harp on a Willow Tree," and an inane composition which contained the lines—
"When a lady elopes
Down a ladder of ropes,
She may go, she may go,
She may go to—Hongkong—for me!"
In those schoolboy days of mine, however, the song of songs, to my thinking, was one which we invariably sang on breaking up for the holidays. Whether it was peculiar to Eastbourne or had been derived from some other school I cannot say. I only know that the last verse ran, approximately, as follows: