Dante Rossetti and the Pre-Raphaelite movement - Esther Wood - Page №86
Dante Rossetti and the Pre-Raphaelite movement
Esther Wood
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  • “Laboratory, The,” [105], [238].
  • “Lady Lilith,” [157], [214].
  • “Lady of Good Children, Our,” [34], [155].
  • “Lady of Pity, Our,” [181], [224], [256]-258.
  • “Lady of Shalott, The,” [138].
  • “La Pia,” [157], [159].
  • “La Ricordanza” (“Mnemosyne, or the Lamp of Memory”), [91], [175], [180].
  • “Last Confession, A,” [304]-307.
  • “Last Day in the Old Home, The,” [127].
  • “Last of England, The,” [4], [153].
  • “Launcelot Escaping,” [116].
  • “Launcelot, Sir, before the Shrine,” [143], [233].
  • Lawrence, [2], [122].
  • Lear, Edward, [129].
  • Leathart, Mrs., [168].
  • Leighton, Sir F., [134].
  • Leonardo, [49], [51], [121], [132].
  • Leopardi, [277].
  • Leyland, Mr. F.R., [163], [175], [190];
    • portrait of, [109].
  • Lewes, J.F., [129].
  • “Light of the World, The,” [4], [146], [211]-213.
  • Linnell, [132].
  • Liverpool Academy, The, [87]-88, [118].
  • Liverpool, Walker Art Gallery, [150], [154], [174], [190].
  • Llandaff Cathedral, Triptych for, [104], [116], [156], [218].
  • “Loving Cup, The,” [157].
  • “Lucretia Borgia,” [106], [117]-118, [159].
  • “Luke the Painter, St.,” [117].
  • Lushington, Mr. Godfrey, [140].
  • Lushington, Mr. Vernon, [141].
  • Lushington, Mrs., [168].
  • Lyell, Mr. Charles, [109].
  • “Lyra Innocentium,” [126].
  • “Maids of Elfinmere,” [137].
  • Manchester, Frescoes at, [155].
  • “Mariana,” [137].
  • “Mariana in the South,” [137].
  • “Mariana of the Moated Grange,” [80]-82, [124], [231].
  • “Mariana” (Shakespeare’s), [157].
  • Marshall, Dr. John, [162], [190].
  • Marston, Philip Bourke, [166], [192], [269], [277].
  • Martineau, R.B., [127].
  • Martin’s, St., Scarborough, [169].
  • “Mary in the House of John,” [215].
  • “Mary Magdalene at the Door,” [118], [213]-215.
  • Masaccio, [57].
  • Massey, Mr. Gerald, [131].
  • “Matilda Gathering Herbs,” [215].
  • Maurice, Frederick Denison, [141], [199];
    • portrait of, [154].
  • “May in the Regent’s Park,” [126].
  • “May Morning on Magdalen Tower,” [150].
  • “Melancholia,” [51].
  • Memmi, Simon, [113].
  • “Merciful Knight, The,” [246].
  • Meredith, Mr. George, [164]-166.
  • “Merlin Lured into the Pit,” [143].
  • Michaelangelo, [45], [49], [121], [132], [165], [261], [275].
  • “Michael Scott’s Wooing,” [106], [180], [224]-226.
  • Millais, Sir John Everett, [28]-31, [61], [63], [65], [74]-78, [86]-87, [92], [100], [109], [118]-120, [136]-139, [146]-148;
    • change of style, [122]-124, [133];
    • some characteristics of, [6], [15], [17], [65], [86], [106], [113], [120], [137], [201], [206]-208;
    • on colour, [88]-89;
    • portrait of, [109].
  • “Mirror of Venus, The,” [129].
  • “Mnemosyne, or the Lamp of Memory,” [91], [175], [180].
  • Models, [64]-67, [79]-80, [100]-103, [105], [110], [126]-127, [145], [154], [167], [186], [214].
  • “Modern Painters,” [36]-39, [83].
  • “Monna Pomona,” [160].
  • “Monna Rosa,” [117]-163.
  • “Monna Vanna,” [157].
  • Monro, Alexander, [105], [142]-143.
  • “Morning Music,” [105].
  • Morris, William, [140]-145, [165], [168], [172], [178], [274]-275.
  • Morris, Mrs. William, [145], [168], [186].
  • Morris, Miss May, [168].
  • Morten, Thomas, [129].
  • Mount Temple, Lord and Lady, [161], [168], [175], [185].
  • Moxon’s “Tennyson,” [137].
  • Murillo, [132].
  • Museum, South Kensington, [102].
  • Myers, Mr. T.W.H., [7], [273].
  • National Gallery, The, [79], [159].
  • “Nativity, The,” [205].
  • Nature as a Background, [15]-16.
  • “Nature’s Mirror,” [129].
  • “New Day, The,” [179].
