Dante Rossetti and the Pre-Raphaelite movement
Esther Wood
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  • Banks, Mrs., [168].
  • Barbizon School, [134].
  • Baring, Miss, [168].
  • Bateman, E.L., [109].
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  • “Beatrice,” [129].
  • Behnes, [108].
  • “Bello Mano, La,” [181].
  • “Beloved, The,” or “The Bride,” [91], [157].
  • “Benedick and Beatrice,” [106].
  • Beryl Songs, [298].
  • “Bethlehem Gate,” [116], [160], [217].
  • Birchington, [190]-192.
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  • “Black Brunswicker, The,” [127], [148], [243]-244.
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  • “Blessed Damozel, The,” [4], [162], [175]-176, [180], [185], [217], [257], [263], [287], [290], [301]-304.
  • “Blind Girl, The,” [121]-122, [228]-229.
  • “Blue Bower, The,” [91], [117], [157].
  • “Blue Closet, The,” [117]-118.
  • “Boat of Love, The,” [180], [251].
  • “Bocca Baciata,” [104], [117], [157].
  • “Body of Harold, The,” [34].
  • Bognor, [181]-182.
  • Botticelli, [48], [50].
  • “Bower Garden, The,” [117].
  • “Bower Maiden, The,” [172], [179].
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  • Boyd, Miss Alice, [168], [171].
  • Brett, Mr. John, [118], [129].
  • “Briar Rose, The,” [232].
  • “Bride’s Prelude, The,” [263], [286], [299]-301.
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    • dispersed, [107], [119].
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    • some characteristics of, [34], [64], [107], [151]-155, [219], [226];
    • portrait of, [110].
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    • portraits of, [109], [117].
  • “Burd, Helen,” [127].
  • Burlington Club, [204].
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    • some characteristics of, [205], [219]-221, [224], [232], [246]-248.
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    • portrait of, [108].
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  • “Cassandra,” [189].
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  • “Chapel before the Lists, The,” [116].
  • “Charity Boy’s Début, The,” [63].
  • Chatham Place, [94], [159], [163].
  • Chatterton, [3], [267], [280].
  • “Chaucer at the Court of Edward III.,” [35], [153].
  • Chelsea, [163], [172], [180], [193].
  • Christchurch, Albany Street, [169].
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  • Christianity in Italian Art, [40]-43, [46]-48, [50]-52.
  • “Christian Priests Escaping,” or, “The Christian Missionary,” [76], [146].
  • “Christ in the House of His Parents,” [75]-78, [126], [205]-208.
  • “Christ in the Temple,” [4], [150], [218].
  • “Christmas Carol, A,” [118].
  • “Christ’s Entry into Jerusalem,” [129].
  • Cimabue, [39], [47], [57].
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  • Constable, [2], [3].
  • “Convent Thoughts,” [126].
  • “Cordelia’s Portion,” [153].
  • Cornelius, [134].
  • Coronio, Mrs., [168].
  • “Cottager’s Return, The,” [125].
  • Cox, David, [131].
  • “Cromwell Dictating,” [155].
  • “Cromwell on his Farm,” [155].
  • “Crucifixion, The,” [116], [215].
  • Cumberland, [188]-189.
  • Cuyp, [132].
  • Cyclographic Society, [60]-61.
  • “Cymon and Iphigenia,” [62].
  • Dalrymple, Mrs., [168].
  • “Damozel, The Blessed,” [4], [162], [175]-176, [180], [185], [217], [257], [263], [287], [290], [301]-304.
  • “Damozel of the Sanct Grael, The,” [116], [181].
  • Danby, [132].
  • “Dante at Verona,” [215], [262], [284]-285.
  • Dante, influence of, [22], [98];
    • illustrations of, [99], [104]-105, [116]-118, [129], [180], [190], [249]-258, [269].
  • “Dante’s Dream,” [4], [116], [118], [138], [162], [168], [173], [188], [190], [253]-255.
  • “Day and Night Songs,” [136].
  • “Day-dream, The,” [139], [180]-181, [186]-187.
  • Davis, William, [118], [129].
  • “Death of Boadicea,” [108].
  • “Death of Breuse sans Pitié, The,” [116].
  • “Death of Chatterton, The,” [128].
  • “Death of Lady Macbeth, The,” [236].
  • “Death of Sir Tristram, The,” [154].
  • Dennis, William, [61].
  • Deverell, Walter, [5], [61], [99], [119].
  • “Devout Childhood of St. Elizabeth, The,” [126].
  • “Dis Manibus,” or “The Roman Widow,” [167], [175], [180].
  • “Donna della Finestra, La,” or “Our Lady of Pity,” [181], [224], [256]-258.
  • Döpplegänger Legends, The, [106], [225].
  • “Down Stream,” [172].
  • “Dream of Sardanapalus, The,” [154].
  • Dunn, Mr. H.T., [170].
  • Dürer, Albrecht, [51], [82].
  • Dutch School, [39].
  • “Ecce Ancilla Domini,” [4], [64], [78]-79, [92], [203].
  • “Edward Grey,” [139].
  • “Eleanor Sucking the Poison,” [108].
  • “Elijah and the Widow’s Son,” [155].
  • Eliot, George, [196]-199.
  • Elnore, [134].
  • “Enemy Sowing Tares, The,” [122], [147].
  • English Art in 1850, [2], [3].
  • “Entombment, The,” [4], [155], [219].
