INDEX
| A | |
| PAGE | |
| Albani, Madame | [238] |
| Amateur Bands | [144] |
| Antiphony | [94] |
| "Army Quadrilles" | [140] |
| B | |
| Bach Society, established | [206] |
| Balfe's "Bohemian Girl" | [182], [183], [196] |
| Balfe's "Rose of Castille" | [184] |
| Ballads | [23], [247] |
| Ball, John | [43] |
| "Basoche" | [192] |
| Beecham, Mr. Thomas | [181] |
| Benedict's "Lily of Killarney" | [184] |
| Bennett, Mr. Joseph | [196] |
| Bennett, Sir William Sterndale | [99], [110], [201] |
| Beringer, Oscar | [112] |
| Birmingham | [112] |
| Birmingham Choir | [245] |
| Bizet's "Carmen" | [195] |
| "Blest Pair of Sirens" | [102] |
| Blow, Dr. John | [64] |
| Bodda-Pyne, Madame | [184] |
| Boosey & Co., Messrs | [247] |
| Boyce, William | [88] |
| Bradford Choir | [246] |
| Brass Band Contests | [260] |
| Bridge, Sir Frederick | [246] |
| Broadwood & Sons, Messrs | [248] |
| Bunn, Alfred | [182] |
| Burns, Georgina | [187] |
| Buononcini | [83], [106] |
| Butt, Madame Clara | [247] |
| Byrd | [6], [39], [43], [53] |
| C | |
| Calvinism and Music | [69] |
| Calvin, John | [76] |
| Carl Rosa | [186] |
| Carte, Mr. D'Oyly | [189] |
| Casals, Señor | [118] |
| Catch | [37] |
| Cathedrals and Music | [118] |
| Censor, The | [249] |
| Certificates | [252] |
| Chappell & Co., Messrs. | [247] |
| Chappell, Mr. Arthur | [248] |
| Charles II. and Opera | [177] |
| Choirs, Provincial | [245] |
| Chopin | [254], [255] |
| Church and Drama | [4] |
| Church and Music | [2], [68] |
| Church Music | [264] |
| Clive, Mr. Franklin | [192] |
| Comic Operas | [193] |
| Composers, Early English | [47] |
| Composers, Status of | [18] |
| Costa, Sir Michael | [110], [115], [259] |
| Counterpoint | [95] |
| Cowen, Sir Frederick | [260] |
| Criticism, Anonymous | [256] |
| Crotty, Leslie | [187] |
| Crystal Palace Concerts | [132] |
| D | |
| Dance Music | [21], [27] |
| Davies, Mr. Ben | [187], [192] |
| Davidson, Mr. J. W | [254] |
| De Reszke, The Brothers | [179] |
| "Der Ring des Nibelungen" | [179] |
| Diction, Importance of | [121] |
| "Don Giovanni" | [178] |
| Douland | [39] |
| Drama and the Church | [4] |
| Dvořák | [264] |
| E | |
| Education, Musical | [93] |
| Edwardes, Mr. George | [194] |
| Elgar, Sir Edward | [199], [262] |
| Elgar's, Sir Edward, advice | [104] |
| "Elijah" | [163] |
| Elizabeth, Queen, and Music | [2], [29], [31] |
| England, Opera in | [176] |
| English Music, Sources of | [11] |
| English Opera | [180] |
| "Esmeralda" | [188] |
| Examinations | [251] |
| F | |
| Faning, Dr. Eaton | [253] |
| Festivals | [258] |
| "Flying Dutchman" | [187] |
| Ford, Thomas | [40] |
| Foreign Influence | [29] |
| Foreign Teachers in England | [103] |
| French School of Opera | [179] |
| G | |
| Games and Music | [22] |
| Gaylord, Julia | [187] |
| Gerardy, M. | [118] |
| German Music | [103] |
| Gibbons, Orlando | [6], [9], [39], [43], [57] |
| Glee | [37] |
| Gounod's "Faust" | [195] |
| Grove, Sir George | [100], [253] |
| Guildhall School of Music | [100] |
| Guiligni | [179] |
| Gye | [178] |
| H | |
| Hallè, Lady | [211] |
| Hallè, Sir Charles | [136], [218], [248] |
| Hammerstein, Mr. | [196], [199] |
| Handel | [83], [106], [153] |
| Handel and Opera | [178] |
| Handel Festival | [258] |
| Harmony | [95] |
| Harrison, Mr. William | [183] |
| Harris, Sir Augustus | [179] |
| Haydn and the Orchestra | [126] |
| Henry VIII. and Music | [33] |
| Hersee, Miss Rose | [186] |
| Hill, Miss Lucille | [192] |
| I | |
| Instrumental Music | [43] |
| Instruments, Early | [13] |
| Instruments, Musical | [43] |
| Italian Chorus and Mendelssohn | [123] |
| Italian Opera | [176] |
| Italian Singers | [120] |
| Italian Training | [120] |
| "Ivanhoe" | [190] |
| J | |
| Jackson, William | [90] |
| Joachim | [248] |
| Jullien | [140] |
| K | |
| Kent | [90] |
| Kirkby-Lunn, Madame | [180] |
| L | |
| Lablache | [179] |
| Leeds Choir | [245] |
| London Symphony Orchestra | [245] |
| Ludwig, William | [187] |
| M | |
| Maas, Joseph | [187] |
| Macfarren, Mr. Walter | [253] |
| Macfarren, Sir G. A. | [99], [185] |
| Macintyre, Miss Margaret | [192] |
| Mackenzie, Sir Alexander C. | [99], [185] |
| Madrigal | [37] |
| Malibran | [178] |
| Manchester | [112], [139] |
