Raphael painted at a time when scholars and artists were enthusiastic over the rediscovery of the literature and art of the ancient world. Such a scene as this, therefore, appealed to him; for he could not only depict a Biblical incident, but he could make his picture a study of ancient life. The architecture, the altar, the figure of Mercury, the wreath-bound heads, the sacrificial act itself, were all such as he could imagine from ancient Greece. Indeed, the whole picture is like a copy of an antique bas-relief; and in the original cartoon there is, below the picture, a decorative border studied from antique sculpture, and below that still an ornamental edge which was very common in Greek work.
And yet, though Raphael thus made much of the Greek spirit in his design, he was like all great painters of his day. He did not try minutely to repeat Greek life as he imagined it. The men and women and children were like those he was wont to see in Rome or Florence, or Urbino, where he was born, and the headdresses were such as the women of his time wore.
V
HELIODORUS DRIVEN FROM THE TEMPLE
In the Vatican palace there is one chamber in a series of chambers decorated with Raphael's paintings which is called in Italian Stanza d'Eliodoro, or the Heliodorus Room. The name is taken from the first of the paintings which cover the walls of the room.
The story which Raphael told in this picture is taken from an incident in the history of Jerusalem, which is related in one of the books of the Apocrypha and in Josephus's History.
It was at a time when Jerusalem was a prosperous city, owing its good government to the upright and honorable character of the high priest Onias. Through his efforts a large fund of money and treasure had been laid up for the relief of widows and orphans. This treasure was stored in the sacred precincts of the temple and carefully guarded for the uses for which it was intended.
Now it came about that a distant king heard of this valuable treasure and set his heart upon it. He called his treasurer Heliodorus, and straightway sent him to Jerusalem to bring back the treasure by fair means or foul. Heliodorus was a bold man ready for his evil task. Arriving at Jerusalem, he sought out Onias and made his demand, which, as a matter of course, was promptly refused. Heliodorus then prepared to take the treasure by force, and, accompanied by his men, pushed into the temple amid the lamentations of the people and the prayers of the priests. But just as the robbers had laid hands upon the coveted treasure, a strange thing happened; and this is what the old narrative relates:—