Jonathan Edwards himself, stern Puritan that he was, was finally forced to confess that it was “really needful that we should have some other songs than the Psalms of David.” Accordingly hymn singing grew rapidly in favor among the people.
The first attempt to introduce hymns in the authorized psalm-books was made by Joel Barlow, a chaplain in the Revolutionary War. Instructed by the General Association of Congregational Churches of Connecticut to revise Watts’ “Psalms of David” in order to purge them of their British flavor, he was likewise authorized to append to the Psalms a collection of hymns. He made a selection of seventy hymns, and the new book was published in 1786.
It was received with delight by the Presbyterians, but the Congregationalists who had sponsored it were thoroughly dissatisfied. As an example of the morbid character of Puritan theology, Edward S. Ninde has called attention to the fact that while Barlow failed to include Wesley’s “Jesus, Lover of my soul” or Watts’ “When I survey the wondrous cross,” he did select such a hymn by Watts as “Hark, from the tombs, a doleful sound,” and another beginning with the lines,
My thoughts on awful subjects roll,
Damnation and the dead.
A second attempt to make a complete revision of Watts’ “Psalms of David” was decided upon by the Congregational churches, and this time the task was entrusted to Timothy Dwight, president of Yale College. Dwight, who was a grandson of Jonathan Edwards, was born in 1752. He entered Yale at the age of thirteen and graduated with highest honors in 1769. At the outbreak of the Revolutionary War he was commissioned a chaplain and throughout the conflict he wrote songs to enthuse the American troops. In 1795 he was elected president of Yale College, in which position he served his Alma Mater for twenty years.
Dwight exhibited a spirit of bold independence when he added to the revised “Psalms” by Watts a collection of two hundred and sixty-three hymns. Of these hymns, one hundred and sixty-eight were also by Watts, indicating the hold which that great hymnist retained on the English-speaking world. Other hymn-writers represented in Dwight’s book included Stennett, Doddridge, Cowper, Newton, Toplady, and Charles Wesley. Only one of the latter’s hymns was chosen, however, and Toplady’s “Rock of Ages” was not included!
Dwight himself wrote thirty-three paraphrases of the Psalms, but they were so freely rendered that they are properly classified as original hymns. Among these is his splendid version of the 137th Psalm, “I love Thy Zion, Lord,” which may be regarded as the earliest hymn of American origin still in common use today. It is usually dated 1800, which is the year when Dwight’s work was published.
Dwight, who will always be remembered as the outstanding figure in the beginnings of American hymnody, died in 1817. The story of his life is an inspiring one, illustrating how his heroic qualities conquered despite a “thorn in the flesh.” A chronicler records that “during the greater part of forty years he was not able to read fifteen minutes in the twenty-four hours; and often, for days and weeks together, the pain which he endured in that part of the head immediately behind the eyes amounted to anguish.”