| Manns, Sir Augustus | [132], [260] |
| Mapleson | [178] |
| Mario | [179] |
| Masque, the | [34] |
| McGuckin, Mr. Barton | [187] |
| Melba, Madame | [179], [121] |
| Mendelssohn's Violin Concerto | [195] |
| "Merrie," When England was | [29] |
| Messager, Andrè | [192] |
| "Messiah," The | [158] |
| Minstrels, Early | [18] |
| Moss, Mr. Hugh | [191] |
| Monks and Music | [6] |
| Moody-Manners Company | [186] |
| "Morning Hymn" | [42] |
| "Morning Post," Quotation from | [196] |
| Morris Dance | [21] |
| Musical Comedies | [193] |
| N | |
| New Symphony Orchestra | [143], [245] |
| Niccolini | [179] |
| Nilsson, Christine | [178] |
| Norman-Neruda, Madame | [211], [248] |
| Notation | [12] |
| Novello & Co., Messrs. | [90] |
| O | |
| Opera, English | [180] |
| Opera, Essentials for Success | [197] |
| Opera, History of | [176] |
| Opera in England | [176] |
| Opera, State Aid for | [193] |
| Oratorio in England | [150] |
| Orchestral Music | [125] |
| Orchestral Music in London | [245] |
| Organ, An, in Sixth Century | [44] |
| Organ, Development of the | [45] |
| Oudin, Eugène | [191] |
| P | |
| Palestrina | [6] |
| Palliser, Miss Esther | [192] |
| Parepa, Madame | [186] |
| Parry, Sir Hubert | [100] |
| "Parthenia" | [27], [28] |
| Patti, Adelina | [178] |
| Philharmonic Society, The | [125], [245] |
| "Philip Vanderdecken" | [187] |
| Piatti | [248] |
| Pitch fixed by Costa | [115] |
| Players, Strolling | [2] |
| "Pops" | [248] |
| Promenade Concerts | [139] |
| Purcell | [9], [45], [60] |
| Purcell and Opera | [176] |
| Puritanism | [29], [69] |
| Puritans, The, and Opera | [177] |
| Pyne, George, and James Kendrick | [184] |
| Pyne-Harrison Company, The | [184] |
| Pyne, Minto | [184] |
| Pyne, Miss Louisa | [183] |
| R | |
| Reeves, Sims | [179], [207] |
| Reformation, Effect on Music | [2] |
| Restoration, The, and Music | [80] |
| Richter Concerts | [131] |
| Richter, Dr. | [179], [180] |
| Rivière | [140] |
| "Robin Hood" | [185] |
| Ronald, Mr. Landon | [101], [144] |
| Round | [37] |
| Royal Academy of Music | [98] |
| Royal Amateur Orchestral Society | [145] |
| Royal Choral Society | [246] |
| Royal College of Music | [99] |
| Royal Italian Opera | [179] |
| Rumford, Mr. Kennerley | [247] |
| S | |
| Salmond, Mr. Norman | [192] |
| "Salome" | [248], [249] |
| "Samson et Dalila" | [249] |
| Santley, Sir Charles | [179], [186] |
| Schumann, Madame | [248] |
| Secular Music of Thirteenth Century | [20] |
| "Senta" | [187] |
| Sheffield | [112] |
| Sheffield Choir | [246] |
| Smith | [178] |
| Sontag | [178] |
| Spohr | [109] |
| Squire, W. H. | [118] |
| Stanford, Sir Villiers | [185] |
| Straus, Richard | [181], [248] |
| State Aid for Opera | [193] |
| Sullivan, Sir Arthur | [86], [190], [227] |
| "Sumer is icumen in" | [40] |
| Sunday Concerts | [144] |
| Symphony Concerts | [139] |
| Symphony Orchestra, The London | [142] |
| T | |
| Tallis | [6], [9], [48], [96] |
| "The Creation" | [160] |
| "The Dream of Gerontius" | [173], [246] |
| "The Golden Legend" | [168] |
| "The Last Judgment" | [166] |
| "The Redemption" | [168] |
| "The Silver Swan" | [39] |
| "The Woman of Samaria" | [110] |
| Thomas Arthur Goring | [188] |
| Tietjens, Therese | [178] |
| Turner, J. W. | [186], [187] |
| V | |
| Valleria, Alwina | [187] |
| Variety Theatres | [261] |
| Violin, The | [13] |
| W | |
| Wagner | [179], [254], [255] |
| Wagner Festival, The | [131] |
| Wallace's "Lurline" | [184] |
| Wallace's "Maritana" | [183] |
| Wesley, Samuel | [91] |
| Wesley, Samuel Sebastian | [91], [184] |
| Wilde, Oscar | [249] |
| Wolff, Johannes | [112] |
| Wood, Sir Henry | [116], [139], [245] |
| Y | |
| York, Josephine | [187] |
THE LONDON AND NORWICH PRESS, LTD., LONDON AND NORWICH
Transcriber's Notes
Changes to the text have been limited to typographical errors only and are listed as follows:
Page [9]: changed "Bryd" to "Byrd" (Of Byrd we have written.)
Page [45]: changed "harpischord" to "harpsichord" (... harpsichord and organ music, ...)
Page [58]: changed comma to sentence-final period (... the great, but not too amiable, Mr. William Byrd.)
Page [67]: changed "Calvanistic" to "Calvinistic" (—Effect of Calvinistic teaching—)