  • “Eros and Euphrosyne,” [108].
  • “Eve of St. Agnes, The,” [4], [121]-122, [125], [147], [248]-249.
  • Exhibitions, Pre-Raphaelite, [67], [118].
  • Expression in Art, [25]-26.
  • “Fair Rosamund,” [118].
  • “Farmer’s Daughter, The,” [118].
  • “Fazio’s Mistress,” [117], [157].
  • “Feeding the Hungry,” [108].
  • “Ferdinand Lured by Ariel,” [75]-78, [91].
  • “Fiametta,” [168].
  • “Fiametta, A Vision of,” [119], [181], [185].
  • Fine Art Society, The, [118].
  • “Fleshly School of Poetry, The,” [176].
  • “Flight of Madeline and Porphyro,” [62], [248].
  • Foreign Schools, [134].
  • .pn+1
  • Forsyth, Rev. P.F., [199], [216], [241].
  • “Found,” [4], [107], [236]-237, [306].
  • Frescoes at Manchester, [155];
    • at Oxford, [142]-146;
    • at Westminster Hall, [33]-35, [108], [128], [151].
  • Fra Angelico, [5], [48].
  • “Fra Angelico Painting,” [117].
  • Fra Bartolomeo, [113].
  • Fra Lippo Lippi, [48].
  • “Fra Pace,” [117].
  • “Francesca da Rimini,” [215], [234]-235.
  • “Galahad, Sir,” [116], [138], [143], [232].
  • “Gate of Memory, The,” [107], [236]-238.
  • “George, St., A Wedding of,” [118].
  • “George, St., and Princess Sabra,” [160], [245].
  • “Germ, The,” [69]-74, [95].
  • Ghiberti, [57].
  • “Ghirlandata, La,” [91], [158], [167], [180].
  • Giorgione, [49].
  • “Giorgione Painting,” [117].
  • Giotto, [39], [48], [57], [113].
  • “Giotto Painting,” [251].
  • “Girlhood of Mary Virgin, The,” [1], [4], [55], [66]-67, [92], [202], [225].
  • Glasgow Institute of Fine Arts, [118].
  • “Goblin Market,” [139].
  • Goodall, [134].
  • Gosse, Mr. Edmund, [166].
  • Graham, Mr. William, [175].
  • Gray, Miss Euphemia Chalmers, [148].
  • Green, N.E., [61].
  • Guildhall Loan Exhibition, [162].
  • Hake, Dr. Gordon, [175], [178]-179, [181];
    • portrait of, [109].
  • Hake, Mr. George, [175], [178];
    • portrait of, [110].
  • Halliday, M.F., [129].
  • Hancock, John, [61], [129].
  • “Hand and Soul,” [71]-72.
  • Hannay, James Lennox, [79].
  • “Hark!” [30].
  • Harris, Dr., [190], [192].
  • Haydon, [90].
  • “Heart of the Night, The,” [160], [231].
  • Heaton, Mrs. Aldham, [167].
  • Heaton, Miss, [168].
  • Heine, [11], [14], [117], [277].
  • Hellenism in Italy, [42]-49.
  • Herbert, Miss, [103], [167].
  • “Hesterna Rosa,” [107], [118], [236]-238.
  • “Hireling Shepherd, The,” [149].
  • Hogarth Club, [117].
  • “House of Life, The,” [161], [262]-282.
  • Howell, Mrs., [168].
  • “How They Met Themselves,” [106], [224]-226.
  • “Hugenot, A,” [4], [121], [127], [147], [243], [246].
  • Hughes, Arthur, [4], [118], [125], [136]-137, [142]-143, [204]-205, [249].
  • Hunt, William Holman, [29]-31, [35]-36, [63]-67, [86]-87, [92], [95], [100], [101], [109], [118]-119, [122], [137], [146], [148]-150;
    • characteristics of, [6], [15], [86], [107], [138], [208]-213, [215]-217, [224], [230], [236], [239], [244], [246], [248];
    • portrait of, [109].
  • “Il Ramoscello,” [157].
  • Inchbold, [118].
  • “Infant Christ Adored, The,” [116], [156], [218].
  • “Infants’ Repast, The,” [34].
  • “Isabella,” [55], [60], [65], [67], [229].
  • “Isabella and the Pot of Basil,” [150].
  • “Isumbras at the Ford, Sir,” [148], [245]-246.
  • Italian Pre-Raphaelites, The, [39]-57, [113].
  • “Jenny,” [304]-307.
  • “Jesus Washes Peter’s Feet,” [155].
  • “Joan of Arc,” [191], [245].
  • Johnson, Dr., and the Methodist Ladies, [159].
  • “Joli Cœur,” [119].
  • “Justice,” [34].
  • “Kate the Queen,” [95].
  • Keats, influence of, [58], [267], [277];
    • subjects from, [60]-62, [65], [117], [229], [248]-249.
  • Keene, J.B., [61].
  • Kelmscott, [172], [178].
  • Kernahan, Mr. Coulson, [174].
  • “King Arthur Receiving Excalibur,” [143].
  • “King Arthur’s Tomb,” [116], [233].
  • Kingdon, Miss, [168].
  • “King René’s Honeymoon,” [154].
  • Kingsley, Charles, [141].
  • “King’s Tragedy, The,” [8], [186], [263], [286], [289]-292.
  • Knewstub, Mr., [170].