  • Nicholson, P.W., [200].
  • “Nimuë Brings Sir Peleus,” [143].
  • “Nineveh,” [140].
  • “Old Churchyard, The,” [129].
  • “Ophelia,” [4], [121]-122, [147], [227], [229].
  • Orchard, John, [73].
  • “Order of Release, The,” [121], [147].
  • “Oriana,” [138].
  • “Orlando and Adam,” [106].
  • “Our Lady of Good Children,” [34], [155].
  • “Our Lady of Pity,” [181], [224], [256]-258.
  • Outlines, Rossetti’s, [24].
  • Overbeck, [134].
  • Oxford, [77], [140]-141, [145];
    • frescoes at, [142]-146.
  • “Oxford and Cambridge Magazine, The,” [140].
  • Painters of the Last Generation, [33].
  • “Palace of Art, The,” [138].
  • “Palomides’s Jealousy, Sir,” [143].
  • “Pandora,” [59], [118], [157], [162], [241]-242.
  • “Paolo and Francesca,” [215], [234]-235.
  • “Parable of Love, A,” [105].
  • “Parable of the Vineyard, The,” [169].
  • “Parisina and Manfred,” [154].
  • “Passover in the Holy Family, The,” [116], [192], [205]-206.
  • Patmore, Mr. Coventry, [71], [73], [80].
  • Paton, Sir Noel, [129], [174].
  • Payne, John, [166].
  • Penkill, [171].
  • Pessimism in Art, [13]-16.
  • Poetry, Rossetti’s, [23], [68], [71]-73, [140], [161], [176]-177, [179], [259]-309.
  • “Poetry, Art and,” [72].
  • Polidori, Gaetano, [20].
  • Polidori, Miss Margaret, [169].
  • Pollen, J. Hungerford, [142]-143.
  • Portraits, Pre-Raphaelite, [66], [102], [108]-114, [117], [145]-146, [148], [154], [161], [168], [186], [214].
  • “Portrait, The,” [263], [283].
  • Pre-Raphaelite Exhibitions, [67], [118].
  • Pre-Raphaelitism, Characteristics of, [5]-6, [9], [12]-17, [58], [63]-64, [69], [80], [84]-86, [122], [124], [130], [133]-135, [198]-201.
  • “Pretty Baa-Lambs,” [152].
  • Prices of Pictures, [67], [150], [190].
  • “Prince’s Progress, The,” [140].
  • Prinsep, Mr. Val, [129], [142]-143, [173].
  • “Proscribed Royalist, The,” [126], [147], [247].
  • “Proserpine,” [118]-119, [157], [180], [191], [241].
  • “Protestant Lady, The,” [127].
  • “Psyche,” [236], [239]-40.
  • “Puck,” [108].
  • “Queen’s Page, The,” [117].
  • “Question, The,” or “The Sphinx,” [181], [191].
  • “Rachel and Leah,” [116].
  • “Rainbow, The,” [108].
  • “Rainbow, The Spirit of The,” [181].
  • “Ramoscello, Il,” [157].
  • “Random Shot, The,” or “L’Enfant du Regiment,” [148].
  • Raphael, [6], [49], [52]-54, [83], [132].
  • “Reaper and the Flowers, The,” [125].
  • Redgrave, [24].
  • “Regina Cordium,” [160], [167].
  • Renaissance in Italy, The, [40]-55, [121].
  • “Renunciation of St. Elizabeth, The,” [93].
  • Replicas, [162].
  • “Rescue, The,” [148], [245].
  • “Retro me, Sathana,” [66].
  • “Return of the Dove, The,” [80].
  • Reynolds, Sir Joshua, [89]-90.
  • “Rienzi swearing Revenge,” [66]-67.
  • Roehampton, [178].
  • “Roman Widow, The” (“Dis Manibus”), [167], [175], [180].
  • Romance, Characteristics of, [12]-16, [45]-46, [49]-50, [183]-184.
  • “Romeo and Juliet,” [4], [154], [226].
  • “Rosa Triplex,” [168].
  • “Rose Garden, The,” [160].
  • “Rose Mary,” [179], [263], [286], [290], [296]-299.
  • Rossetti, Christina, [22], [71], [139], [275].
  • Rossetti, Gabriel Charles Dante, commonly called Dante Gabriel, Rossetti, [7], [19]-28, [30]-31, [35], [58]-68, [90], [92]-107, [109], [115], [136]-140, [141]-143, [156]-196;
    • some characteristics of, [3], [5]-8, [15], [24], [28], [58], [86], [96]-98, [106]-107, [121], [176], [194]-195, [201]-206, [213]-218, [223]-226, [230]-238, [241]-242, [245], [250]-258, [259]-309;
    • portraits of, [109], [192]-193;
    • Rossetti’s Outlines, [24];
    • Colour, [91], [99].
