At the present time, however, a sense of cohesion seems to be lacking.
One might express a fervent wish that a series of conferences, the members restricted to English composers, might be held under the presidency of Sir Hubert Parry or Sir Edward Elgar, with a view to propagate authoritative advice to those in whose hands the training of the future generation of English composers is entrusted.
There is, surely, much to go upon. The
noble school of ancient English Church music, and the national folk-music in which England is exceptionally rich, form a firm foundation on which to build.
Dvořák indicated the lines on which to found an American school of composition, by writing a symphony based on national melodies, and instinct with the spirit of the people. Will not some of the young English composers, in their days of youth and enthusiasm, emulate so splendid an example?
England was musical once upon a time; and bids fair to be so again, in the highest and noblest sense that the word can convey.
England was "merrie," once upon a time; and, if the early days of irresponsible gaiety can never return, she may well be happy in the prospect of a noble art restored to her.
In that firm faith, I close these pages.