unto us then they said.
The lords song sing can wee? being
in strangers land. Then let
loose her skill my right hand, if I
Jerusalem forget.
Let cleave my tongue my pallate on,
if minde thee doe not I:
if chiefe joyes o’er I prize not more
Jerusalem my joye.
Nevertheless, strange as it may seem, the “Bay Psalmist” passed through twenty-seven editions, and was even reprinted several times abroad, being used extensively in England and Scotland. Gradually, however, psalmody began to lose its hold on the Reformed churches, both in Europe and America, and hymnody gained the ascendancy. The publication in 1707 of the epoch-making work of Isaac Watts, “Hymns and Spiritual Songs,” was the first step in breaking down the prejudice in the Calvinistic churches against “hymns of human composure.” In America the Great Awakening under Jonathan Edwards, which began in 1734 and which received added impetus from the visit of John Whitefield in 1740, also brought about a demand for a happier form of congregational singing. Then came the influence of the Wesleyan revival with its glorious outburst of song.