  • Rossetti, Gabriele, [20].
  • Rossetti, William Michael, [63], [71], [73], [109], [120], [164];
    • portrait of, [109].
  • Royal Academy, [33], [74]-75, [80]-81, [108], [122], [126]-128, [161].
  • Royal Scottish Academy, [118].
  • Rubens, [132].
  • Ruskin, John, [4], [36]-39, [56]-57, [85]-87, [99], [113]-115, [127], [141], [150], [200], [229];
    • portraits of, [109], [147];
    • letters to the “Times,” [80]-84.
  • Russell Place Exhibition, [118].
  • “Sancta Lilias,” [181].
  • “Saint Agnes of Intercession,” [72].
  • “Saint George, A Wedding of,” [118].
  • “Saint George and Princess Sabra,” [160], [245].
  • “Saint Luke the Painter,” [117].
  • “Salutation of Beatrice, The,” [189]-190, [250]-251.
  • Sandys, Mr. Frederick, [128]-129, [175].
  • Sarrazin, M. Gabrièl, [233].
  • Sass’s Academy, [28].
  • “Scapegoat, The,” [4], [150], [210]-211.
  • Scott, Mr. W. Bell, [178].
  • “Sea-Spell, The,” [167], [175], [181].
  • Seddon, Mr. J.P., [118], [129], [190], [193].
  • “Sermon on the Plain, The,” [169].
  • Sevenoaks, [95].
  • “Seward, John,” [73].
  • “Shadow of Death, The,” [150], [205], [208]-211.
  • Sharp, Mr. William, [190], [192].
  • Shelley, [267]-268, [277].
  • Shields, Mr. Frederick, [129], [175], [187], [190], [192]-193.
  • “Sibylla Palmifera,” [157], [167], [214].
  • Siddal, Miss (Mrs. D.G. Rossetti), [99]-103, [159]-161;
    • portraits of, [102], [117], [159]-161.
  • “Sir Galahad,” [116], [138], [143], [232].
  • “Sir Isumbras at the Ford,” [148], [245]-246.
  • “Sir Palomides’s Jealousy,” [143].
  • “Sir Patrick Spens,” [101].
  • “Sister Helen,” [263], [286], [290], [293]-295.
  • Smith, Bernhard, [108].
  • Sonnets, Rossetti’s, [23], [161], [170], [179], [214], [237], [242], [269]-282, [304].
  • South Kensington Museum, [102].
  • Spartali, Miss (Mrs. Stillman), [167].
  • Specialism in Art, [6]-8.
  • “Sphinx, The,” or “The Question,” [181], [191].
  • “Spirit of the Rainbow, The,” [181].
  • “Spring,” [118].
  • “Staff and Scrip, The,” [140], [287].
  • Stained Glass, Designs for, [168]-169.
  • Stanhope, Mr. Spencer, [129], [142].
  • “Stealthy School of Criticism, The,” [177].
  • Stephens, Mr. F.G., [61], [63], [73], [75], [88], [95], [109], [120];
    • portrait of, [109].
  • Stillman, Mr. W.J., [110].
  • Stillman, Mrs. (Miss Spartali), [167].
  • Stobhall, [162], [178].
  • Stone, [134].
  • “Strayed Sheep, The, or Our English Coasts,” [149].
  • “Stream’s Secret, The,” [263], [283].
  • Strudwick, Mr. J.M., [5], [230].
  • Sumner, Mrs., [175].
  • “Sun may Shine, The,” [105].
  • “Surgeon’s Daughter, The,” [127].
  • Swinburne, A.C., [145], [164], [166], [177], [242], [266], [275];
    • portraits of, [109], [117].
  • “Taurello’s First Sight of Fortune,” [105].
  • Tebbs, Mrs. Virtue, [168].
  • Technique, Imperfect, [25], [39].
  • Tennyson, [85], [94]-95, [104], [165]-166, [199];
    • illustrations of, [116], [137]-139, [142]-143, [154], [160], [230]-234;
    • portraits of, [108]-109, [117], [137].
  • Thomas, Mr. Cave, [69], [128].
  • Thomson, James, [269], [277].
  • “Tibullus’s Return to Delia,” [118].
  • “Times,” Ruskin’s letters to the, [80]-84.
  • Tirebuck, William, [223].
  • “Titania,” [108].
  • Titian, [2], [5], [49].
  • “Too Late,” [127].
  • “Transfiguration, The,” [155].
  • “Tree of Life, The,” [220].
  • “Tristram and Iseult,” [116], [160].
  • “Triumph of the Innocents, The,” [150], [217].
  • “Tune of the Seven Towers, The,” [116].
  • Tupper, Mr. J.L., [71]-72.
  • Turner, [2], [16].
  • “Two Mothers,” [119].
  • “Under the Microscope,” [177].